"The crusades" (1935) directed by Cecil B.De Mille is as story conceived as love affair, explaining part of the influence that it produced in the internal affairs of two countries as nations in Europe, promoting the allegedly third crusades against Islam, situated at the corner of Southeast on Mediterranean sea.
Overall, at the time of vessels charged with horsemen, some of them who went fighting for an apparently common faith but forgotten the symbolic land and cultural influence of diversified local populations, far away of their respectively reigns like France and England. The spirit of cavalry, wedding intrigue, eroticism on the drapes and campaign bed of kingdom of Christianity are ingredients of adventure at the land lost, meaning expansionism and its pretext for quarreling about frontiers and warriors in a love affair at the mood.
Director Cecil B.De Mille enjoying us with such subject, altogether he capsizes over our child mind, maybe he was thinking in another configuration for the problem of imperialism and the propriety of rights from these times linking two things, fanaticism and medieval glory at the time of Abyssinia and its nature of rivalries where sex attraction concealed by the strength for power. A tent is the main location concerning an attitude for dealing and in this place both sides made what is better for each one of the intervenor before peoples in conflict in a postponed peace deal. The scene is that tent where both sides entering and a woman is the subject of sharing in between affects that are responsible for the way that the present crusade is understood by the chiefs in place with their costumes and clothes that the director put his energy not to explain why but what burns the heart of kings in that phase of humanity and superiority of Europe before its extremities... This kind of acting at the time was watched as explaining the orders of knighthood in a displaying manner of obvious meaning on public stage at the corner of a town of the ancient world. But historically displaced from the real present time of then in 1935 not at all in relationship of others in incendiary domestic mission where it was inserted such a Hollywood production as a flop.
Overall, at the time of vessels charged with horsemen, some of them who went fighting for an apparently common faith but forgotten the symbolic land and cultural influence of diversified local populations, far away of their respectively reigns like France and England. The spirit of cavalry, wedding intrigue, eroticism on the drapes and campaign bed of kingdom of Christianity are ingredients of adventure at the land lost, meaning expansionism and its pretext for quarreling about frontiers and warriors in a love affair at the mood.
Director Cecil B.De Mille enjoying us with such subject, altogether he capsizes over our child mind, maybe he was thinking in another configuration for the problem of imperialism and the propriety of rights from these times linking two things, fanaticism and medieval glory at the time of Abyssinia and its nature of rivalries where sex attraction concealed by the strength for power. A tent is the main location concerning an attitude for dealing and in this place both sides made what is better for each one of the intervenor before peoples in conflict in a postponed peace deal. The scene is that tent where both sides entering and a woman is the subject of sharing in between affects that are responsible for the way that the present crusade is understood by the chiefs in place with their costumes and clothes that the director put his energy not to explain why but what burns the heart of kings in that phase of humanity and superiority of Europe before its extremities... This kind of acting at the time was watched as explaining the orders of knighthood in a displaying manner of obvious meaning on public stage at the corner of a town of the ancient world. But historically displaced from the real present time of then in 1935 not at all in relationship of others in incendiary domestic mission where it was inserted such a Hollywood production as a flop.