'The Year My Parents Went on Vacation' tells a turbulent period from the point of view of an innocent child. Although this is a theme very much explored by many films before, the aesthetic and narrative structure of the movie are praiseworthy. The film succeeds in giving us the littlest details about the relationships, tensions between little children and adults, adults and the old, women and men, Jews and Christians without offending the eye of the audience. What is more, it presents a spectacular visual quality and cinematography. Even though the main tension of the film is Mauro's reunion with his parents, this tension becomes partially less important in the middle of the film. The sub-tales and characters, the football conversations in particular, manage to enrich the film without rambling it. 'The Year My Parents Went on Vacation', which has comedy and drama in patches, but is never trapped in clichés and melodrama; has traces of autobiography. Just like in the film, the director Cao Hamburger's parents, academics in São Paulo College, were arrested by the soldiers in 1970. In this period, little Cao and his four siblings had to stay with their grandmothers, one of them was Jewish, and the other a Catholic Italian. The most important reason why the film is so real and earnest is maybe the proximity of it to the story of the director...
