The 1951 edition of the film, The Browning Version focus's on the 'stiff upper lip' of the Englishman (and woman). In this sense the English stiff upper lip is less of a human trait, but more a phenomenon deliberately shaped by cultural ideology and attitudes from the upper classes of English society. This causes the human, as illustrated with precision in The Browning Version by Michael Redgrave, to subdue feelings, and by so doing transform the human being into a mere mechanism of an ordered society which serves to function as apposed to lives life.
For illustrating how the elimination of human feelings can be so destructive to mind, body and soul, here Redgrave deserves all accolades awarded him. Clearly one of the finest actors in cinematic history.
Just to add here that it is not a weakness to illustrate feelings but as the film states strongly, it is more of a failure to hide them.
This is a lesson in how the human condition can in the end and ultimately triumph over suppression of life itself.
Excellent film.
For illustrating how the elimination of human feelings can be so destructive to mind, body and soul, here Redgrave deserves all accolades awarded him. Clearly one of the finest actors in cinematic history.
Just to add here that it is not a weakness to illustrate feelings but as the film states strongly, it is more of a failure to hide them.
This is a lesson in how the human condition can in the end and ultimately triumph over suppression of life itself.
Excellent film.