The lonely, simple life of Michel Descombes (Philippe Noiret), a clockmaker who lost his wife years ago, changes when hears that his grown-up son murdered a man and is on the run with his girlfriend. Michel is shocked and questions his upbringing, while a nice police inspector (Jean Rochefort) shows much sympathy for him.
Tavernier's shining debut and co-operation with New Wave veterans Aurenche and Bost brings a novel by Simenon on screen. It's a work of old-fashioned concision that the mechanic of the title would have been more than proud of. It is more a psychological study than a crime drama, because there is next to no outer plot. The happenings are taking place in the head of Michel, the father, masterly played by Philippe Noiret, who suddenly gets confronted with the serious actions of his son. He becomes aware of how little he knows about him, although they used to be together all the time. The focus is less on the murderer nor on the victim, but more on what the catastrophe means for the father of the committer, in a powerful work of authenticity.
Tavernier's shining debut and co-operation with New Wave veterans Aurenche and Bost brings a novel by Simenon on screen. It's a work of old-fashioned concision that the mechanic of the title would have been more than proud of. It is more a psychological study than a crime drama, because there is next to no outer plot. The happenings are taking place in the head of Michel, the father, masterly played by Philippe Noiret, who suddenly gets confronted with the serious actions of his son. He becomes aware of how little he knows about him, although they used to be together all the time. The focus is less on the murderer nor on the victim, but more on what the catastrophe means for the father of the committer, in a powerful work of authenticity.