6/10
Editing would help! At least 20 minutes!
4 September 2014
Warning: Spoilers
Operation Amsterdam (1959) sounds promising, but the film has a number of irritating defects. True, some of the atmosphere in the imperiled city is conveyed thanks to location lensing in Amsterdam which involved a considerable amount of organizing like removing traffic from the streets, replacing it with contemporary vehicles and making sure all the extras wore the correct wartime clothing. Unfortunately, all this admirable location lensing is somewhat undercut by the continuous and obvious use of studio cut-ins against a process screen. On the other hand, the editing of the action spots is nice and sharp, particularly the sequence in which the car goes over the wharf. This is most effective indeed! I was also thrilled by the sequence in which we wait for the time lock to come off which features shorter and shorter cross- cutting. Elsewhere, however, the editing tends to be rather slack, dragged out and as placidly routine as Michael McCarthy's direction.. There's also far too much padding in the script. At least 30 minutes should have been jettisoned, including all Malcolm Keen's scenes. True, he's a competent actor, but here his delivery is uncomfortably slow. And worse, what he has to say is of little importance and just time- consuming. Alexander Knox is also saddled with some of the script's most pious platitudes. The other players make an effort to overcome their banal dialogue, though Peter Finch also struggles to make an impression. And as for the miscasting of one of my favorite comedians, John LeMesurier, as a colonel in the Dutch War Ministry, the less said the better! Fortunately, the film does gain attention with a brilliant use of musical sound effects. In fact the music score throughout is a major asset.
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