Dying? Why? How? Do I have the chance to look at my own demise from where I'm standing and I'm given the chance, even if brief, to do what I can to arrive to the fatal randez-vous without a heavy heart. Is that possible? We live the question in painful, stunning moments of reflection. Melvil Poupaud's face is not merely beautiful but transparent. I decided very early one that he/his character and I were diametrically opposites and yet, I felt the communion, I was with him I sort of understood. I wept for him and for me, I wept for everyone I've lost and for all the ones I'm going to loose before I go. I've also decided that I like François Ozon very much. That his movies take me places in a brutally gentle way and I come out of this experiences with something new. Thank you very much.
Review of Time to Leave
