A number of interest points here. A brilliant premise. Material that was daring at the time, that one is amazed at what it got away with even if some of it may be an acquired taste. That it was the final film of the lovely Carole Lombard, who died far too young in a plane crash not long after with much more to give. And that it was directed by Ernst Lubitsch, a personal favourite of mine who had one of the most distinctive directing styles for any director often cited as "the Lubtisch touch".
Found 'To Be or Not to Be' a truly fabulous film, have seen many very good to masterpiece films recently (as well as inevitably some duds) and this stands out among the very best of them. What could easily have been tasteless and offensive, with what it was satirising and considering the time, turned out to be one of the funniest comedies seen recently and ever actually and wartime comedies have seldom been funnier or more original. It also contains some of the best work of all involved. In front of and behind the camera, am aware that sounds very cliched but to me it's true.
'To Be or Not to Be' looks great, immaculately yet atmospherically designed with a real sense of period and beautifully shot without being too glamorous. The music is neither too jaunty or low key, while Lubitsch's direction is one of 'To Be or Not to Be's' biggest stars in its sophisticated style that one can recognise from anywhere.
Regarding the script, it is intricate and full of sharp wit and hilariously quotable lines that as mentioned above in my first paragraph when talking about the material being daring. The opening gag is hysterical and one that one does not expect, while the running joke concerning Robert Stack as Maria's (played by Lombard) admirer is an example of a running joke that doesn't get old prematurely and doesn't get repetitive, dangers with running jokes. 'To Be or Not to Be' is not just non-stop hilarity though, there is also surprising pathos that one doesn't always get in comedy and is genuinely poignant. Affectionate and inspiring are further things to describe and never had any problem with the pace.
Lubitsch's direction is one of two particularly wonderful things about 'To Be or Not to Be'. The other is the simply sublime cast, showing Jack Benny at his funniest and Lombard being an absolute joy in all senses (found her touching too but a lot of it was to do with it being her final film and what a talent she was). Stack is amusing and charming and Stanley Ridges and Sig Ruman are great fun.
Altogether, fabulous. Even in films that fit in the "loved it" category, improvements can be pointed out in order to be balanced, but in the case of 'To Be or Not to Be' there is nothing to fault. 10/10
Found 'To Be or Not to Be' a truly fabulous film, have seen many very good to masterpiece films recently (as well as inevitably some duds) and this stands out among the very best of them. What could easily have been tasteless and offensive, with what it was satirising and considering the time, turned out to be one of the funniest comedies seen recently and ever actually and wartime comedies have seldom been funnier or more original. It also contains some of the best work of all involved. In front of and behind the camera, am aware that sounds very cliched but to me it's true.
'To Be or Not to Be' looks great, immaculately yet atmospherically designed with a real sense of period and beautifully shot without being too glamorous. The music is neither too jaunty or low key, while Lubitsch's direction is one of 'To Be or Not to Be's' biggest stars in its sophisticated style that one can recognise from anywhere.
Regarding the script, it is intricate and full of sharp wit and hilariously quotable lines that as mentioned above in my first paragraph when talking about the material being daring. The opening gag is hysterical and one that one does not expect, while the running joke concerning Robert Stack as Maria's (played by Lombard) admirer is an example of a running joke that doesn't get old prematurely and doesn't get repetitive, dangers with running jokes. 'To Be or Not to Be' is not just non-stop hilarity though, there is also surprising pathos that one doesn't always get in comedy and is genuinely poignant. Affectionate and inspiring are further things to describe and never had any problem with the pace.
Lubitsch's direction is one of two particularly wonderful things about 'To Be or Not to Be'. The other is the simply sublime cast, showing Jack Benny at his funniest and Lombard being an absolute joy in all senses (found her touching too but a lot of it was to do with it being her final film and what a talent she was). Stack is amusing and charming and Stanley Ridges and Sig Ruman are great fun.
Altogether, fabulous. Even in films that fit in the "loved it" category, improvements can be pointed out in order to be balanced, but in the case of 'To Be or Not to Be' there is nothing to fault. 10/10