September 11 (2002)
5/10
An Intriguing Attempt Mired in Bias
20 September 2003
9-11 is an innovative film in many ways. But in other ways, it finds itself mired in the personalities of its 11 directors, specifically those anti-American and those who are indifferent. As you can see, there seems to be no pro-American filmmaker in the whole group. A strange lot, if indeed the producers chose 11 filmmakers out of random. (Which is highly doubtful.)

The running theme, despite the various styles and stories, is one of moral equivalency. As if to say, "Since America did these evil things in the past, thus the slaughter of 3,000 of their own is justified." It is most telling that not a single story, out of the 11, makes the "bold" statement that slaughtering 3,000 people who has nothing to do with the U.S. Government, who died because they only sought to earn money in order to raise their family, is wrong.

Instead, many of the filmmakers go out of their way to prove moral equivalency between these despicable terrorist attacks and the U.S. Government. As the saying goes, "People who live in glass houses shouldn't throw stone."

Or perhaps the theme the filmmakers should be going for is "Two wrongs doesn't make a right." Apparently according to these filmmakers, two wrongs DOES, in fact, make a right. If this is true, then those in England, Germany, and Japan, with their history of genocide, war crimes, and human rights abuses, really shouldn't make a peep when some sap runs into their shopping mall with bombs. After all, have their Governments not, in the past, committed some acts that can be the basis for moral equivalency?

5 out of 10
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