The DVD case that is.
OK, expecting a masterpiece of claustrophobic stalk and slash horror with this one is as daft as some of the dialogue is in the actual film. It is after all a low budget, low grade British clone of many many other films of similar formulaic ilk. But that said, you have to have some standards and a point when you stand up and say it's just not good enough to blame costs and accept poorness because of a willingness to be indie cool.
Storage 24 is a bad film, yes there is a good portion of gore for those inclined, the creature design is decent and the inner conflict in the group (boy/girl romantic triangle trouble wouldn't you know) at least keeps character interest from sinking to the depths of us not caring right away. But the screenplay meanders all too often, boorish chatter and emoting only serving to make you prey the creature turns up post haste. Jolts are telegraphed, as are the switching sympathies with the lead protagonists. Acting is poor, except maybe Ned Dennehy, who is playing a bonkers hermit smelly bloke and enjoys himself, and Noel Clarke as the hero in waiting dude scurrying around trying to save the day.
Clarke also produces, while Johannes Roberts directs, Clarke (Adulthood/Kidulthood) is much better than this, as is Roberts (F), but the pair are just saying we have watched Super 8 and Alien and feel like turning one out ourselves. That says there is no pretensions here, but it is also lazy film making. The explosive finale comes laced with tongue firmly in cheek, but nothing previously warrants this being tagged as a hip and funny horror/comedy, tried it has, but Severance it isn't. It's the inconsistencies that coupled with the standard formula make Storage 24 a weak film that's difficult to recommend to anyone but the type of horror fan that keeps watching all those Nightmare on Elm Street and Friday 13th sequels...and loving them. 4/10
OK, expecting a masterpiece of claustrophobic stalk and slash horror with this one is as daft as some of the dialogue is in the actual film. It is after all a low budget, low grade British clone of many many other films of similar formulaic ilk. But that said, you have to have some standards and a point when you stand up and say it's just not good enough to blame costs and accept poorness because of a willingness to be indie cool.
Storage 24 is a bad film, yes there is a good portion of gore for those inclined, the creature design is decent and the inner conflict in the group (boy/girl romantic triangle trouble wouldn't you know) at least keeps character interest from sinking to the depths of us not caring right away. But the screenplay meanders all too often, boorish chatter and emoting only serving to make you prey the creature turns up post haste. Jolts are telegraphed, as are the switching sympathies with the lead protagonists. Acting is poor, except maybe Ned Dennehy, who is playing a bonkers hermit smelly bloke and enjoys himself, and Noel Clarke as the hero in waiting dude scurrying around trying to save the day.
Clarke also produces, while Johannes Roberts directs, Clarke (Adulthood/Kidulthood) is much better than this, as is Roberts (F), but the pair are just saying we have watched Super 8 and Alien and feel like turning one out ourselves. That says there is no pretensions here, but it is also lazy film making. The explosive finale comes laced with tongue firmly in cheek, but nothing previously warrants this being tagged as a hip and funny horror/comedy, tried it has, but Severance it isn't. It's the inconsistencies that coupled with the standard formula make Storage 24 a weak film that's difficult to recommend to anyone but the type of horror fan that keeps watching all those Nightmare on Elm Street and Friday 13th sequels...and loving them. 4/10