If I were to sum it up; "Raman Raghav 2.0" is nothing but a barefaced character study. Incorporating a Sociopath, a frenzied cop; and their eventual affiliation shaped under distressing circumstances.
Depiction of a devilish killer, an insightful look within his crippled mind is in itself a petrifying thing to tell. With the help of Mr. Kashyap's pronounced finesse and an unerring act by Nawazuddin Siddiqui; Comes out an astute impersonation of a demented murderer.
Vicky Kaushal as the disorganised & drug addict policeman was simply amazing. The limelight might have been on Nawaz; yet Vicky succeeded finding out his own rhythm. This marked as Sobhita Dhulipala's debut feature, and I can definitely apprehend the success she got afterwards in several roles. A hefty praise goes to Anurag for continuously being the torch bearer in introducing promising talents.
Performances are the heart and soul in here alongside a technical prowess commonly showcased in a Kashyap Production! This time, the other aspects failed to accommodate. The storyline seems inchoate, inconsistencies in the writing being the main culprit. There are definite loose ends in the screenplay therefore weakening the core contemplation. Jumping around discrete timelines with advancing chapter sequences; a hard act to follow.
He can certainly do better, as his other stirring works are substantial testimonies to that!
Depiction of a devilish killer, an insightful look within his crippled mind is in itself a petrifying thing to tell. With the help of Mr. Kashyap's pronounced finesse and an unerring act by Nawazuddin Siddiqui; Comes out an astute impersonation of a demented murderer.
Vicky Kaushal as the disorganised & drug addict policeman was simply amazing. The limelight might have been on Nawaz; yet Vicky succeeded finding out his own rhythm. This marked as Sobhita Dhulipala's debut feature, and I can definitely apprehend the success she got afterwards in several roles. A hefty praise goes to Anurag for continuously being the torch bearer in introducing promising talents.
Performances are the heart and soul in here alongside a technical prowess commonly showcased in a Kashyap Production! This time, the other aspects failed to accommodate. The storyline seems inchoate, inconsistencies in the writing being the main culprit. There are definite loose ends in the screenplay therefore weakening the core contemplation. Jumping around discrete timelines with advancing chapter sequences; a hard act to follow.
He can certainly do better, as his other stirring works are substantial testimonies to that!