Watching a movie like "Saint Frances" reminds a viewer how rarely we're treated to a truly female-driven movie. Oh sure, there are plenty of movies starring women, a few even (gasp!) directed by them, and lots that purport to be about women's "issues," whatever that means. But it's very rare to have a movie created by women, starring women, and about topics that mostly affect only women and in which the presence or lack thereof of male characters is largely irrelevant to the central issue.
"Saint Frances" isn't a great movie, but it's a very good one and feels in its own unambitious way like something fresh among a sea of mediocre movies. Writer and star Kelly O'Sullivan creates a character who some viewers are sure to dislike and judge, but it's also a character that feels authentic and complex and real and like, you know, the way actual real people are instead of the way they're depicted in lots of other carefully scripted films. The movie has a preoccupation with the biology of women in general and with menstrual blood in particular, and it's to the film's credit that it treats with matter-of-fact seriousness things (like periods, breast feeding, and other things that only women experience) that are used as the butts of jokes in our popular culture or otherwise inexplicably treated with outright disgust. It commits that sin common to feel-good indie movies of wanting to wrap up everything a bit too neatly with a shiny bow, but the sin isn't so egregious in this movie as to ruin the overall experience of watching it.
I also got a kick out of the fact that the movie is set in and was filmed, at least partially, in Evanston, Illinois, which is where I live. It was really fun recognizing locations and dissecting how accurately the film captured life in such a liberal progressive community.
Grade: A-
"Saint Frances" isn't a great movie, but it's a very good one and feels in its own unambitious way like something fresh among a sea of mediocre movies. Writer and star Kelly O'Sullivan creates a character who some viewers are sure to dislike and judge, but it's also a character that feels authentic and complex and real and like, you know, the way actual real people are instead of the way they're depicted in lots of other carefully scripted films. The movie has a preoccupation with the biology of women in general and with menstrual blood in particular, and it's to the film's credit that it treats with matter-of-fact seriousness things (like periods, breast feeding, and other things that only women experience) that are used as the butts of jokes in our popular culture or otherwise inexplicably treated with outright disgust. It commits that sin common to feel-good indie movies of wanting to wrap up everything a bit too neatly with a shiny bow, but the sin isn't so egregious in this movie as to ruin the overall experience of watching it.
I also got a kick out of the fact that the movie is set in and was filmed, at least partially, in Evanston, Illinois, which is where I live. It was really fun recognizing locations and dissecting how accurately the film captured life in such a liberal progressive community.
Grade: A-