Haemoo is one of those few films, where to reveal too much while discussing it, would completely ruin the intensity of the story. If you're anything like me, you'll go into the film assuming it will be similar to 'A Perfect Storm', and you will instead find yourself in the middle of something else entirely. Kang (Kim Yun-Seok) is not only a man at the end of his tether, but the captain of fishing vessel Jeonjiho, a bucket of bolts and disrepair, in need of immediate overhaul. The owner, who he reports to, wishes to sell the vessel, though Kang's bond with his ship, which is stronger than any he has with the people in his life, leaves him desperately trying to keep that which has been in his family for generations. Unable to afford the hefty price of buying the vessel, he agrees to illegally transport Chinese-Korean stowaways, from a prearranged location at sea, to the mainland.
Dong-Sik (Park Yoo-Chun), the youngest and newest member of the Jeonjiho, is one of only a couple crew members who initially expresses issue with this plan, though the lacking quantity of fish, and the need for money, causes everyone to unanimously agree. When moving the illegal immigrants onto the vessel, the beautiful Hong-Mae (Han Ye-Ri), falls into the ocean, Dong-Sik jumping in to save her, thus beginning a strong bond that ties them together.
The inexperience the Jeonjiho crew have in transporting stowaways, alongside the lustful attraction several of the men have towards a number of the women, results in the build up of tension, as several crew members try to take advantage of the situation. Despite the dangerous conditions, and the threat of being boarded by security, Haemoo explores how sometimes, the greatest threat when you're out at sea, are the people around you.
Themes concerning love, friendship, trust, greed and fear are interwoven into the plot, the tension slowly escalating with such precise execution, that viewers will literally find themselves inches from the screen, hanging onto every action. Though there are occasional sex scenes, and moments of violence, the film is neither bloodthirsty, nor extreme in their depiction, these instead being used to heighten the story-line.
The acting is especially convincing, and it is the talents of the crew that especially increases the level of panic, fear and dread that grips the film. Despite characterization being only in short supply, the emotional depth and poignancy surrounding the leads engages us, especially as the film begins to traverse into darker territory.
A very dark, sophisticated and powerful dramatic thriller, Haemoo shows humanity at its best and worst, and though the theme of hope is continually in a state of flux, I certainly hope you watch this film; if not for any other reason, then for the wide variety of emotions Haemoo is guaranteed to offer.
Dong-Sik (Park Yoo-Chun), the youngest and newest member of the Jeonjiho, is one of only a couple crew members who initially expresses issue with this plan, though the lacking quantity of fish, and the need for money, causes everyone to unanimously agree. When moving the illegal immigrants onto the vessel, the beautiful Hong-Mae (Han Ye-Ri), falls into the ocean, Dong-Sik jumping in to save her, thus beginning a strong bond that ties them together.
The inexperience the Jeonjiho crew have in transporting stowaways, alongside the lustful attraction several of the men have towards a number of the women, results in the build up of tension, as several crew members try to take advantage of the situation. Despite the dangerous conditions, and the threat of being boarded by security, Haemoo explores how sometimes, the greatest threat when you're out at sea, are the people around you.
Themes concerning love, friendship, trust, greed and fear are interwoven into the plot, the tension slowly escalating with such precise execution, that viewers will literally find themselves inches from the screen, hanging onto every action. Though there are occasional sex scenes, and moments of violence, the film is neither bloodthirsty, nor extreme in their depiction, these instead being used to heighten the story-line.
The acting is especially convincing, and it is the talents of the crew that especially increases the level of panic, fear and dread that grips the film. Despite characterization being only in short supply, the emotional depth and poignancy surrounding the leads engages us, especially as the film begins to traverse into darker territory.
A very dark, sophisticated and powerful dramatic thriller, Haemoo shows humanity at its best and worst, and though the theme of hope is continually in a state of flux, I certainly hope you watch this film; if not for any other reason, then for the wide variety of emotions Haemoo is guaranteed to offer.