User reviews

I'll say right off the bat, I didn't really know who Jordan Peele was coming into this movie. I knew he had a show with Keegan-Michael Key and was a comedian of sorts. What I didn't know was that hiding underneath all that was a genuine fan of classic horror just waiting to get out.

Get Out surprised me for a number of reasons. The first is it kept me wondering what exactly was going on. There was just enough there to build atmosphere and tension without giving away the surprise. And it was delivered with such skill and care that It truly unfolded masterfully. You know something is wrong. You know something is up. But you can't quite figure out what it is.

And secondly this was the work of a first time director. It's rare that you get a movie written and directed by the same person on their first attempt and they manage to hit it out of the park.

And lastly, it gave us something new. This is possibly the best aspect because I am sick to death of cookie cutter horror movies. People nowadays have forgotten that horror doesn't just mean blood and guts. Before directors had to create tension and atmosphere by building the plot and unraveling the story slowly. It's refreshing to see this done with such care.

Is it a perfect movie? No it isn't, but it's damn good especially if you're in the mood for a good psychological thriller with horror overtones.

I decided to see this film at the theater after hearing some of the hype (which was basically that it is an excellent horror film that is told from the perspective of a black man).

Well, I can see this would be truly the worst nightmare of a black man (and really the worst nightmare for us all). This is NOT a film that tries to make the viewer feel "sorry" for black people, nor is it at all preachy, but it is just a good old fashioned horror film with a fresh new setting. I'm an old white guy by the way.

The acting is wonderful, and directing is amazing. The film, while mostly horror, is actually completely hilarious in some parts, making it the funniest AND scariest movie I have seen in ages (no easy feat). It is a shame that the film will likely not be regarded in the company of Academy Award potential nominees, because the directing and acting is honestly Oscar worthy. Again, no small feat for a horror movie that is also funny.

In summary, this is a MUST SEE at the theater and one of the best films of the year. It is a fun ride that is very well done!

'Get Out' was very highly recommended by a friend, also a fellow film enthusiast, and the subject matter of the film really interested me. Add to that a very promising trailer, the award nominations and wins and mostly positive word of mouth (even with the very vocal detractors), and interest was higher.

High expectations were not only met but also exceeded. Apologies for the cliché, but to me that is the best way to sum up my personal experience watching 'Get Out'. Can totally see why it was as well received as it was, though can also see why it has divided audiences on here. While it will never be one of my favourite films, 'Get Out' is among the better films of 2017 and does live up to the hype.

It's an incredibly well-made film visually, with stylish and unsettling cinematography and editing and some disturbingly surreal imagery that adds to, and enhances, the unease and sense of dread.

That the direction was done by a first-time director is a shock in itself, one of the most outstanding debut directing jobs seen in a long time by me. It's nostalgic in its embracing of contemporary and classic horror and also brave in the accomplished handling of the film's combative themes.

Being somebody who considers music important when talking about it, the music looms suitably ominously and fits well. 'Get Out' benefits from an extremely smart and clever script (though 'The Shape of Water' and especially 'Lady Bird' were worthier wins for the Best Original Screenplay Oscar in my view), that takes on a lot of elements and balances them adeptly and the individual elements handled very effectively.

Despite how it sounds, 'Get Out' struck me as more of a thriller with horror and comedic elements. It is highly successful on this front, with the thriller elements being taut, suspenseful and unsettling, the comedic ones being darkly funny and clever and the horror ones being imaginatively shocking and subtly uneasy. There is even some social commentary and interracial themes explored, and done thoughtfully and just about avoids preachiness while hitting hard still.

While all the performances are very fine, it is Daniel Kaluuya's superb lead performance that burns in the memory the most.

My only complaint of 'Get Out' is the too pat and somewhat silly ending that felt tacked on and like it came out of a different film, to me it too ended on a tonally jarring and that's it note.

Until then, the film was this close to being a masterpiece. So it was frustrating that it just missed out on that distinction. Nonetheless it's a great film that is among the year's better ones, brought down by an underwhelming ending. 9/10 Bethany Cox

Let's clear the air about this film. It's not a horror film. It's not a comedy. What it is, is a suspenseful thriller of the highest level, worthy to be compared to Hitchcock caliber. The humor is there, along with a few horror scenes, but not enough to overshadow the main theme of the story. The film hits all cylinders with almost no misfires. As far as complaints that the film is racist, it is not. It would work just as well with an all-black or all-white cast. Those complaints are from people who are uncomfortable with black people or interracial relationships and are letting it distract them from the narrative of the film. I most certainly hope that it reaches the wider audience that it so richly deserves.

I think it was watching The Last Blair Witch film that I first saw the trailer for this, and while I enjoyed that film, leaving the Cinema it was my memories of Get Out that I left with, I'm so often disappointed by films, having seen wonderful looking trailers, finally a movie that kills of that thinking.

Get out ranks as the Cinematic triumph of the year for me, the film was creepy, poignant, amusing, and I think highlighted the racial problems that still exist, in certain places.

Daniel Kaluuya is an actor, that sadly I've not paid a huge amount of attention too, I kept asking where do I know him from, a friend pointed out that as a fan of Psychoville I should have known. Kaluuya was outstanding, and I'll certainly be taking an active interest in his career from now on, hopefully awards will follow. Catherine Keener never disappoints, she provided the scene of the film for me, the therapy session, providing a moment of sheer terror.

Somehow too dark to be classed as a black comedy, but the satire was definitely apparent. I can't wait to pick up the blu-ray and enjoy it again. I know the ending was changed, I'm assuming with the possibility of a second, I hope they don't, this film deserved to be left alone as a true success.

Brilliant, 10/10

I was totally blown away by "Get Out". This is one of the best turns by an actor behind the camera I have ever seen (Jordan Peele). Probably the timely social commentary is going to loom heavily when discussing the film; however this shouldn't conceal the fact that this is a masterclass cinematic work that has been thought out to the very last detail; it knows what it wants to say and how to say it, balancing wildly contrasting tones and defeating potential clichés with stylistic bravura. Of course everything stems from a rock solid script, where the plot points are cunningly engineered, and then fleshed out in a disciplined and take no prisoners kind of way. There is much to admire and enjoy here, including some surreal imagery that is as stunning as it is disturbing, always serving a purpose within the narrative; there are also brilliant soundtrack choices and you get subtle nods at the masters that came before (Kubrick and Wes Craven, specially). The plot involves one of those frequently visited "fish out of the water" type of settings where it's up to the director to make the most out of it. Which fortunately is the case here, since you get plenty of real character development and a tight, innuendo ridden dialogue that really gets under your skin. All this, together with the inspired camera work, contributes to the success of this tricky enterprise as a whole. Kudos to all the actors for going all the way with the provocative premise, considering that it could have totally backfired in less confident hands. Everything amounts to a deliciously wry slice of cinematic paranoia served with a side of cathartic humor that appropriately reflects the political times we are living in. And make no mistake, this is a true horror film that refuses to pull any punches; if you thought that Peele was just going for the laughs and the cheap scares you will get more than you bargained for. "Get out" will shock you silly and will make you think. Then you will want to watch it again and try to figure out how he pulled the trick.

Get Out Directed by Jordan Peele is a horror film which begins with quite a unique story, surrounding an African American man meeting his girlfriend's Caucasian family. The first two acts of the film contain scenes which build so much tension. The start of this movie had me so invested due to how much was unknown. I really built strong curiosity surrounding why things seemed very off. All the performances were great, particularly the main character who was incredibly convincing with all his emotion. Also the cinematography was very nice, containing scenes which are one long take with no cuts. As for negatives there are quite a few. The tone of this film is very messy. I wished the horror really got under my skin. Although it was as if there were constant intermissions with cliche comedic relief. To me this broke all the tension, and really made me question the type of film I was watching. There are also quite a few plot holes, and scenes which really don't have any purpose besides trying to freak out the audience. Once the film reaches the third act, I was really let down by the direction they took. I was expecting a smart and unique revelation. But all I got was a standard messed up horror movie "twist". I think all the positive reviews made my expectations skyrocket. I really thought this movie would be insanely smart, but honestly it's really not that special. It didn't impact me the way other great horror and thriller films have. It's a solid and enjoyable film. But it's far from groundbreaking, so therefore I give Get Out a 6. I feel like many will disagree with my rating. If you think you can convince me as to why it is great go ahead. One thing I still don't see is why African Americans were targeted in the film. When it was asked the question was just brushed off...

A unique and effective blend of horror film and social commentary if there ever was one! Young, modest black photographer Chris Washington is understandably nervous about going to spend the weekend with the parents of his sweet white girlfriend Rose Armitage, who for reasons totally unbeknownst to him has yet to tell her parents that he's black. They set out on their trip and...well the rest is really left for the viewer to discover. Writer-director Jordan Peele shows his master craftsmanship by taking this simple premise and expanding it in many different directions, also incorporating elements of racism, comedy, shock and awe, and wisely never taking things too seriously. The climax is a bit formulaic and over-the-top, but the journey is effectively unnerving and features much stronger acting than you would expect for a film of this genre. Not for everyone, but refreshingly unconventional and worth the viewing experience. ***

As you may guess from the submission date, I'm reviewing "Get Out" several months after its cinematic release. Unfortunately, the months of glowing notices have generated an anticipation in me, which no film could possibly have lived up to.

This is not to say that it's not good. Jordan Peele directs well, but it's his writing that is one of the core strengths of the picture. There is such depth to it the screenplay, not only with its allegories and metaphors, but also with subtle foreshadowing and lines with multiple meanings. There are many layers to be "unpeeled" (pun intended) on repeat viewings.

The other strength is Daniel Kaluuya. A regular face on UK TV for a while now and with a few smaller roles in Hollywood productions, Kaluuya is brilliant and this should be a career-making performance.

So, what doesn't work as well? Essentially, it's the films third act. I try to write my reviews without spoilers and I will here, but the film takes a leap into science fiction towards the end that stretches your willingness to go along with it. It's an idea that make sense figuratively but not literally. Also, Chris transitions a little too far into action hero territory, given that there's been nothing to justify that, save some talk about Judo lessons.

Provided you're not anticipating horror in the traditional sense, "Get Out" is a smart genre mingling effort. Not perfect, but certainly not bad for a debut film.

Satire doesn't get much darker than this, a perspective derived from the opposite of bliss, the frictions and prejudice society draws, to control and manipulate, exploit and ignore.

What would you do, if someone took control of you, could control you're every move, set the tempo to your groove, had the first and final say, how you went about your day, chose the things that you would do, when and where, with what, with who. If you tried to make a stand, put a halt or raise a hand, the mighty structures that surround, would envelop and impound, one for all and all for one, will ensure you'll soon be gone, but be under little doubt, that you're never getting out.

An outstanding piece of cinema and satirical observation with added barbs.

I was looking for a good horror movie and decided to pick this one after seeing very high ranking in the reviews.

After watching the movie, I am pretty surprised. I don't understand the level of praise in the reviews. I don't think it deserve half of it.

The message of the story is disturbingly obvious. All the way, I was expecting a deeper meaning or a twist. But disappointed to find none. It was pretty straight forward and predictable.

It is not scary at all. I would not consider it as a horror category. Sometimes it was cringe too.

In general it was a boring experience for me. Hardly 5 out of 10.

Fantastic! I would not call it "horror" but certainly "thriller" with some comedy thrown into it. This Jordan Peele fellow has managed to bring something new to this genre and I certainly hope he'll do more thrillers.

The cast is great and I especially enjoyed Betty Gabriels performance. Lots of faces I have never seen before and they all did a stellar job. And those faces I have seen before did a stellar job, too. =)

I do not know if the overall idea is new but the way it was presented and the way it was done feels very fresh.

Warmly recommended!

Horror tension, mystery tension and racial tension blend together into a gripping and formidable nail-biter in "Get Out," the astonishing directorial debut of Jordan Peele. The former half of the comedy duo "Key & Peele" has found a way to both honor and subvert the thriller and horror genres in a way that's unmistakably modern.

In the tradition of "The Stepford Wives" with the twist of "Guess Who's Coming to Dinner?," the story follows a young black man named Chris (Daniel Kaluuya) who goes to meet his girlfriend, Rose's (Allison Williams) parents at their fancy estate where things go from slightly uncomfortable in terms of Chris being black to deeply messed up in one slow but inevitable fell swoop.

With a creepy opening scene showing a different black man getting abducted in a peaceful-seeming suburb, the tone is set immediately that there's cause for concern. Luckily for Chris, Rose is really sensitive to issues of race and prejudice, and even when her parents (Bradley Whitford and Catherine Keener) or brother (Caleb Landry Jones) seem to make Chris' blackness into a thing, the two handle it as best as any interracial couple could. The warning signs come in the form of the Armitage family's black help, maid Georgina (Betty Gabriel) and groundskeeper Walter (Marcus Henderson), whose behavior is anything but normal.

Peele sets a tone of creepiness largely with the help of composer Michael Abels, also making his feature film debut. The unpredictable nature of Georgina and Walter as characters, the ever-increasing suspicion of all the white characters and the way Peele keeps you nervous about who or what is just outside the frame fuel the fear and paranoia as well as if not better than any horror movie featuring more overtly malevolent forces does.

Kaluuya, in a role that will deservedly put him on the map, gives a performance that will connect with viewers who identify with Chris as a man trying to feel comfortable while out of his element experiencing strange things, and those who truly understand Chris' experience as a man of color undergoing the very same events. It would be fascinating to know the different ways a black viewer would experience the film compared to a white one, but the most important thing is that everyone will identify with and feel for Chris.

When a little horror film debut like this one gets talents such as Whitford, Keener and Williams, you know the script is good. Peele keeps up the air of mystery a long time even without packing in very many unexpected twists. The awareness of something being wrong but not quite understanding what it going on or why despite getting new information is a real strength of Peele's writing. Then of course there's the brilliant ways that race and the black experience make it into the film. If that weren't enough, Chris' best friend (LilRel Howry) provides comic relief in a way that's stereotypical, yet Peele uses him in unexpected ways. So we get to benefit from Peele's nose for comedy as well.

Not everything adds up by the end of "Get Out," but the film plays out in extremely satisfying fashion. Fans of horror and fans of thrillers who don't mind horror when it's done well should both enjoy the technique and experience. It provides thrills of the pulse-pounding, thrill-seeking and thought-provoking variety and few genre films can say the same.

~Steven C

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Jordan Peele's strong directorial debut got well deserved Oscar attention, as it's unique, intelligent, and often times subtle storytelling made for a well layered, suspenseful film experience.

It is hard to say one actor out of the supporting roles stuck out as they all performed so well, but Daniel Kaluuya in the lead role as Chris was superb. His usage of facial expression and body language played so well to his character, and in a movie with plenty of good qualities about it he shines.

Jordan Peele also uses a lot of subtle imagery that contributes well to the themes and tone of his story, which is notably impressive especially for a first time director and make for rewarding second, third and maybe even more repeat viewings.

This movie is not without faults however, as there is a handful of times where characters inexplicably act strange seemingly just for the audience, and like most horror movies coming out recently it has it's pointless, shrill music stabs to emphasize a silly jump scare.

Despite it's faults, I would still highly recommend this one to anyone looking for an intriguing story.

Jordan Peele's directorial debut is an exhilarating horror thriller that also manages to spark laughter and comment on social issues. The cinematography, tropes, and soundtrack echo horror, but the film finds abundant moments of comic relief like when a father reassures the main character he isn't racist by claiming, "I would have voted for Obama for a third term." Before the plot delves into a traditional horror frenzy, it mines the horrors of racism. The social commentary plays on audience expectations and results in both humor and suspense. Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.

I'm confused by this film, and after the hype I truly expected a lot more.

Two lovers; a white woman and a black man go to visit the womans family, at their mansion where everything is a little unusual and slightly tense. The family have black servants, reminiscent of plantations of yesteryear, and they all act possessed.

I didn't like any of the characters except Chris, who was brilliant, underplayed his role and was a genuinely likable character. Only he and his friend Rod, who was pretty damned funny, were the only good characters here.

It had some quite creepy moments, but they were too few and far between, and some of the dialog was so cringe worthy I actually gave up on the film initially.

What it could have had, if the plot been more plausible, is potentially a Jacobs Ladder/The Shining horror type quality. Mixing comedy with horror is no easy task. It isn't as funny or as frightening as say 'An American Werewolf in London', in fact, it's pretty mediocre on all levels.

I very generously give this film a 6.

This movie is appropriately in a genre Mr. Jordan Peele has christened, "Social Thriller". The movie creates a very unsettling feeling from the beginning that slowly builds to a crescendo, that forces the viewer to see prejudices head on. When all is said and done, you now have kind of a bird's eye view of what is wrong with society. But besides that, it hints a Hitchcock-type of thrill that is sure to deliver Goosebumps. A HUGE congratulations to Jordan Peele for hitting a HOME RUN, his first time up to bat. Looking forward to future projects from him. GO SEE, GET OUT. 😀😀

I know right off the bat my headline will make people mad, but I have to be honest and tell you when I watched this movie I got pretty bored with it. I think the overall concept was excellent. I just think it could've been better. Maybe it just wasn't for me. To be fair I'm very picky about dark horror comedy films. Overall this movie just wasn't what I thought it would be.

This film is severely overhyped. it's fine, and entertaining, but it's not original or groundbreaking by any means. it's a re-imagined hybrid of the skeleton key and the stepford wives. had the ending been different (and what i suspected was about to happen), i would've given this another star or two.

Ok here goes. Having read the reviews and seeing how polarized they were,, I had to check the movie out myself. To all who regard the movie as racist - I don't think so. Any modern day theme be it racism, sexism, disability issues anything can be used in this movie to highhight the issues being faced by individuals. It is for most part a unique genre in its own right. Take dusk till dawn mix it with some eugenics and a pinch of humour and bingo . Yes it does make you feel uncomfortable but not in a serious way. It's funny in places and very clever in bits. Some beautiful shots and filming and menacing score keep it simmering brilliantly. Watch it make your own mind up. Personally one of the most enjoyable movies from last year. Bravo.