6/10
All it needed was Betty Garrett...
30 December 1999
The first half of this movie had its moments, but I didn't particularly enjoy it. It does indeed have many resemblences to On the Town, which came after it, only this time in a baseball field at the turn of the 20th century. The "O'Brien to Ryan to Goldberg" number was okay, and so was Frank Sinatra (playing a young naif again!) crooning to Esther Williams. But all it really needed was Betty Garrett to come in and give it a big energy boost. Her "Fate" number, sung as she chases Frank around the bleachers, was the first number to really grab my attention, (repeated in a taxi cab in On the Town). Then came the clambake, with "Strictly USA" and Gene Kelly's "St. Patrick's Day" number to keep the energy level up and the nodding-off level down. (By the way, yes, Gene and Stanley Donen were in charge of the musical numbers. Busby Berkley directed the rest of the film.) From then on, it wasn't too bad, especially the clever little vaudeville number at the end, penned by Betty Comden and Adolph Green along with the rest of the songs, (except the title one, of course). So, all the movie needed was Betty Garrett to really get off the ground. Interesting.
9 out of 12 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed