Woody Harrelson comes off the stage in another mediocre London West End theatre production. Over the course of the evening his marriage to his wife (Eleanor Satsuura) breaks down due to an indisctrion which makes its way to the front page of a tabloid, but after an apparent fight with friend Owen Wilson he leaves a nightclub and gets into an altercation with a taxi driver that lands him in jail.
A piece of experiemental cinema whereby the film was shot in real time and streamed to a live cinema audience in the USA and then the UK on the 19th January 2017. The idea is incredibly bold and well executed with some aspects of the film working very well, others less so. Modern technology and smaller GoPro type cameras have allowed for this type of film to be executed, but it is also well choreographed. For this alone, Harrelson should be praised.
A piece of experiemental cinema whereby the film was shot in real time and streamed to a live cinema audience in the USA and then the UK on the 19th January 2017. The idea is incredibly bold and well executed with some aspects of the film working very well, others less so. Modern technology and smaller GoPro type cameras have allowed for this type of film to be executed, but it is also well choreographed. For this alone, Harrelson should be praised.