Crime drama genre aficionados will dig Godfather of Harlem's groove with Forest Whitaker at the helm as Bumpy Johnson, a convict recently released from Alcatraz penitentiary off an 11 year beef into a strange new Harlem that he doesn't recognize: Italian's dominate what used to be African American-owned territory and the police are more intolerable, violent, and complicit in the drug trade than ever before.
The cast for Godfather of Harlem is spectacular. Forest Whitaker as Bumpy Johnson is flawless, while Vincent D'nofrio as his rival Italian capo conjures up imagery of Tony Soprano in a past life. Both men are titans on the screen.
Unfortunately, that's where the best things about Godfather of Harlem end. The story, while based on real people and places, is incredibly cliche. There's nothing in Godfather of Harlem that you haven't seen, heard or thought of before -- from the stale bigoted vocabulary that nearly every character employs in their dialogue , to the tried-and-true racist tropes that litter the story ... Godfather of Harlem ultimately feels like a caricature parody of a crime drama than an actual serious entry into the genre.
It's definitely worth watching, just don't expect your mind to be blown in the same way that shows like The Wire or The Shield captivated us. If you're looking for an excellent black-centric crime saga to start watching, give FX's "Snowfall" a shot instead. Godfather of Harlem feels too infantile in its development right now to be taken seriously as a contender -- give it a season or two to flesh itself out before engaging yourself with Bumpy Johnson's world. The makings of greatness are there screaming at us loud and clear, let's just hope the people writing the script step it up with more mellifluous and less-cliched dialogue and give us entertainment worthy of the Epic moniker the show's home network is named after.
Definitely keep your eye on this cinematic universe though. Whitaker and D'nofrio are just too amazing to ignore.
The cast for Godfather of Harlem is spectacular. Forest Whitaker as Bumpy Johnson is flawless, while Vincent D'nofrio as his rival Italian capo conjures up imagery of Tony Soprano in a past life. Both men are titans on the screen.
Unfortunately, that's where the best things about Godfather of Harlem end. The story, while based on real people and places, is incredibly cliche. There's nothing in Godfather of Harlem that you haven't seen, heard or thought of before -- from the stale bigoted vocabulary that nearly every character employs in their dialogue , to the tried-and-true racist tropes that litter the story ... Godfather of Harlem ultimately feels like a caricature parody of a crime drama than an actual serious entry into the genre.
It's definitely worth watching, just don't expect your mind to be blown in the same way that shows like The Wire or The Shield captivated us. If you're looking for an excellent black-centric crime saga to start watching, give FX's "Snowfall" a shot instead. Godfather of Harlem feels too infantile in its development right now to be taken seriously as a contender -- give it a season or two to flesh itself out before engaging yourself with Bumpy Johnson's world. The makings of greatness are there screaming at us loud and clear, let's just hope the people writing the script step it up with more mellifluous and less-cliched dialogue and give us entertainment worthy of the Epic moniker the show's home network is named after.
Definitely keep your eye on this cinematic universe though. Whitaker and D'nofrio are just too amazing to ignore.