4,342 reviews
This movie, and trilogy in general, is a cinematic (and literary) masterpiece, and simply refuses to get old. I love this movie so much it's become a tradition to watch the Lord of the Rings series at least once a year! It's just as good as Christmas
- venividiamavi-v
- Aug 6, 2019
- Permalink
I've just re-watched The Lord of the Rings trilogy for the 1000th time tonight... nearly 15 years since the Fellowship of the Rings was released... I still haven't seen a movie that's better, nor close, to any of these three films. The casting is perfection as well as the incredible acting by everyone in the movie. I can still watch these movies back to back and not get bored. They are a light to this world and wouldn't be the same without them.
I miss the good old LOTR's days. The best movies ever created. The Return of the King was the best way to end a thrilling journey through middle earth!
I miss the good old LOTR's days. The best movies ever created. The Return of the King was the best way to end a thrilling journey through middle earth!
- jamiedphilips
- Dec 22, 2015
- Permalink
The greatest tragedy of the human race is that they will never make a better movie than Return of the King.
Best movie in the trilogy and sealed in the best possible way
- voltage10-220-804025
- Aug 6, 2019
- Permalink
All the threads of Tolkien's magnum opus come together in the most elegant of fashions in the final part of Peter Jackson's adaptation. Humanity makes a last stand at Minas Tirith, the Hobbits travel through Mordor, our heroes try to by time for Frodo to complete his mission and the Evil Sauron gets tired of the whole game and lashes out with all his might and fury.
"Return of the King" is 4 hours of payoff, a third act in a gigantic epic rather than a mere film of its own. As such it is intensely dramatic and dynamic and you can very much sense that though peter Jackson spared no effort on the previous episodes, this is clearly his favorite. the film floats by at a thunderous pace, taking us through unforgettable moments such as the battle of Minas Tirith itself, a marvel of seamless animation and epic film-making, it demands to be seen, as it has too many jaw-dropping moments to choose from. The quieter character moments keep gaining in potency and the full weight of the stakes and their heartbreaking consequences is never in doubt.
The cast of these films have played their parts to perfection and again Jackson deserves overall credit for choosing actors that so perfectly match Tlolkien's creations: Ian McKellen and Christopher Lee are their own usually excellent selves, and the hobbits remain endearing, but of all the uniformly great cast, the true standouts are Viggo Mortensen and David Wenham as the tragic Faramir, whose relationship with his brutish father is the most traumatic of the film. Jackson pushes them even further by having them sing at a few key moments (a practice employed to powerful effect by Tolkien in the books), a daring undertaking that works wonders. And though he may offer one ending too many, he does have the decency to show off each surviving character with the appropriate screen time and respect.
Now that the trilogy is complete, it can be viewed as one big film, as it should be. After 8 years, Jackson has done the impossible: he has taken Tolkien's huge legend and made films that stand on their own and have revolutionized film-making, setting the new benchmark for cinematic epics. Changes have been made to Tolkien's source novels, but they make for better, more fluid films, more faithful in spirit to Tolkien's myth than anyone had the right to hope for.
A masterpiece, whether as part of a bigger whole or on its own. Well deserving of all the high praise thrown at it, and then some...
"Return of the King" is 4 hours of payoff, a third act in a gigantic epic rather than a mere film of its own. As such it is intensely dramatic and dynamic and you can very much sense that though peter Jackson spared no effort on the previous episodes, this is clearly his favorite. the film floats by at a thunderous pace, taking us through unforgettable moments such as the battle of Minas Tirith itself, a marvel of seamless animation and epic film-making, it demands to be seen, as it has too many jaw-dropping moments to choose from. The quieter character moments keep gaining in potency and the full weight of the stakes and their heartbreaking consequences is never in doubt.
The cast of these films have played their parts to perfection and again Jackson deserves overall credit for choosing actors that so perfectly match Tlolkien's creations: Ian McKellen and Christopher Lee are their own usually excellent selves, and the hobbits remain endearing, but of all the uniformly great cast, the true standouts are Viggo Mortensen and David Wenham as the tragic Faramir, whose relationship with his brutish father is the most traumatic of the film. Jackson pushes them even further by having them sing at a few key moments (a practice employed to powerful effect by Tolkien in the books), a daring undertaking that works wonders. And though he may offer one ending too many, he does have the decency to show off each surviving character with the appropriate screen time and respect.
Now that the trilogy is complete, it can be viewed as one big film, as it should be. After 8 years, Jackson has done the impossible: he has taken Tolkien's huge legend and made films that stand on their own and have revolutionized film-making, setting the new benchmark for cinematic epics. Changes have been made to Tolkien's source novels, but they make for better, more fluid films, more faithful in spirit to Tolkien's myth than anyone had the right to hope for.
A masterpiece, whether as part of a bigger whole or on its own. Well deserving of all the high praise thrown at it, and then some...
Nothing even comes close and I may well not see it personally topped. Every single scene is magnificent. The acting is superb as is the direction, script, hauntingly beautiful music, cinematography and the incredible battles; especially the hour long battle on the Pellenor Fields and Minas Tirith. The characters
are some of the greatest ever created and to root for. The movie is simply perfection from beginning to end and the 4 hour version is just as majestic. There's not a single negative thing I can say about a movie that deserves all it's nominated Oscars. My family and I watched it 4 times in its first 12 days of release. A joyous experience every time. Magnificent!!!!!!
- terrylarosa
- Feb 10, 2022
- Permalink
Wonderful on every level. Love the characters and special effects. One of the biggest, most massive battle scenes ever put on the silver screen. A great end to a monumental epic.
Obviously, I'm aware of the fact that the Lord of the Rings trilogy is actually one giant movie, but since it was released in parts, that's how I'm judging them. The Return Of The King is the final chapter, and since it is the climax and resolution of the epic journey, it has a little more intensity and urgency than the previous installments.
At this point everyone has come to know and love all of the characters, and the stakes have become tremendously high. Kingdoms are at their knees, and the only two characters who can save the day are getting weaker and weaker. The tension was very high in this episode and I can honestly say that out of all 3 this was the only one that had me on the edge of my seat. There were many memorable scenes (one of my favourites including the part with the giant spider)that made this the classic that it is sure to stay for decades to come.
This is the longest of the series, mostly because of the ending that seems to last a while. This was a good ending, and I can see why Frodo did what he did. He, and us the audience, have gone through an incredible ordeal and I think we needed that 20 minute linger. When the battle is over, and the celebrations have ended, there is a sad emptiness felt. The films spanned over 3 years, there have been the extended cuts of course, but after that, it's all over. Peter Jackson gave us an ending that was both appropriate and admirable.
These were some amazing movies and this one in particular is the best, in my opinion. As whole, the Lord Of The Rings is a phenomenon. An absolute phenomenon. Much more than just movies. They have a universal appeal and have touched the hearts and imaginations of millions. I'm one of them.
Sorry if I'm being all fanboyish and kissing this movie's ass, but I really admire it. It may not be among my personal favourites but generally this seems to be the movie event of the century. There will never be another Lord of the Rings film, and that's a bit depressing.
My rating: 10/10
At this point everyone has come to know and love all of the characters, and the stakes have become tremendously high. Kingdoms are at their knees, and the only two characters who can save the day are getting weaker and weaker. The tension was very high in this episode and I can honestly say that out of all 3 this was the only one that had me on the edge of my seat. There were many memorable scenes (one of my favourites including the part with the giant spider)that made this the classic that it is sure to stay for decades to come.
This is the longest of the series, mostly because of the ending that seems to last a while. This was a good ending, and I can see why Frodo did what he did. He, and us the audience, have gone through an incredible ordeal and I think we needed that 20 minute linger. When the battle is over, and the celebrations have ended, there is a sad emptiness felt. The films spanned over 3 years, there have been the extended cuts of course, but after that, it's all over. Peter Jackson gave us an ending that was both appropriate and admirable.
These were some amazing movies and this one in particular is the best, in my opinion. As whole, the Lord Of The Rings is a phenomenon. An absolute phenomenon. Much more than just movies. They have a universal appeal and have touched the hearts and imaginations of millions. I'm one of them.
Sorry if I'm being all fanboyish and kissing this movie's ass, but I really admire it. It may not be among my personal favourites but generally this seems to be the movie event of the century. There will never be another Lord of the Rings film, and that's a bit depressing.
My rating: 10/10
I admit it, I love all three Lord of the Rings films. People may say Return of the King is the best of the trilogy, some may say it is the worst. I personally think Two Towers is the best for its scope and better exploration of some of the characters, but while it is still great Return of the King is better than Fellowship of the Ring.
My only slight disappointment is the ending, it does feel overlong and bloated for me, almost as if there was more than one ending filmed. That said, what does make the ending at least watchable for me is the way it is shot, the marvellous score and the performance of Gollum.
Despite this minor discrepancy, Return of the King is extremely good and in my view one of the better Best Picture winners last decade. Peter Jackson's direction is very impressive here, and the scope is massive and just dazzling to watch. All three films of the trilogy are very well made, but Return of the King defines the term epic. The cinematography is mind-blowing, the scenery is superb, the costumes and make-up are well tailored, the effects are superb and don't distract too much and the lighting is authentic.
The score is phenomenal. Fellowship of the Ring had some ethereal, rousing, haunting and charming themes, whereas Two Towers was somewhat darker and more complex. Return of the King merges these together and the result is a perfect mixture of charm, darkness, etherality and complexity. The story is compelling with themes of friendship, strength and loyalty, the screenplay is well-written and literate and while the film is very long the three hours or so fly by seamlessly. The characters are engaging, Aragorn is even more interesting here than he is in the previous films while Gollum continues to steal every scene he appears in.
The acting is very good. Orlando Bloom(who I can find dashing yet uncharismatic and bland) and John Rhys-Davies are given less to do but do carry their parts very well, and Elijah Wood is likable enough. Sean Astin captures Sam perfectly and provides the heart of the picture, and Viggo Mortenssen is at his charismatic best here. Ian McKellen is perfectly cast, while the design of Gollum is still superb and Andy Serkis is equally phenomenal. I was slightly disappointed by the lack of any Sarauman, but I was more than I was satisfied with the final result.
All in all, an outstanding entry to a great trilogy. 10/10 Bethany Cox
My only slight disappointment is the ending, it does feel overlong and bloated for me, almost as if there was more than one ending filmed. That said, what does make the ending at least watchable for me is the way it is shot, the marvellous score and the performance of Gollum.
Despite this minor discrepancy, Return of the King is extremely good and in my view one of the better Best Picture winners last decade. Peter Jackson's direction is very impressive here, and the scope is massive and just dazzling to watch. All three films of the trilogy are very well made, but Return of the King defines the term epic. The cinematography is mind-blowing, the scenery is superb, the costumes and make-up are well tailored, the effects are superb and don't distract too much and the lighting is authentic.
The score is phenomenal. Fellowship of the Ring had some ethereal, rousing, haunting and charming themes, whereas Two Towers was somewhat darker and more complex. Return of the King merges these together and the result is a perfect mixture of charm, darkness, etherality and complexity. The story is compelling with themes of friendship, strength and loyalty, the screenplay is well-written and literate and while the film is very long the three hours or so fly by seamlessly. The characters are engaging, Aragorn is even more interesting here than he is in the previous films while Gollum continues to steal every scene he appears in.
The acting is very good. Orlando Bloom(who I can find dashing yet uncharismatic and bland) and John Rhys-Davies are given less to do but do carry their parts very well, and Elijah Wood is likable enough. Sean Astin captures Sam perfectly and provides the heart of the picture, and Viggo Mortenssen is at his charismatic best here. Ian McKellen is perfectly cast, while the design of Gollum is still superb and Andy Serkis is equally phenomenal. I was slightly disappointed by the lack of any Sarauman, but I was more than I was satisfied with the final result.
All in all, an outstanding entry to a great trilogy. 10/10 Bethany Cox
- TheLittleSongbird
- Mar 8, 2011
- Permalink
It is the best movie I can remember I've watched while I was a kid!
First of all: I liked this movie, and i could watch it an awful lot of times. But that is mostly due to the great special effects .
The point i rated this movie a 7 is because of the stupid story mistakes Peter putted in his movie. Especially the ghost army is a huge, huge mistake. Everybody who readed the book knows the ghost army does not take part in the huge fight, but only conquers the pirate's fleet, so Aragorn and his men can sail to the battle. The orcs think they get some backup when they see the black sails, but then are overrun by Aragorn, not the ghosts.
Like the thing above there are more things which i do not like. Like the snowboarding Legolas in the battle for Helm's Deep (not this movie, but still). Legolas is indeed quite handy on his feet, but snowboarding on a shield?
These are just the things which made me personally think Peter could have come up with a much better movie of one of the best story's ever written.
The point i rated this movie a 7 is because of the stupid story mistakes Peter putted in his movie. Especially the ghost army is a huge, huge mistake. Everybody who readed the book knows the ghost army does not take part in the huge fight, but only conquers the pirate's fleet, so Aragorn and his men can sail to the battle. The orcs think they get some backup when they see the black sails, but then are overrun by Aragorn, not the ghosts.
Like the thing above there are more things which i do not like. Like the snowboarding Legolas in the battle for Helm's Deep (not this movie, but still). Legolas is indeed quite handy on his feet, but snowboarding on a shield?
These are just the things which made me personally think Peter could have come up with a much better movie of one of the best story's ever written.
I still don't like these films, but this was the least intolerable of the three. I think it had the greatest departures from the books in plot, but was perhaps the closest to the books in meaning. I'm not even talking about all the characters and events left out; there's lots of stuff here that never happened in the book.
The acting is sometimes painful. Frodo and Sam are particularly given to intervals of mawkishness. Gimli is shamefully used for comic relief. The dialogue's just horrible; exposition is awkward ("A diversion!") - I suspect the actors are giving the director what he's asked for, it's the director and writers I question. Anyway, the adults come out okay except Eomer, reduced to mere grimacing in the background. It's the little people who suffer.
Visuals are often not to my taste, but are impressive. Frodo always glows. Everything hobbity is very golden-lit and twinkly and twee - I think that's the worst setting mistake. Hobbits should be those we identify with most closely, not those we're distanced from. Minas Tirith is barely glimpsed before it's overrun by the Goths and Visigoths; Edoras outshines it.
I don't like the battle scenes. Cuts to show the sea of Orcs menacing a small city of troop of Men are unimpressive after so many repetitions, and the fighting scenes are very rapidly cut and look kinda undercranked and unfocussed, especially when using lots of CG troops. Necessary perhaps, but it still looks bad.
What was right? They made a great scene of the lighting of the signal fires, and the relay from hill to hill, though it went on too long. The songs were good. The human kings rallying their troops to hopeless battles were actually magnificent. Gandalf was less the remote magician and more the humanized power than in the first two movies. The tone is more epic than in the first two installments - they seemed to use scale of battles and scale of scenery as a substitute for theme and pace. ROTK didn't make me look at my watch nearly as much as FOTR and TTT. And there's more Viggo, whom I love, but he may not be quite as good. *sigh*
Anyway, it's still pretty crummy. Gak! Also, I think this one would be _very_ hard to understand without having read the books or seen the first two - I wished I'd refreshed my memory of the previous movie before watching this.
The acting is sometimes painful. Frodo and Sam are particularly given to intervals of mawkishness. Gimli is shamefully used for comic relief. The dialogue's just horrible; exposition is awkward ("A diversion!") - I suspect the actors are giving the director what he's asked for, it's the director and writers I question. Anyway, the adults come out okay except Eomer, reduced to mere grimacing in the background. It's the little people who suffer.
Visuals are often not to my taste, but are impressive. Frodo always glows. Everything hobbity is very golden-lit and twinkly and twee - I think that's the worst setting mistake. Hobbits should be those we identify with most closely, not those we're distanced from. Minas Tirith is barely glimpsed before it's overrun by the Goths and Visigoths; Edoras outshines it.
I don't like the battle scenes. Cuts to show the sea of Orcs menacing a small city of troop of Men are unimpressive after so many repetitions, and the fighting scenes are very rapidly cut and look kinda undercranked and unfocussed, especially when using lots of CG troops. Necessary perhaps, but it still looks bad.
What was right? They made a great scene of the lighting of the signal fires, and the relay from hill to hill, though it went on too long. The songs were good. The human kings rallying their troops to hopeless battles were actually magnificent. Gandalf was less the remote magician and more the humanized power than in the first two movies. The tone is more epic than in the first two installments - they seemed to use scale of battles and scale of scenery as a substitute for theme and pace. ROTK didn't make me look at my watch nearly as much as FOTR and TTT. And there's more Viggo, whom I love, but he may not be quite as good. *sigh*
Anyway, it's still pretty crummy. Gak! Also, I think this one would be _very_ hard to understand without having read the books or seen the first two - I wished I'd refreshed my memory of the previous movie before watching this.
- betsywetsy
- Mar 5, 2004
- Permalink
- fearfulofspiders
- Aug 24, 2008
- Permalink
Saying that this film starts where `Two Towers' left off is somewhat misleading, for the film starts a great distance from the walls of Helm's Deep. `Return of the King' opens with a flashback of Smeagol (Andy Serkis) obtaining the one ring of power and an origin of his deterioration into the creature Gollum. This opening recaptures an emphasis that was somewhat lost within the epic battles of `Two Towers,' at that's the ring. The first installment, `The Fellowship of the Ring,' provided heaps of exposition on the ring's importance and influence, and in `Return of the King,' we see it pay off, big time.
After the armies of Isengard have been defeated due to an allegiance between Theoden (Bernard Hill), the king of Rohan, and the elves, the main threat to middle earth is now concentrated in the kingdom of Mordor, controlled by the dark lord Sauron. Sauron has turned his eye towards the realm of Gondor, the last free kingdom of men, and the wizard Gandalf (Ian McKellan) must warn Denethor (John Noble), Steward of Gondor of the impending attack, while Aragorn (Viggo Mortenson), heir to the throne of Gondor, and Theoden gather men to aid against the armies of Mordor. The dark lord Sauron needs only to regain the one ring of power to conquer all of middle earth, and two hobbits, Frodo (Elijah Wood) the ring-bearer and Sam (Sean Astin), must continue their journey, directed by Gollum, to Mount Doom, the only place where the ring can be destroyed. Got all that? If not, you need to bone up on your `Lord of the Rings' before expecting to follow this film.
Since all three epics were filmed simultaneously, each individually has the feel of being part of a larger picture - except for this one. `The Return of the King' is just too big, the most epic of a set of epic films. Now that director Peter Jackson has brilliantly constructed the characters and plotlines throughout the first two films, he puts them to use.
All of the characters have their best moments within this film. The pair of mischievous hobbits, Merry (Dominic Monaghan) and Pippin (Billy Boyd), are no longer the tree ornaments they were from `Two Towers,' but are split-up, and take their characters in completely new directions. Aragorn, played with an unmatched sense of honor by Viggo Mortenson, is about to meet his destiny as the future king of all men, while Andy Serkis continues his expert portrayal of Gollum (Serkis' provided not only the voice of Gollum, but also assisted during production by acting out the scenes of the computer-generated character with his fellow actors).
However, the real acting triumph of the film is Elijah Wood as Frodo Baggins. He continues his descent into corruption with an incredible talent that many could not pull off. Wood's performance is so critical to the film because it determines the ring's power to corrupt, which, needless to say, is absolute.
The first two films established Jackson as an incredible visionary, shooting vast landscapes from his native New Zealand. With `Return of the King,' Jackson really gets a chance to show off. With, hands down, the most beautiful visuals of the trilogy, Jackson makes `Return of the King' a gorgeous feast for the eyes, while never resorting to McG level over-the-topness. Jackson stays very grounded in his characters, not letting the effects tell the story, but only assist the wonderful dialogue and characters. Think of `Return' as a mix of `Fellowship' and `Two Towers,' with enough action and character development worthy of ending a film event of this magnitude.
The bottom line, fans of the films will not be disappointed. Hardcore Tolkien lovers might be upset by plot changes and interpretations made by Jackson and the other writers, however, it is unrealistic to expect a completely true adaptation of the novels, being that film is an entirely different medium. Despite the alterations, Jackson consistently stays true to the major themes and ideas from the original text, while adding some of the finest filmmaking ever put to screen. `The Lord of the Rings: The Return of the King' is one of the most finely tuned and cinematically perfect films ever made. Not only the best of the trilogy, but a crowning achievement in epic filmmaking.
After the armies of Isengard have been defeated due to an allegiance between Theoden (Bernard Hill), the king of Rohan, and the elves, the main threat to middle earth is now concentrated in the kingdom of Mordor, controlled by the dark lord Sauron. Sauron has turned his eye towards the realm of Gondor, the last free kingdom of men, and the wizard Gandalf (Ian McKellan) must warn Denethor (John Noble), Steward of Gondor of the impending attack, while Aragorn (Viggo Mortenson), heir to the throne of Gondor, and Theoden gather men to aid against the armies of Mordor. The dark lord Sauron needs only to regain the one ring of power to conquer all of middle earth, and two hobbits, Frodo (Elijah Wood) the ring-bearer and Sam (Sean Astin), must continue their journey, directed by Gollum, to Mount Doom, the only place where the ring can be destroyed. Got all that? If not, you need to bone up on your `Lord of the Rings' before expecting to follow this film.
Since all three epics were filmed simultaneously, each individually has the feel of being part of a larger picture - except for this one. `The Return of the King' is just too big, the most epic of a set of epic films. Now that director Peter Jackson has brilliantly constructed the characters and plotlines throughout the first two films, he puts them to use.
All of the characters have their best moments within this film. The pair of mischievous hobbits, Merry (Dominic Monaghan) and Pippin (Billy Boyd), are no longer the tree ornaments they were from `Two Towers,' but are split-up, and take their characters in completely new directions. Aragorn, played with an unmatched sense of honor by Viggo Mortenson, is about to meet his destiny as the future king of all men, while Andy Serkis continues his expert portrayal of Gollum (Serkis' provided not only the voice of Gollum, but also assisted during production by acting out the scenes of the computer-generated character with his fellow actors).
However, the real acting triumph of the film is Elijah Wood as Frodo Baggins. He continues his descent into corruption with an incredible talent that many could not pull off. Wood's performance is so critical to the film because it determines the ring's power to corrupt, which, needless to say, is absolute.
The first two films established Jackson as an incredible visionary, shooting vast landscapes from his native New Zealand. With `Return of the King,' Jackson really gets a chance to show off. With, hands down, the most beautiful visuals of the trilogy, Jackson makes `Return of the King' a gorgeous feast for the eyes, while never resorting to McG level over-the-topness. Jackson stays very grounded in his characters, not letting the effects tell the story, but only assist the wonderful dialogue and characters. Think of `Return' as a mix of `Fellowship' and `Two Towers,' with enough action and character development worthy of ending a film event of this magnitude.
The bottom line, fans of the films will not be disappointed. Hardcore Tolkien lovers might be upset by plot changes and interpretations made by Jackson and the other writers, however, it is unrealistic to expect a completely true adaptation of the novels, being that film is an entirely different medium. Despite the alterations, Jackson consistently stays true to the major themes and ideas from the original text, while adding some of the finest filmmaking ever put to screen. `The Lord of the Rings: The Return of the King' is one of the most finely tuned and cinematically perfect films ever made. Not only the best of the trilogy, but a crowning achievement in epic filmmaking.
- danlongino
- Dec 15, 2003
- Permalink
I am in awe of the knowledge of some of the reviewers. I've been disappointed with virtually every film version of a beloved book that I have seen. I have not studied "The Lord of the Rings" though I have read the trilogy twice and parts several times. I know what a scholar Tolkien was and admire his work in linguistics as well as storytelling. The two entities do not need to cross over. If one really wanted to make the book you would have about two hours of poetry and a 56 hour movie. Movie-making is, unfortunately, forced to play by different rules. First of all, this film could not have been made until now. Imagine people dressed as trees. Remember those old Superman serials where whenever the Man of Steel flies, he becomes animated. Now that is genuinely bad. What Peter Jackson did here will be his legacy; had he died the day the film was complete, he would go down in film history. Everything is set up. The ring must be returned. Frodo is drunk with power and is latched on by the forces of evil. Those continuing the quest must face the ultimate and some do. Gollum is in the way, using his wiles to drive the ring back to him. The visual magnificence of Mount Doom and Mordor are unbelievable. One thing that is never mentioned is the incredible acting of most of the characters. Jackson may be a master of spectacle, but Frodo's character is a mass of impulses and expressions. He believes he is going to die and is afraid. Do you see a little bit of Christianity mixed in here? I'm not going down that road because, of course, the Bible is an epic too and has its own story. This is a movie about how friendship, loyalty, and sacrifice will out against evil. The evil is so remarkable and so oppressive.
I can't begin to talk in the terms of other reviewers, but I do need to make sure that I weigh in on this film and the other two because this is a product of our society that we can all be proud of.
I can't begin to talk in the terms of other reviewers, but I do need to make sure that I weigh in on this film and the other two because this is a product of our society that we can all be proud of.
As a movie watcher, I tend to become bored with the constant, overdone, overdrawn, underplayed, overdramatized performance and production quality of most Hollywood films. It's a trait that in recent years has sadly driven me away from most big budget American films. A decent idea will become mangled by the money making machine that is Hollywood, hoping to pump the most raw cash they can out of it before it drops dead in the street.
We all saw the catastophre of a failure that arose from the Matrix Franchise. Such immense hype and professed genius only made the failure all the more poignant for those of us that really wanted and expected more from the franchise.
That all being said, I must say that The Lord of the Rings is an amazingly powerful visual experience. Not even just a visual experience. Peter Jackson has crafted one of the finest written pieces of our era into THE quintessential epic. He supplements the brilliant storytelling of JRR Tolkien with one of the most awe-inspiring collection of films ever created.
The 7 hours of film that leads up to the Return of the King is only precursor though, when you sit and watch this film. It's just plain brilliance. Everything about the film is wonderful. The manner in which Jackson has arranged the scenes, detracting slightly from the original flow of the novel really helps to keep the suspense strong in all three story branches. The Tolkien humor is intact perfectly and the gallantry and just plain coolness of these heroes is plain amazing. (Check out Legolas in the BIG battle) It's all just too much for words.
If one were to gripe, and I suppose there will never be a film made that one cannot find a point at which to grip, it is painfully long running time here. I personally believe that this is the only way such a film could be made, true to the source material and completely engrossing, but I found myself more worried about the pain in my posterior than the emotional final minutes after 4 hours (including ads and previews) that I had spent in a cramped seat. As such, this will be all the better (at least for me) when it's release on DVD (can't wait for the extended...get to see the Sauroman scenes that they cut out).
As a film though, this is amazing. A true lasting legacy in story telling and now cinema. Bravo Mr. Jackson.
We all saw the catastophre of a failure that arose from the Matrix Franchise. Such immense hype and professed genius only made the failure all the more poignant for those of us that really wanted and expected more from the franchise.
That all being said, I must say that The Lord of the Rings is an amazingly powerful visual experience. Not even just a visual experience. Peter Jackson has crafted one of the finest written pieces of our era into THE quintessential epic. He supplements the brilliant storytelling of JRR Tolkien with one of the most awe-inspiring collection of films ever created.
The 7 hours of film that leads up to the Return of the King is only precursor though, when you sit and watch this film. It's just plain brilliance. Everything about the film is wonderful. The manner in which Jackson has arranged the scenes, detracting slightly from the original flow of the novel really helps to keep the suspense strong in all three story branches. The Tolkien humor is intact perfectly and the gallantry and just plain coolness of these heroes is plain amazing. (Check out Legolas in the BIG battle) It's all just too much for words.
If one were to gripe, and I suppose there will never be a film made that one cannot find a point at which to grip, it is painfully long running time here. I personally believe that this is the only way such a film could be made, true to the source material and completely engrossing, but I found myself more worried about the pain in my posterior than the emotional final minutes after 4 hours (including ads and previews) that I had spent in a cramped seat. As such, this will be all the better (at least for me) when it's release on DVD (can't wait for the extended...get to see the Sauroman scenes that they cut out).
As a film though, this is amazing. A true lasting legacy in story telling and now cinema. Bravo Mr. Jackson.
Frodo and Sam continue their desperate journey to destroy the ring, Gollum has his eyes very much on the prize, knowing they cannot possibly get past Sauron's army, Aragorn creates a diversion.
Surely this is a contender for the greatest film of all time, I can think of nothing negative to say, it's everything you want in a movie and more. Action packed, intriguing, funny and several scenes that will pull a few years from your eyes.
The greatest battle scenes of all time, they are as relentless as they are breathtaking, if you like action, this is the film for you.
There isn't a single lull, at no point does it ever dip, it doesn't matter which character the focus is on, it captivates, that opening sequence with Gollum was off the scale, as was the final, epic battle.
I will only watch the extended version, as I find Christopher Lee's absence in the theatrical cut unforgivable, I know it's about four hours long, but that doesn't matter, you lose all sense of time in the wonder and brilliance.
McKellen, Mortensen, Wood, everyone associated, incredible.
This film truly is one of the best ever made.
10/10.
Surely this is a contender for the greatest film of all time, I can think of nothing negative to say, it's everything you want in a movie and more. Action packed, intriguing, funny and several scenes that will pull a few years from your eyes.
The greatest battle scenes of all time, they are as relentless as they are breathtaking, if you like action, this is the film for you.
There isn't a single lull, at no point does it ever dip, it doesn't matter which character the focus is on, it captivates, that opening sequence with Gollum was off the scale, as was the final, epic battle.
I will only watch the extended version, as I find Christopher Lee's absence in the theatrical cut unforgivable, I know it's about four hours long, but that doesn't matter, you lose all sense of time in the wonder and brilliance.
McKellen, Mortensen, Wood, everyone associated, incredible.
This film truly is one of the best ever made.
10/10.
- Sleepin_Dragon
- Sep 29, 2023
- Permalink
- JamesHitchcock
- Feb 3, 2004
- Permalink
- Leofwine_draca
- Aug 18, 2016
- Permalink
This movie made me love Cinema. Some movies mades you love that genre, this made me love Cinema. It's not perfect since there are no perfect movies actually. But this one is the Achievement of being the closest to the perfect for me.
This movie is the best movie of the all time for me, clearly. I just gained my Cinema love with this movie. And I watched more than a thousand movies. I watched so many directors from so many countries. My cinema taste changed too much since my first watch of this movie. But this movie is still the best for me, not even a single movie reached to it's level. This is why I think the movie is the best movie of the future also. I don't think my thoughts will ever change.
This movie is not about the war of men and orcs or any other peoples. This movie about the insignificant people versus the worlds biggest thread ever. That thread is actually unbeatable.
"You did not seriously think that a hobbit could contend with the will of Sauron? There are none who can. Against the power of Mordor there can be no victory."
"Hobbits really are amazing creatures. You can learn all that there is to know about their ways in a month, and yet after a hundred years they can still surprise you at a pinch."
Both dialogues from the first movie. One of them telling us evil side is unbeatable and the other one tells we have a Hobbit. Brilliant and the most effective storyline. And they adapted it amazingly well!
This movie is the best movie of the all time for me, clearly. I just gained my Cinema love with this movie. And I watched more than a thousand movies. I watched so many directors from so many countries. My cinema taste changed too much since my first watch of this movie. But this movie is still the best for me, not even a single movie reached to it's level. This is why I think the movie is the best movie of the future also. I don't think my thoughts will ever change.
This movie is not about the war of men and orcs or any other peoples. This movie about the insignificant people versus the worlds biggest thread ever. That thread is actually unbeatable.
"You did not seriously think that a hobbit could contend with the will of Sauron? There are none who can. Against the power of Mordor there can be no victory."
- Saruman
"Hobbits really are amazing creatures. You can learn all that there is to know about their ways in a month, and yet after a hundred years they can still surprise you at a pinch."
- Gandalf
Both dialogues from the first movie. One of them telling us evil side is unbeatable and the other one tells we have a Hobbit. Brilliant and the most effective storyline. And they adapted it amazingly well!
Just as Peter Jackson felt that LOTR had to be made as one large, three-part, cinematic piece, I decided to write my IMDb review of all three movies as a single, multi-part essay. Click on my screen-name and hit "Chronological" to view my reviews of the Fellowship and Two Towers. I make no guarantees about the quality and consistence of my review, but I do guarantee that these three films offer very high and very consistent quality from beginning to end. The acting, cinematography, art, and direction simply can not be beat.
Which of the three movies is my favorite varies with my mood and the same holds true for Tolkien's books. When I am immersed in the story, ROTK is my favorite. When I simply want to have fun with the whole experience, I love Fellowship. And when I want something intense, evocative and thoughtful, I go for the Two Towers.
Frodo, Sam and Golem are on their way to Mount Doom and their bodies, nerves, and relationships have borne the greatest burden on middle earth. The rest of the fellowship is rallying to the defense of Minas Tirith, and preparing for even more deadly battles to come.
The heroism and romance are incredibly moving - when was the last time you saw an entire audience leaving a theater after a fantasy movie rubbing their eyes? The sets are breathtaking - even moreso than in the previous two films.
The casting and acting are superb.
The film delivers at every level and is the jewel in the trilogy's well-earned crown.
Return of the King offers a resolution of all of the major story arcs in LOTR. As with the classic Tolkien trilogy, however, you may be able to predict some of what will occur, but never all of it and you'll never guess how you will get there. The same fatalistic and paradoxically unpredictable feeling of Tolkien's grand plots is present throughout ROTK especially. The major theme in ROTK, however, is the varied ways and means of heroism both intentional and unintended, and Tolkien's examination of sacrifice and heroism is as inspiring as it is subtle. Amazingly, it all comes through in the films.
Even more than the previous two films, Jackson and his writers took liberties with the story-line. Like the others, however, this serves the film better than simple adaptation from one medium to another. By reordering some of the chronology and adding scenes and plot devices which are consistent with Tolkien's world and characterizations, the film-makers actually do a better job of preserving the concepts and themes of the story than they could have with a pure adaptation. The lengthy epilogue in Tolkien's book is greatly reduced, reordered, and somewhat changed in order to work in the film. Some parts actually appear very early in ROTK. And some aspects of Tolkien's epilogue are disclosed in the Two Towers, though not directly depicted. But all of the really important components of the epilogue are, at least strongly implied if not well illustrated in ROTK.
Which of the three movies is my favorite varies with my mood and the same holds true for Tolkien's books. When I am immersed in the story, ROTK is my favorite. When I simply want to have fun with the whole experience, I love Fellowship. And when I want something intense, evocative and thoughtful, I go for the Two Towers.
Frodo, Sam and Golem are on their way to Mount Doom and their bodies, nerves, and relationships have borne the greatest burden on middle earth. The rest of the fellowship is rallying to the defense of Minas Tirith, and preparing for even more deadly battles to come.
The heroism and romance are incredibly moving - when was the last time you saw an entire audience leaving a theater after a fantasy movie rubbing their eyes? The sets are breathtaking - even moreso than in the previous two films.
The casting and acting are superb.
The film delivers at every level and is the jewel in the trilogy's well-earned crown.
Return of the King offers a resolution of all of the major story arcs in LOTR. As with the classic Tolkien trilogy, however, you may be able to predict some of what will occur, but never all of it and you'll never guess how you will get there. The same fatalistic and paradoxically unpredictable feeling of Tolkien's grand plots is present throughout ROTK especially. The major theme in ROTK, however, is the varied ways and means of heroism both intentional and unintended, and Tolkien's examination of sacrifice and heroism is as inspiring as it is subtle. Amazingly, it all comes through in the films.
Even more than the previous two films, Jackson and his writers took liberties with the story-line. Like the others, however, this serves the film better than simple adaptation from one medium to another. By reordering some of the chronology and adding scenes and plot devices which are consistent with Tolkien's world and characterizations, the film-makers actually do a better job of preserving the concepts and themes of the story than they could have with a pure adaptation. The lengthy epilogue in Tolkien's book is greatly reduced, reordered, and somewhat changed in order to work in the film. Some parts actually appear very early in ROTK. And some aspects of Tolkien's epilogue are disclosed in the Two Towers, though not directly depicted. But all of the really important components of the epilogue are, at least strongly implied if not well illustrated in ROTK.
Man, and you thought Titanic was cheesy?! When I first saw this film on the big screen, the multiple endings bothered me only a little. Now that I saw it for the second time, they simply outraged me. Best adapted screenplay, best director and best picture of the year all went this way. This time: not deserved. The Return of the King ends five times. FIVE TIMES!! I don't give a good goddamn if it was that way in the books too. I never read them. And that gives me a good position to rate this as a film and not a screen adaptation.
Every single time Elijah Wood laughs in this movie (in the entire trilogy actually), I almost throw up. Couldn't they make it any more cheesier?! Especially stomach turning is the scene at the end of the RotK, where they all laugh and hug by Frodo's bed. OF COURSE in slow motion to add a little more sappiness. Plus the scene where their journey has ended and they all sit in the pub and skål their pints together.. check out the expression on Wood's face. So cheesy I laughed my a** off.
The most worrying thing about all of this is that without the cheesiness and the multiple endings, this would've really been a great movie. I don't love them, but I do like these films. And it was such a tasteless display of drama from the academy to pretty much dismiss the two previous movies and award the last and most tasteless one in spades. It made the whole thing feel like the "Russell Crowe-syndrome", as I like to call it. They didn't award him the statue for The Insider, but instead for Gladiator the next year, because they probably felt so guilty. Maximus after all was clearly a more easier role than Wigand and didn't deserve the award as much.
I can see why so many love this film and embrace it, but people, eleven Oscars? No.
** / *****
Every single time Elijah Wood laughs in this movie (in the entire trilogy actually), I almost throw up. Couldn't they make it any more cheesier?! Especially stomach turning is the scene at the end of the RotK, where they all laugh and hug by Frodo's bed. OF COURSE in slow motion to add a little more sappiness. Plus the scene where their journey has ended and they all sit in the pub and skål their pints together.. check out the expression on Wood's face. So cheesy I laughed my a** off.
The most worrying thing about all of this is that without the cheesiness and the multiple endings, this would've really been a great movie. I don't love them, but I do like these films. And it was such a tasteless display of drama from the academy to pretty much dismiss the two previous movies and award the last and most tasteless one in spades. It made the whole thing feel like the "Russell Crowe-syndrome", as I like to call it. They didn't award him the statue for The Insider, but instead for Gladiator the next year, because they probably felt so guilty. Maximus after all was clearly a more easier role than Wigand and didn't deserve the award as much.
I can see why so many love this film and embrace it, but people, eleven Oscars? No.
** / *****
I was rather hyped for the third part of the Lord of the Rings trilogy, as I suppose everyone was. Unfortunately, I found it boring and lacklustre. The Return of the King barely exhibited the epic quantity that I awaited from the finale of the trilogy. It seems that by this time, the whole crew was tired of the project. Also, the omissions and changes to Tolkien's original are most glaring in RotK. The movie just whizzed by and I failed to be impressed. Maybe the Extended Edition would prove to be a more rousing experience. The normal edition, however, despite its efforts, remains a lacking ho-hum finale to what began as an impressive filmatization of the Lord of the Rings tale.