As seems to be typical with Dennis Iliadis' work, the cinematography is spot on, and a dismal set-up turns unexpectedly engaging and nerve-racking. Unfortunately, it relies far too heavily on clichés, the dialogue is awful and the plot becomes so twisted and ridiculous that the artifice shines through. And yet in spite of everything, it really grabs your attention and doesn't let go. Alongside "The Last House on the Left", Iliadis proves that he is a very talented filmmaker, if only he could keep a firm hold on the plot.