Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.Jean-Luc Godard and François Truffaut, their careers, their friendship and their impact on the French New Wave of the 1960s.
Anouk Aimée
- Self
- (archive footage)
Jean-Pierre Aumont
- Self
- (archive footage)
Charles Aznavour
- Self
- (archive footage)
Antoine de Baecque
- Narrator
- (voice)
Jean-Paul Belmondo
- Self
- (archive footage)
Jacqueline Bisset
- Self
- (archive footage)
Jean-Claude Brialy
- Self
- (archive footage)
Claude Chabrol
- Self
- (archive footage)
Jean Cocteau
- Self
- (archive footage)
Raoul Coutard
- Self
- (archive footage)
Jean Desailly
- Self
- (archive footage)
Marie Dubois
- Self
- (archive footage)
Jean-Luc Godard
- Self
- (archive footage)
Chantal Goya
- Self
- (archive footage)
Claude Jade
- Self
- (archive footage)
Anna Karina
- Self
- (archive footage)
Pierre Kast
- Self
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Quotes
François Truffaut: I had never thought that I was revolutionizing cinema or was unlike earlier film-makers. I always thought cinema was great, but lacked sincerity and we ought to do it better. Malraux said "A masterpiece is not a bad film improved," but I thought good films were bad films improved.
- ConnectionsFeatures Summer with Monika (1953)
Featured review
Francois Truffaut and Jean Luc Godard are the two most prominent film makers from the era of New Wave (Nouvelle Vague)a movement that not only revolutionized French film but world cinema. It was more than a wave, it was a Tsunami. In England the Kitchen Sink movement copied it's style. In NYC, Indy filmmakers took to the lower Manhattan streets like Godard did along the Champs Ellyses. In Hollywood it revolutionized the industry and the art form that would lead to its final golden era of the century. Their shadow indeed looms large over the history of cinema.
More gossipy than analytical (and that's just fine given the mountains of material that already exists on Wave theory) Two in the Wave fleshes out through interviews the personalities, the friendship and the discord that ended their collaboration. Ironically, it was Truffaut banned by the establishment from attending Cannes for his incendiary attack as a critic on the French Film Industry only to triumphantly return a year later as a film maker with a winning entry ( The 400 Blows) who incurred the wrath of Godard for going establishment as his star rose.
Before this though we have the two friends sharing an unquenchable passion for film making the groundbreaking Breathless together followed up by a series of highly original and fresh works on their own such as Jules and Jim, Les Carabaniers, Weekend and the Doinel series. There are interviews with key players involved in the movement including actor Jean Pierre Leaud who had roles in many of their films and counted both as friends.
As mentioned earlier Truffaut drifted back into the mainstream with some medium cool efforts before his early demise (54) while Godard continued to remain off beat resulting in both commercial and critical oblivion over the next thirty years. All rather anti-climactic for a pair of intellectual rebels who stood the world of cinema on its ear over half a century earlier. Two for the Wave is worth a look if just to get a feel for a major milestone in the art of film and the two men who were its superstars.
More gossipy than analytical (and that's just fine given the mountains of material that already exists on Wave theory) Two in the Wave fleshes out through interviews the personalities, the friendship and the discord that ended their collaboration. Ironically, it was Truffaut banned by the establishment from attending Cannes for his incendiary attack as a critic on the French Film Industry only to triumphantly return a year later as a film maker with a winning entry ( The 400 Blows) who incurred the wrath of Godard for going establishment as his star rose.
Before this though we have the two friends sharing an unquenchable passion for film making the groundbreaking Breathless together followed up by a series of highly original and fresh works on their own such as Jules and Jim, Les Carabaniers, Weekend and the Doinel series. There are interviews with key players involved in the movement including actor Jean Pierre Leaud who had roles in many of their films and counted both as friends.
As mentioned earlier Truffaut drifted back into the mainstream with some medium cool efforts before his early demise (54) while Godard continued to remain off beat resulting in both commercial and critical oblivion over the next thirty years. All rather anti-climactic for a pair of intellectual rebels who stood the world of cinema on its ear over half a century earlier. Two for the Wave is worth a look if just to get a feel for a major milestone in the art of film and the two men who were its superstars.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Two in the Wave
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $28,808
- Opening weekend US & Canada
- $5,676
- May 23, 2010
- Gross worldwide
- $28,808
- Runtime1 hour 31 minutes
- Color
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