Najarra Townsend plays a hairstylist who alternates between sweet and psychotic in a film that's reminiscent of Franck Khalfoun's Maniac and Nicolas Winding Refn's The Neon Demon. Jill Gevargizian's audio-visual choices in the film really stand out - be it neon-esque colorscape or the prominently bassy soundtrack. Townsend, in the titular role, does most of the heavy lifting with a chillingly effective performance. The film gets a bit drab and overlong in its middle portions (especially that nightclub scene) but picks up again towards the end, even if the climax is something that you can foresee from a mile away. It may be an easy film to write off given the predictability aspect alone, however, the aesthetics deserve a double thumbs-up. The script deliberately doesn't focus on how well the hairstylist covers up her grisly murders; it delves more into her inner conflicts instead. All said and done, The Stylist is a film that offers different levels of satisfaction for different viewers.
Review of The Stylist
The Stylist
(I) (2020)
A predictable screenplay, impressive aesthetics, and a power-packed performance! [+60%]
27 June 2021