That's what this Norwegian fishing village is told by the arriving Nazis within minutes after being informed it would be "life as normal". Nazi normal means giving up all of your extra blankets, not being allowed to sing your own national anthem and allowing the Nazis access to your place of residence any time they knock (if they knock).
Practically the same story as Warner Brothers' slightly better "Edge of Darkness", this was made first, and is an entertaining resistance drama with a superb cast, some patriotic speeches and a rousing finale. What I noticed is that much of the dialog has the innocence of a child's prayer with many of the adults speaking as if they were pre-teens while the adults of "Edge of Darkness" were clearly more mature and less stereotypical provincial. Still, with Paul Muni as the leading head of the resistance, there are some gripping moments, particularly the scene where Muni discovers that one of the Norweigans plans to use a dog whistle to notify the Nazis of their intended escape to England. Then there is the tense moment where Muni and his daughter hide in the well of a Norwegian woman who has been informed by the Nazis that her own grandson will be executed if Muni isn't caught.
The lovely Anna Lee plays a British noblewoman who is visiting the town in the opening scene for a wedding and encounters Muni when he makes it to England. To think that this lovely actress (around in British films since the 1930's) wouldn't become a superstar until she took on the long-role of the beautiful Lila Quartermain on "General Hospital" is hard to believe. Her on-screen charm is winning and her film career is certainly worth a further look at outside the overly friendly neighbor from "Whatever Happened to Baby Jane" and the cheery nun in "The Sound of Music".
The silent screen legend Lillian Gish is wasted in a pointless role as the long-suffering wife of the independent thinking Ray Collins who is extremely moving in a scene where he is released from a Nazi prison. (Gish's role is basically the same as Ruth Gordon's devoted wife in "Edge of Darkness", with less screen time.) Sir Cedric Hardwicke, who would be leading the Nazis into Norway in 1943's "The Moon is Down", plays the British leader here who happens to be Lee's father. Here, the villain is Alexander Knox who would go onto be an American hero in title title role of "Wilson". My personal favorite moments are the book-burning sequence where one of the Norweigans tells the Nazi standing over the burning pages that he too has written a book and hopes that one day they'll burn that one (a real slap in the face to the Nazi standing there) and the giggling children who refuse to stop singing their National Anthem as the Nazis raise their flag.
Practically the same story as Warner Brothers' slightly better "Edge of Darkness", this was made first, and is an entertaining resistance drama with a superb cast, some patriotic speeches and a rousing finale. What I noticed is that much of the dialog has the innocence of a child's prayer with many of the adults speaking as if they were pre-teens while the adults of "Edge of Darkness" were clearly more mature and less stereotypical provincial. Still, with Paul Muni as the leading head of the resistance, there are some gripping moments, particularly the scene where Muni discovers that one of the Norweigans plans to use a dog whistle to notify the Nazis of their intended escape to England. Then there is the tense moment where Muni and his daughter hide in the well of a Norwegian woman who has been informed by the Nazis that her own grandson will be executed if Muni isn't caught.
The lovely Anna Lee plays a British noblewoman who is visiting the town in the opening scene for a wedding and encounters Muni when he makes it to England. To think that this lovely actress (around in British films since the 1930's) wouldn't become a superstar until she took on the long-role of the beautiful Lila Quartermain on "General Hospital" is hard to believe. Her on-screen charm is winning and her film career is certainly worth a further look at outside the overly friendly neighbor from "Whatever Happened to Baby Jane" and the cheery nun in "The Sound of Music".
The silent screen legend Lillian Gish is wasted in a pointless role as the long-suffering wife of the independent thinking Ray Collins who is extremely moving in a scene where he is released from a Nazi prison. (Gish's role is basically the same as Ruth Gordon's devoted wife in "Edge of Darkness", with less screen time.) Sir Cedric Hardwicke, who would be leading the Nazis into Norway in 1943's "The Moon is Down", plays the British leader here who happens to be Lee's father. Here, the villain is Alexander Knox who would go onto be an American hero in title title role of "Wilson". My personal favorite moments are the book-burning sequence where one of the Norweigans tells the Nazi standing over the burning pages that he too has written a book and hopes that one day they'll burn that one (a real slap in the face to the Nazi standing there) and the giggling children who refuse to stop singing their National Anthem as the Nazis raise their flag.