What would a world without want be like? The answer has been the subject of countless stories, not a few movies, & every sensitive soul's nighttime sighing for ages. H. G. Wells poses the question by having godlike beings give a department store clerk, George McWhirter Fotheringay, that ability, & watching it evolve, as he bounces from adviser to adviser, from the sexy girl he desires to a retired British Army man.
The film is a treat, especially for those of us accustomed to (& maybe a little bored by) the Star Trek treatment of absolute power conferred on lowly mortals. I don't know much about the history of science fiction in the movies, but Wells goes about everything (he wrote the script, based on his novel) with the fabulous in mind, while adding purely sci-fi touches, which I won't give away.
Fotheringay is no bleeding-heart aching to turn the world into a painless utopia, nor is he a selfish, power-hungry perve, but a nondescript man who takes his time to figure out just what has happened to him before bringing everything to a head. In the meantime, we're given what amounts to a funny English comedy of manners, as well as a peek into a time (& place) where science fiction took a different direction. (For example: if you found out you had miraculous powers, would you tell anyone? I don't think I would. & if you told anyone, wouldn't you imagine the authorities pouncing on you at the first opportunity? Not so in 1930's Essex!)
The ending seems Gene Roddenberry-esque, & perhaps the Star Trek creator admired & shared Wells' humanism; but the film shines with neat-o special effects (some cool stuff, for the time) & a wonderful performance by Roland Young. A must-see for those who like their sci-fi earthbound & thought-provoking.
(My subject line, by the way, refers to anarchy as a form of government in which there are no governments, just self-government; I don't mean it in the common usage of disorder or chaos. The movie touches on the idea that, without their lives being controlled by those in power, who have a vested interest in people needing money & goods, people might find other ways to spend their time - like, for example, in creation.)
The film is a treat, especially for those of us accustomed to (& maybe a little bored by) the Star Trek treatment of absolute power conferred on lowly mortals. I don't know much about the history of science fiction in the movies, but Wells goes about everything (he wrote the script, based on his novel) with the fabulous in mind, while adding purely sci-fi touches, which I won't give away.
Fotheringay is no bleeding-heart aching to turn the world into a painless utopia, nor is he a selfish, power-hungry perve, but a nondescript man who takes his time to figure out just what has happened to him before bringing everything to a head. In the meantime, we're given what amounts to a funny English comedy of manners, as well as a peek into a time (& place) where science fiction took a different direction. (For example: if you found out you had miraculous powers, would you tell anyone? I don't think I would. & if you told anyone, wouldn't you imagine the authorities pouncing on you at the first opportunity? Not so in 1930's Essex!)
The ending seems Gene Roddenberry-esque, & perhaps the Star Trek creator admired & shared Wells' humanism; but the film shines with neat-o special effects (some cool stuff, for the time) & a wonderful performance by Roland Young. A must-see for those who like their sci-fi earthbound & thought-provoking.
(My subject line, by the way, refers to anarchy as a form of government in which there are no governments, just self-government; I don't mean it in the common usage of disorder or chaos. The movie touches on the idea that, without their lives being controlled by those in power, who have a vested interest in people needing money & goods, people might find other ways to spend their time - like, for example, in creation.)