Passable, also thanks to his unexpected twist, which while relegating the film to a uniquely young audience, somehow puts to rest the angry ninja attitude of Gretel, a constantly cold character, and therefore not very lovable.
The stormy relationship between the two brothers is functional. Technically the film is nothing special, fairly good with ups and downs, and apart from the witch Baba Yaga who belongs to the Slavic folklore, together with perhaps the animated sweets (also present in "The Stolen Princess"), the rest appears as a classic medium cost product of pure American or Canadian manufacture.
It is obvious that these are no longer the times of Atamanov and Ivanov-Vano, but honestly, from an Eastern European product, albeit collaborative, one would like something alternative and possibly elegant, rather than a copy like many others.
The stormy relationship between the two brothers is functional. Technically the film is nothing special, fairly good with ups and downs, and apart from the witch Baba Yaga who belongs to the Slavic folklore, together with perhaps the animated sweets (also present in "The Stolen Princess"), the rest appears as a classic medium cost product of pure American or Canadian manufacture.
It is obvious that these are no longer the times of Atamanov and Ivanov-Vano, but honestly, from an Eastern European product, albeit collaborative, one would like something alternative and possibly elegant, rather than a copy like many others.