A father and his daughter struggle to survive in deep space where they live in isolation.A father and his daughter struggle to survive in deep space where they live in isolation.A father and his daughter struggle to survive in deep space where they live in isolation.
- Awards
- 5 wins & 22 nominations total
André 3000
- Tcherny
- (as André Benjamin)
Storyline
Did you know
- TriviaRobert Pattinson already knew 13-month-old Scarlett Lindsey, who plays his baby daughter Willow: She is the daughter of his longtime friend, musician Sam Bradley, whom he knows since their school days together in London. Identical twin girls were initially cast, but as late as two days before filming was about to start, Pattinson couldn't bond with them, as they wouldn't stop crying as soon as he picked them up and got upset every time they were without their mother. He and Claire Denis felt not ready to shoot with them because the final film would have ended up entirely different. The night before filming began, Pattinson had the idea to ask his friend the last minute and so they flew in from London the next morning. She actually took her first steps ever infront of the camera while filming.
- GoofsEarly in the movie Pattinson dumps bodies into space, and they fall downwards. This is consistent with the principle expressed in the beginning that the ship accelerates at a constant rate of 1 G, creating artificial gravity and thus making things appear to "fall" due to inertia. The same goes for the scene where Monte drops the wrench over the side of the ship.
- Quotes
Tcherny: "I'd rather sink into the Earth after I've lost you than to sit around and grieve once you've gone off into your destiny."
Monte: What are you talking' about?
Tcherny: It's what my wife told me. I told her I was doing all this for her and our son, to turn our shame into some type of glory, you know? She says that this mission was like burying her twice and that my idea of glory was bullshit.
- Crazy creditsThe title appears almost 18 minutes into the movie.
- ConnectionsFeatured in WatchMojo: Top 10 Best Movies of 2019 (So Far) (2019)
- SoundtracksWillow
Written by Stuart Staples and Dan McKinna
Sung by Robert Pattinson
Performed by Tindersticks
Published by BMG Rights Management (UK) Ltd
2018 Lucky Dog Inc.
Featured review
Hey, I love thought-provoking, atmospheric, thematically rich, slow-burn, non-linear science fiction as much as anyone. But High Life is none of those things. It is two hours of ponderous silence and random, unexplained behavior. Two hours of incomprehensible whisper-mumbling. So little of an already-thin story is ever explained. It's a deliberately opaque style masquerading as complexity.
There's also a difference between good non-linear storytelling and disjointed, incompetent storytelling. A good non-linear structure adds additional layers of meaning, engaging the viewer to ponder how it all fits together, how the past informs the future and how the future reflects/echoes the past. With a poorly done version, the viewer spends much of his/her time thinking "WTF am I looking at?? WTF is happening?? Where am I? When am I?"
The 10-star reviews argue this film explores meaningful subjects like mortality, redemption, despair, and solitude. No it doesn't. It unsuccessfully *attempts* to discuss such subjects. And I say "discuss" generously. The film simply tosses in thematic bits of dialogue & behavior with little context or motivation. The characters don't feel like actual people, but rather mouthpieces for whatever the filmmaker wishes to "discuss" at the moment. You can feel the thematic checkboxes being ticked off as the film progresses. That's not dramatic or engaging; it's didactic. It's two hours of the filmmaker talking AT you.
There's also a difference between good non-linear storytelling and disjointed, incompetent storytelling. A good non-linear structure adds additional layers of meaning, engaging the viewer to ponder how it all fits together, how the past informs the future and how the future reflects/echoes the past. With a poorly done version, the viewer spends much of his/her time thinking "WTF am I looking at?? WTF is happening?? Where am I? When am I?"
The 10-star reviews argue this film explores meaningful subjects like mortality, redemption, despair, and solitude. No it doesn't. It unsuccessfully *attempts* to discuss such subjects. And I say "discuss" generously. The film simply tosses in thematic bits of dialogue & behavior with little context or motivation. The characters don't feel like actual people, but rather mouthpieces for whatever the filmmaker wishes to "discuss" at the moment. You can feel the thematic checkboxes being ticked off as the film progresses. That's not dramatic or engaging; it's didactic. It's two hours of the filmmaker talking AT you.
- weirdquark
- Dec 4, 2019
- Permalink
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- На висоті
- Filming locations
- Cologne, Germany(Medienparks NRW Studios)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €8,000,000 (estimated)
- Gross US & Canada
- $1,225,852
- Opening weekend US & Canada
- $99,341
- Apr 7, 2019
- Gross worldwide
- $2,133,033
- Runtime1 hour 53 minutes
- Color
- Aspect ratio
- 1.66 : 1
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