Cops (1922)
6/10
Let's be cops.
20 May 2019
'Cops (1922)' is one of Keaton's weaker shorts primarily because it isn't as charming or as funny. As such, it isn't as entertaining. It doesn't rely on 'skits' as much as his other work, even those with a relatively strong narrative, and just sort of feels like an extended chase, in a way, even when no-one is being chased. The main character makes several odd choices that don't allow him to be all that likeable. He's also a straight-up thief, as well as an inadvertent one. Don't get me wrong, though, there are several stand-out moments and the piece is generally rather enjoyable. It's ending is rushed and a little downbeat - as is the whole thing, in a way - but there's enough technical achievement and acrobatic wonder throughout to put a smile on your face. I mean, the number of people involved in its crowd sequences is staggering. I kind of wish the overall effect was a little better because there are some really strong moments here. It isn't bad but, as I said, it didn't grip me as much as Keaton's other work. 6/10
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