Film student Nick Chapman (Kevin Bacon) is nominated for an award at the National Film Institute. He's competing against the wacky Lydia Johnson (Jennifer Jason Leigh) and spoiled arrogant Jonathan Tristan-Bennet (Dan Schneider). After his win, he has big dreams but Hollywood is more than his naive expectations. There's studio head Allen Habel (J.T. Walsh), his wife Polo Habel (Fran Drescher), and his mistress Gretchen (Teri Hatcher). Allen starts changing Nick's movie. He's infatuated with Gretchen. He dumps his girlfriend Susan Rawlings and old friends like Emmet Sumner (Michael McKean).
Martin Short's bad hair really threw me off for a second. It suggests a broader, sillier comedy than I expected. Luckily, it doesn't go that way but this is not at the later Christopher Guest level. It takes all the standard Hollywood behind the scenes and puts it on the screen. It's quirky but no big laughs. It hits the nails on the head. Nick is not much in terms of rooting interest. This is early in the inside Hollywood satires. It could be darker. The girlfriend role needs a better actress. The most compelling character is actually Lydia who reconnects with the movie for a short while in the last third. The movie gets a lot better with her energy. It would help if his movie idea doesn't look so utterly self-congratulatory art-house. Overall, this is a nice lesser known Christopher Guest film.
Martin Short's bad hair really threw me off for a second. It suggests a broader, sillier comedy than I expected. Luckily, it doesn't go that way but this is not at the later Christopher Guest level. It takes all the standard Hollywood behind the scenes and puts it on the screen. It's quirky but no big laughs. It hits the nails on the head. Nick is not much in terms of rooting interest. This is early in the inside Hollywood satires. It could be darker. The girlfriend role needs a better actress. The most compelling character is actually Lydia who reconnects with the movie for a short while in the last third. The movie gets a lot better with her energy. It would help if his movie idea doesn't look so utterly self-congratulatory art-house. Overall, this is a nice lesser known Christopher Guest film.