For the frightened characters this film is a harrowing plane journey away from disease and death, for the viewer it is an enjoyable flight from superstar blockbusters. In a world where computer effects replace stories and superstar names replace actors, this film attempts to tell a story with honesty and consideration. No overuse of cartoonish CGI, no wisecracking superhero, in fact most scenes don't even have loud music pumping through them because there is actually proper dialogue to listen too instead. What music there is is always well-placed and appropriate, especially the gentler compositions. Certainly, some scenes and situations have been done before, but thats because such scenes are realistic and at any rate, that 'criticism' applies to all movies. Indeed, to all art. This absorbing movie does try to take a couple of unexpected decisions that work well. The Carrier also manages to give the impression of being just one story in a whole complex world of other stories. That in itself is a rare and highly commendable thing.
The ending is the perfect consequence of what has gone before. In summary, this a a good take on the pandemic setting; a more than acceptable script is complemented by good performances all round and good use is made of the limited setting.
The fact that Billy Clarke isn't an acting superstar is a sure sign that mainstream cinema is in a deep crisis of quality. I'd take The Carrier over SuperDuperMegaHeroPowerMan6 any day, purely on the basis that it is much, much better.
The ending is the perfect consequence of what has gone before. In summary, this a a good take on the pandemic setting; a more than acceptable script is complemented by good performances all round and good use is made of the limited setting.
The fact that Billy Clarke isn't an acting superstar is a sure sign that mainstream cinema is in a deep crisis of quality. I'd take The Carrier over SuperDuperMegaHeroPowerMan6 any day, purely on the basis that it is much, much better.