Review of Posse

Posse (1993)
6/10
Where are the fiddles? Where are the banjos? Anachronisms and vanity keep this from being a good film.
11 October 2008
Warning: Spoilers
I wanted very much to enjoy this film. When it was released I wasn't interested in watching any westerns. I'd come back to it because I believe Mario Van Peebles has a great film in him. Unfortunately, this one is not it. It is ambitious and the multi-racial cast gives it a good go. The various skill and talent levels aren't blended correctly to make an organic, cohesive whole. A shame because its clear that Robert Hooks is trying really hard as is Billy Zane. Seeing old school players like Lawrence Cook and Pam Grier trying to make sense out of their brief story arcs was a chore. The biggest problem for me was Mario at some point decided to make it a vanity project because it started out a decent, 40's style western(albeit with nudity and some extreme violence)that morphed into a weak Clint Eastwood imitation. The contributions of rap star Tone Loc were pitiful at best but Big Daddy Kane worked harder and his work was credible. Richard Jordan and Blair Underwood are so intriguing together that they are almost in a different, better movie. There are a lot of moments like that in this film where you sit frustrated at the editing and continuity decisions made by the director and the cinematographer. What is clear is that the script is pointing to a much, much better film than what is being delivered. Oh, BTW, the word 'motherfucker' has its origins in the antebellum slave culture of North America. I've seen many complaints here about the usage of that epithet and how it shouldn't have been used during that era(1898). Research the word and you will discover its bleak and stark history. If you were a fan of the show DEADWOOD you would have noticed that the character Swearingen peppered his remarks with the word and it even popped up in the film Heaven's Gate. I have to give it up again to the Billy Zane for his spectacular death scene. I didn't have that big of a problem with the New Jack Swing musical stylings imposed on the film's soundtrack but I did take issue with the lack of banjos and fiddles.

A blown opportunity for greatness.
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