The Scoundrel (1935)
Should Have Been A Radio Show
14 May 2012
Unlike children, "The Scoundrel" should be heard and not seen. This very disappointing movie has a terrific script, containing dialogue delivered the way only Noel Coward could deliver it. Those familiar with his witty, supercilious delivery are in for a treat, and the team of Hecht-MacArthur have spread enough to go around to the entire cast.

Having said that, the acting in this picture was so bad as to be almost embarrassing, overwrought to the point of ham. Coward himself seems uncomfortable when not reciting his lines and seems to say them unnaturally, as though from memory and not as an actor would. The rest of the cast follows suit and seems bedazzled by his presence.

I find it astounding that this picture won an Academy Award (Worst Idea For A Motion Picture?) as the film starts out OK but quickly descends into goofy fantasy and ultimately into maudlin burlesque. Several actors are miscast and flounder about, except for Stanley Ridges, who plays the boyfriend of the girlfriend. "The Voice", Lionel Stander, as a poet? Come on. A hit-man, maybe, but not a poet. Ditto Eduardo Ciannelli. The best that can be said, apart from the dialogue, is that it is mercifully short at 76 minutes - but bring a blindfold.
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