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As the format continues to gain traction, here’s our regularly-updated list of upcoming 4K Ultra HD disc releases in the UK.

Sitting alongside our list of upcoming DVD and Blu-ray releases (that you can find here), we’re also keeping a calendar for those who support the 4K Ultra HD Blu-ray disc format. As we learn of new UK releases, we’ll add them to this list.

We have started adding shopping links too. We’d be obliged if you clicked on them, as it really helps us in our quest to make the Film Stories project of magazines, website and podcast profitable. We’re a 100% independent publisher, and we quite like drinking coffee. It’d be lovely to afford some more.

Without further ado, here are the titles we know about…

Out now

2nd December: Beetlejuice Beetlejuice

2nd December: Beetlejuice double pack

2nd December: The Black Phone (Steelbook...

Robin Williams wasn’t just one of the greatest comedic and dramatic actors to ever grace the screen, he was also one of the greatest guys to ever grace a film set.

Ever since Williams’ death on August 11, 2014, friends, family members and co-stars have been sharing stories about his tremendous grace and empathy to keep his memory alive. The impression that we, as fans, get about the brilliant artist’s personal life is that, for as wonderful and joy-inducing as Williams was onscreen, he was an even bigger joy after the cameras stopped rolling. The tales of the Good Will Hunting and Mrs. Doubtfire star’s selflessness are the stuff of Hollywood legend, but, as his children remind us, they wouldn’t be so extraordinary if other A-listers followed his example and used their position to do the everyday acts of kindness that made Williams who he was.

During the...

J. Michael Muro’s 1987 cult classic “Street Trash” is on the Mount Rushmore of “melt movies,” a sickening horror subgenre marked by bodies literally dissolving into goo, with skin peeling off and skeletons deconstructing as outlandishly as possible. In the film, homeless people are poisoned and killed by a mysterious liquor named Tenafly Viper. “Fried Barry” writer and director Ryan Kruger has helmed a same-name sequel (out today on digital via Cineverse) that keeps the gonzo practical effects as a group of charming homeless misfits battle against a fascist government actively trying to exterminate them with a gaseous version of Viper. Kruger, who also co-wrote the movie and shot it in his native South Africa with producers Not the Funeral Home, spoke to Variety about balancing the message in the movie while still having fun, the difficulty of mopping up melted bodies and the possibility of a sequel.

What made...

Women don’t have it easy in Hollywood. And they didn’t back in the ’80s when former New York Times Magazine editor Lynda Obst got her start as a producer. As famously chronicled in her 1996 book “Hello, He Lied — and Other Truths from the Hollywood Trenches,” she sold her first movie “Flashdance” (1983) to Dawn Steel at Paramount, only to have the newly minted production team of Don Simpson and Jerry Bruckheimer take over along with all the credit for its breakout success. Still, it was a winner for the Associate Producer, and she was on her way.

Always a heavy smoker, Obst passed away at age 74 from Copd (chronic obstructive pulmonary disease). She was devoted to her family, including her brother, agent Rick Rosen, and son Oly, a producer/manager, whom she has described as “my confidant and best friend.”

“She was a trailblazer for women in the industry...

Producer and author Lynda Obst, of Sleepless In Seattle, The Fisher King and Contact fame, has died after an illness.

A morning of not very nice news today, as we learn that producer Lynda Obst has died, at the age of just 74.

Obst produced and executive produced films such as Flashdance, Sleepless In Seattle, Contact, Interstellar, The Fisher King and Adventures In Babysitting. She also penned a couple of outstanding books about her time in the film industry, namely Hello, He Lied and Sleepless In Hollywood: Tales From The New Abnormal In The Movie Business.

Obst appeared on a special interview episode in April 2021, and it was striking how forward she was in her thinking, bringing up such topics as quantum computing and how that might affect the movie industry.

Lynda Obst had been unwell for a little while, it turns out, but had been working in recent times on...

Lynda Obst, who had producing credits on high-profile films including “Sleepless in Seattle,” “Flashdance” and “Adventures in Babysitting,” died Tuesday in Los Angeles. She was 74.

“I was immensely proud of her. She was a trailblazer for women in the industry at a time when it was very difficult for women to have prominent roles. She was passionate about her work but even more passionate about her family,” her brother, WME’s Rick Rosen, said to Variety.

Obst told the Hollywood Reporter earlier this year that she had been battling chronic obstructive pulmonary disease.

Most recently, she served as producer or executive producer on TV series including “The Hot Zone,” “Good Girls Revolt,” “Hot in Cleveland” and “Helix.” Obst’s final feature producing credit was Christopher Nolan’s “Interstellar” in 2014. Among her other credits were “How to Lose a Guy in 10 Days,” “Hope Floats,” “Bad Girls” and “The Fisher King.

Lynda Obst, one of the most prolific female producers in Hollywood, died Tuesday in Los Angeles, according to her brother, WME partner Rick Rosen. She was 74.

Obst had previously been open about suffering from chronic obstructive pulmonary disease, or Copd.

The producer’s long list of hit films includes Flashdance, The Fisher King, One Fine Day, Contact, Hope Floats, Interstellar and How to Lose a Guy in 10 Days. She also executive produced Sleepless In Seattle, TVLand’s Hot in Cleveland and had a deal at Sony Pictures Television.

“I was immensely proud of her,” Rosen said. “She was a trailblazer for women in the industry at a time when it was very difficult for women to have prominent roles. She was passionate about her work but even more passionate about her family.”

Obst’s son Oly, a partner at 3 Arts Entertainment, said today: “My mom was a trailblazer...

Lynda Obst, the pioneering producer who put her mark on beloved films like Sleepless in Seattle, Contact, Flashdance, The Fisher King, Adventures in Babysitting, How to Lose a Guy in 10 Days and Interstellar, died Tuesday. She was 74.

Obst died at her Los Angeles home surrounded by loved ones, her son, manager-producer Oly Obst, told The Hollywood Reporter.

“My mom was a trailblazer and a fierce advocate for women. Also, she was an amazing mother, sister and best friend,” he said in a statement. “[My wife] Julie and I are incredibly grateful that she was my mom and that my daughters got to have her as a grandmother. We will miss her.”

Obst’s brother Rick Rosen, the longtime and respected partner of TV at WME, said: “Our family is immensely proud of the career that she had and the role model she was for women in the industry, but beyond that,...

In the midst of their press tour for Zoë Kravitz’s feature directorial debut, “Blink Twice,” starring romantic partner Channing Tatum, the duo took a not-so-brief pit-stop at the Criterion Closet to score a bevy of cinematic treats. Many of their choices outlined their shared eclectic taste and emphasized a relationship largely based around a love for films of all kind.

“We’re so excited to be here, this is like a dream come true,” Kravitz said as she and Tatum began their shopping spree. “I grew up in video stores, so this is also just a nice feeling cause that’s not really a thing anymore, sadly.”

Though the video was shot prior to the death of Gena Rowlands and posted on the day the news broke, there’s a serendipitous homage to the late actor, as well her husband and collaborator John Cassavetes.

“We love Cassavetes,” Kravitz said...

Looking back at actors’ final performances often feels like flipping through the pages of a bittersweet novel. The passing of Robin Williams in 2014 left the world in a state of collective mourning, a profound sadness that rippled through the hearts of fans. To say the world was staggered would be putting it mildly; the fact that he took his own life was a shock that reverberated across the globe.

Robin Williams in Patch Adams | Universal Pictures

What could have driven such a torrent of despair into the heart of a man who brought so much joy? Let’s take a closer look at his diagnosis and discuss the profound impact it had on his life, culminating in his final interview—a poignant moment captured during his work on Lee Daniels’ 2013 flick, The Butler.

As Williams discussed the sweeping changes of the past fifty years and took on the role of Dwight Eisenhower,...

It’s been ten years since the world lost the legendary Robin Williams, a loving father, kind soul, and gift to stage and screen. Authorities ruled Williams’ death a suicide, leaving audiences, friends, and family stunned by such unfortunate events. According to Williams’ widow, he was diagnosed with Parkinson’s disease and had struggled with depression, anxiety, and increasing paranoia. While some say they noticed the gifted actor’s decline, the world remained shocked by his death.

To honor his lasting memory, Vanity Fair spoke with many of Williams’ co-stars, friends, and admirers about their best and most heart-warming memories of Robin, resulting in a touching collection of tributes that could leave you with a smile on your face.

Speaking with Sally Field, who starred alongside Robin in 1993’s Mrs. Doubtfire, the actress shared a story about Robin’s reaction to her father’s passing while filming the classic comedy.

Few filmmakers can claim to have helped shape an entire era of cinema, but the boom in 1990s indie cinema is impossible to imagine without producer Stacey Sher.

“If you say, U.S. independent cinema of the ’90s, whatever film touched your feelings, your emotions and your memory, most probably, it has Stacey involved in it,” says Locarno film festival artistic director Giona A. Nazzaro, on the reason Locarno is honoring Sher with its 2024 Premio Raimondo Rezzonico, or best independent producer, award.

After a six-year mentorship under legendary producers Deborah Hill and Linda Obst, making such films as Chris Columbus’ debut Adventures in Babysitting and Terry Gilliam’s The Fisher King, Sher joined the Danny DeVito and Michael Shamberg’s newly-founded indie shingle Jersey Films, soon becoming a partner. At Jersey, she was instrumental in championing a new generation of directors — Quentin Tarantino, Steven Soderbergh, Andrew Niccol, Ben Stiller — whose films would define a decade.

Robin Williams was a once-in-a-generation talent who entertained audiences with his versatile performances. The actor was known for his unprecedented comic timing while also being able to squeeze in a genuine emotional through in his films. Mrs. Doubtfire, Good Morning, Vietnam, The Fisher King, Good Will Hunting, and Jumanji are examples of some of his finest films.

Robin Williams in Mrs. Doubtfire | 20th Century Fox

In addition to films, Williams is also known for being a kind soul and has helped many people get their start in the business. The Mrs. Doubtfire star also won over a woman grieving the death of her first husband at an airport. Williams’ words of wisdom and candor comforted Kate Osher during a difficult time in her life.

Robin Williams Provided The Much Needed Comfort For Kate Osher After Her Husband’s Death

The Awakenings star was known for his charming and kind personality...

Terry Gilliam's 1995 film "12 Monkeys" is a time travel story that was extrapolated from Chris Marker's celebrated 1962 short film "La Jetée," only expanded to fit into 129 minutes. In "12 Monkeys," Bruce Willis plays James Cole, a man trapped in the hellscape of the year 2035. Years before, a virus wiped out most of humankind, forcing the survivors into chasms underground. James is selected to go back in time to uncover information about the impending virus, hoping to find a cure.

Cole, however, is dizzy and disconnected when he travels through time to the year 1990. His confusing stories about coming from the future leave those in the present suspecting that he's mentally ill. Cole is committed to a mental asylum, doped up on drugs, and concerned about the future of his mission. While in the asylum, Cole meets an inmate named Jeffrey Goines (Brad Pitt), a twitchy, paranoid chatterbox who raves about vast government conspiracies.

Exclusive: Director Brad Furman has rounded out the cast for his indie drama People Not Places, scripted by his mother Ellen Brown Furman, with seven additions. They are Mercedes Ruehl (The Fisher King), Yul Vazquez (The Lost Bus), Laurence Mason (Tin Soldier), Obba Babatundé (S.W.A.T.), Joey Bicicchi (Tin Soldier), Colleen Camp (Amsterdam) and Olivia Jude.

Others rounding out the cast include Sam Jay (You People), Duke George, Wass Stevens (Lansky), Gregg Bello (Crown Vic) and Matthew J. Perry. As previously announced, Shirley MacLaine, Stephen Dorff, Julia Mayorga and Allegra Leguizamo also star.

People Not Places watches as Clare (MacLaine), an elderly widow living in Atlantic City, meets an erratic homeless man (Dorff) who sleeps in cars. Their shared loneliness causes them to bond, as they find the courage to face his regrettable past and her shortened future.

Furman and Jess Fuerst are producing the film...

The remarkable Robin Williams remains a comedy icon, and even though he is gone, the legacy of his film work lives on. Equally adept at outrageous comedy and sensitive drama, Williams was a one-of-a-kind performer, one whose unique style will likely never be equaled. He tragically died on August 11, 2014.

After success as a stand-up comic and television stardom via “Mork and Mindy,” Williams turned to film and achieved success far beyond what his TV success could have indicated. He won an Academy Award for “Good Will Hunting” (1997), one of four Oscar nominations he earned in his career. Williams also earned two Screen Actors Guild Awards (for 1996’s “The Birdcage” and “Good Will Hunting”) and received nine Golden Globe nominations, winning statues for 1987’s “Good Morning, Vietnam,” 1991’s “The Fisher King,” 1993’s “Aladdin” and 1994’s “Mrs. Doubtfire.”

Williams was a two-time Emmy winner, two-time Grammy winner and Tony nominee (the only...

Though they’ve worked together only once (the animated “Happy Feet”), Australian director George Miller and recent AFI Life Achievement Award winner Nicole Kidman share a distinction this week. Both of their most recent films lead on respective home viewing charts.

For Warner Bros. and Miller, the #1 status for the newly released “Furiosa: A Mad Max Saga” is positive news after its very disappointing theatrical results. But even more than a normal high-return PVOD release, it is available for a $24.99 digital purchase price rather than the standard initial $19.99 rental.

Kidman has provided an eclectic filmography that spans from Jane Campion and Lars von Trier to “Batman Forever” and “Aquaman and the Lost Kingdom.” Her latest, rom-com “A Family Affair” where she credibly plays at the age of 57 the love interest for Zac Efron, testifies to a star quality along with enduring talent. A Netflix original, it started as #1 this weekend...

Netflix’s A Family Affair stars Joey King as Zara Ford, a 24-year-old aspiring Hollywood producer working as a personal assistant to action movie star Chris Cole, played by Zac Efron. She lives with her mother, Brooke Harwood, a renowned author portrayed by Nicole Kidman.

One day, sparks fly when Chris meets Brooke at Zara’s house. With Zara watching nervously, a romance soon ignites between the famous actor and her elegant mother, who’s been widowed for over a decade.

Directed by Richard Lagravenese and released on Netflix in June 2024, the film explores how this unexpected relationship impacts the tight-knit trio and causes tensions to rise within their unconventional “family affair.” With humor and heart, it examines what happens when love collides with careers and crosses generational lines.

Love Complicates Life For This Non-Traditional Family

The new Netflix romantic comedy A Family Affair introduces us to three intriguing characters...

We’re in a bit of a doldrums period for viable movie awards contenders on streaming, but that doesn’t mean there aren’t good movies hitting streaming services all the time. Today, for example, Apple TV+ is putting up “Fancy Dance,” our top streaming movie pick of the weekend. The drama stars Academy Award nominee Lily Gladstone in her first movie released since “Killers of the Flower Moon.”

In “Fancy Dance,” Gladstone stars as Jax, a resident of the Seneca-Cayuga Nation Reservation. Her sister is missing, and she and her niece Roki (Isabel DeRoy-Olson) set out to find her. The film was a hit at the 2023 Sundance Film Festival and has earned positive reviews for first-time writer-director Erica Tremblay and Gladstone, who gives a powerhouse performance as a woman trying to care for her family in the face of a system that doesn’t care about women like them.

aThere isn’t much I detest more than a lazy, by-the-book romantic comedy that plays it too safe. That was my initial fear when watching A Family Affair, a Mrs. Robinson-inspired Netflix streamer where two attractive people with a significant age gap find “love” while being rich, white, and all at the same time.

However, I was taken aback by the chemistry and the dynamic interactions between the three leads. In particular, the brother-sister-esque comedic timing between young stars Joey King and Zac Efron is always amusing and often hilarious. That alone keeps A Family Affair entertaining enough to carry the audience to the end.

It’s unfortunate that the script delves into third-act clichés straight from the rom-com playbook, step by step.

Zac Efron, Joey King, and Nicole Kidman in A Family Affair (2024) | Image via Netflix

SUGGESTEDJoey King Instantly Regretted Eating a 28-Course Meal While Filming Hulu’s...

The original title of the new romantic comedy A Family Affair was the much-edgier MotherF*&#er, and despite being very funny in terms of the basic story of an older woman who starts an affair with the younger movie-star boss of her 24-year-old daughter, it probably sets off wrong expectations for what is a smart, character-driven romcom that serves up a delicious cast with a witty script and engaging situation for all. The generic title gets more to the point as this all directly involves three people in a multi-generational coming-of-age tale for all in their search for personal happiness.

Netflix actually is using that original title in its ad line for the film, calling it “A MotherF*&#er of a Love Story,” and that says it all. Coming on the heels of Amazon’s rom-com The Idea of You — in which a fortysomething single mom (Anne Hathaway) finds unexpected...

Pluto TV, Paramount’s free streaming service, has revealed its July highlights. The Pluto TV July 2024 schedule includes a new Westerns category and a Yellowstone Fourth of July marathon.

You can also expect fireworks at the Big Brother house when season 26 premieres, and with Pluto TV’s dedicated 24/7 live feeds, you won’t miss a second of the drama. Fans can also relive past seasons of the competition series on a new dedicated channel.

Pluto TV is the leading free streaming television service, delivering hundreds of live, linear channels and thousands of titles on-demand to a global audience. The Emmy Award-winning service curates a diverse lineup of channels in partnership with hundreds of international media companies.

Pluto TV offers various genres, languages, and categories featuring movies, television series, sports, news, lifestyle, kids, and much more. The service can be easily accessed and streamed across mobile, web, and connected TV devices.

Based on Chris Marker's 1962 short film "La Jetée," Terry Gilliam's 1995 film "12 Monkeys" begins in a futuristic, post-apocalyptic wasteland ravaged by a deadly virus. Cities are already being reclaimed by plants and animals, and humans have moved into cage-like, nightmarish structures underground. Despite the dire circumstances, humans still adhere to a frustrating bureaucracy, forcing mentally detached people to attend meetings and make plans. Luckily, humans also have access to a time machine, and they have selected James Cole (Bruce Willis) to go back in time to 1990 -- and then again to 1996 -- to find out more about the virus and help find a cure. Because it's a Terry Gilliam film, the picture doesn't exactly end on a note of hope. 

Terry Gilliam's films tend to be fraught affairs, usually wracked with production problems, delays, and other things that are out of the filmmaker's control; he seems to be very unlucky.

Hey there, movie buffs and fellow Robin Williams admirers! Get ready to take a delightful stroll down memory lane as we dive into the world of one of the most incredible actors ever to grace the big screen.

Yep, you guessed it – we’re talking about the one and only Robin Williams.

As someone who’s always been completely smitten by his talent, I’m thrilled to guide you through a list of his top 10 movies that have left an indelible mark on the film industry and our hearts.

So, pop some popcorn, grab a comfy blanket, and celebrate Robin Williams‘s genius together!

1. ‘Dead Poets Society’ (1989) – Carpe Diem!

“Dead Poets Society” is a masterpiece that captures the essence of Robin Williams‘ transformative abilities.

His portrayal of John Keating, an English teacher who inspires his students to seize the day, is both poignant and inspiring.

This film beautifully showcases Williams...

Barry Sonnenfeld's 1991 film "The Addams Family," based on the New Yorker comic strips by Chas Addams and extrapolated from the 1964 sitcom of the same name, was a pop culture clarion call for aspiring young goths the world over. The Addams Family were a gaggle of murderous weirds who lived in a haunted mansion, kept a severed human hand as a pet, and regularly engaged in cute family games wherein they exhumed long-dead relatives. They loved blood, sex, and magic. It's possible they were immortal; the young Wednesday (Christina Ricci) regularly murdered her brother Pugsley (Jimmy Workman). Morticia (Anjelica Huston) and Gomez (Raul Julia) were sexually active to an enviable degree, perhaps standing as one of the healthiest, most sex-positive couples in movies at the time. They were full of zest and joie de vivre. Only they were obsessed with death, so perhaps the term should be joie de mourir.

The 2024 Oscar nominees for Best Supporting Actress are Emily Blunt (“Oppenheimer”), Danielle Brooks (“The Color Purple”), America Ferrera (“Barbie”), Jodie Foster (“Nyad”), and Da’Vine Joy Randolph (“The Holdovers”). Our odds currently indicate that Randolph (3/1) will emerge victorious, followed in order of likelihood by Blunt (4/1), Brooks (4/1), Ferrera (9/2), and Foster (9/2).

The only one of these five actresses with any previous Oscar bids to her name is Foster, who is also this year’s oldest nominee by two full decades. Before she bagged two lead trophies for “The Accused” (1989) and “The Silence of the Lambs” (1992), she broke through at age 14 with a supporting mention for “Taxi Driver” (1977), becoming the seventh youngest Oscar-nominated performer at the time. Since 47 years separate her first and second featured notices, she now holds the record for longest span between consecutive bids in a single acting category.

As the potential eighth recipient of three or more acting Oscars, Foster...

A movie marathon with our favorite auteurs? Where do we sign up?

Turner Classic Movies’ latest limited series “Two for One” features curated double features coupled with commentary from select guest programmers like Martin Scorsese, Paul Thomas Anderson, Steven Spielberg, Spike Lee, and more. The upcoming TCM series is hosted by Ben Mankiewicz, who will interview each director about why they chose to highlight their two chosen films.

“Two for One” will feature 12 nights of double features, beginning April 6. With the logline “two films, one filmmaker, countless perspectives,” the series is set to span all of cinematic history. Directors will offer commentary on the double feature’s cultural significance, its influence on other films, behind-the-scenes stories, and their own personal reflections.

Martin Scorsese kicks off the show with a conversation comparing “Blood on the Moon” and “One Touch of Venus.” The following week, actress/director Olivia Wilde picks “Auntie Mame” and 1976 documentary “Grey Gardens.

Turner Classic Movies have announced a new limited series, Two for One, that will feature 12 nights of double features curated by some of the most celebrated filmmakers in Hollywood beginning April 6. TCM Primetime Host Ben Mankiewicz will be joined by each director, including Paul Thomas Anderson, Steven Spielberg, Martin Scorsese, Todd Haynes, Spike Lee, Nicole Holofcener, and Rian Johnson, to introduce the two films they chose. They will offer commentary on the double feature’s cultural significance, its influence on other films, behind-the-scenes stories, and their own personal reflections.

“This was such an eclectic group of filmmakers to sit down with, which was invigorating, from Martin Scorsese talking about a Robert Mitchum western, to Spike Lee discussing Elia Kazan, to Olivia Wilde’s breakdown of Rosalind Russell in Auntie Mame,” said Ben Mankiewicz. “In these double features, these 12 directors lead us on an insider’s journey through cinematic history.”

See...

This article appears in the SXSW 2024 issue of Den of Geek magazine. Check out all of our SXSW coverage here.

Seven years in the making, spanning centuries in the telling, Alice Lowe’s latest feature, Timestalker, is a strange beast. A dark comedy, a romance through the ages, a violent sci-fi, and an existential musing on the self, it’s an ambitious romp dressed in spandex and crinoline.

“When you make an independent film, you know there’s a chance you may never make one again,” says Lowe. “Any time one happens, it’s like a miracle. And I really just thought, God, if this was the last film that I ever get to make, what would I want to put in it? It’s like my gravestone in a film.”

What she’s put in it are fabulous costumes, wigs, animals, an ensemble cast playing multiple roles, music, Easter eggs,...

Oscar nominations were announced in Los Angeles at 5:30 a.m. on Jan. 23. The backlash began by sunrise. Barbie received eight nominations, including for best picture, but where were individual nods for director Greta Gerwig or star Margot Robbie, the A-list architects who constructed a billion-dollar blockbuster out of an $18 plastic doll that was born in 1959? Barbie fans went berserk online, denouncing the Academy for what they saw as a sexist snub. Breathless press coverage of the controversy dominated the news cycle for days, and even Hillary Clinton weighed in to support her shunned sisters.

By Jan. 26, producer Lynda Obst had heard enough. “I have to write about this misplaced horror,” Obst unloaded on Facebook, offering a history lesson pulled from personal experience, reminding her readers that comedies rarely fare well at the Academy Awards in top categories. Furthermore, she and best friend Nora Ephron “didn’t flip out” when...

The Monty Python legend and director of 12 Monkeys and Brazil will be receiving his first Aardman Slapstick award for visual comedy next month. Ask him anything here

Terry Gilliam has directed 13 feature films including 1981 fantasy adventure Time Bandits with Sean Connery and John Cleese, 1995’s sci-fi thriller 12 Monkeys with Bruce Willis and Brad Pitt and 2005 fantasy adventure The Brothers Grimm with Matt Damon and Heath Ledger. It all started, of course, with 1975’s Monty Python and the Holy Grail, the first Monty Python film, which Gilliam co-wrote and starred in along with his fellow Pythons, as well as directing.

Although American-born, Gilliam renounced his American citizenship in 2006. He was nominated for an Oscar for best original screenplay for 1985 sci-fi dystopian dark comedy Brazil and a Golden Globe for best director for 1991 fantasy comedy-drama The Fisher King. In 1998, he won a Bafta for outstanding contribution to cinema and, in...

Usually, when we think of holiday movies, we picture feel-good family comedies filled with light-hearted shenanigans and bittersweet life lessons. Okay, and the occasional violent slasher. While we love plenty of those movies, they’re often missing crucial elements of the holidays we experience in real life: sordid disagreements, petty bickering, and, in the words of the great Frank Costanza, the airing of grievances. Well, there’s at least one-holiday dramedy that accurately depicts how the most wonderful time of the year can bring out the worst in us: Ted Demme’s 1994 film The Ref, which tells the story of a cynical cat burglar who makes the biggest mistake of his life when he takes the wrong couple as hostages. Because these two would wear down even the most composed of criminals. It’s a snarky, acid-tongued little gem of a movie, although not necessarily one you’d want to watch with grandma and grandpa.

Big-budget disaster series “Estonia,” Canneseries winner “Power Play” and “Painkiller,” the TV drama debut of Göteborg victor Gabriela Pilcher (“Amateur”) feature among the five contenders for next year’s Nordisk Film & TV Fond Prize which serves to underscore the robust breadth of current Nordic scripted series.

Also in the running is “Prisoner,” a second admired Canneseries main competition contender featuring “The Killing” star Sofie Gråbøl, and “Descendants,” the showrunning debut of famed Icelandic thesp Tinna Hrafnsdóttir.

Backed by the Göteborg Film Festival and the Nordisk Film & TV Fond, the 8th edition of the Prize, awarded to series’ main writers, pits Beta Film, the sales agent on “Estonia” and owner of its producer, “Bordertown’s” Fisher King, against Fremantle, owner of “Power Play” producer Motlys/Novemberfilm and Red Arrow Studios International, the sales agent on “Descendants.” REinvent International Sales handles sales on “Painkiller” and “Power Play.”

The Nordic drama series...

The working relationship between writer and director Quentin Tarantino and actor Tim Roth is excellent, going all the way back to Tarantino's first feature, "Reservoir Dogs." So when it came to his second film, "Pulp Fiction," Tarantino knew he wanted to have Roth involved in some capacity and was going to write a character in the film with him specifically in mind. That character wasn't the now-infamous Pumpkin, however, and the creation of Pumpkin and Amanda Plummer's character Honey Bunny had a whole lot to do with a hilarious request on Roth's part. It's hard to imagine "Pulp Fiction" without Pumpkin and Honey Bunny, who kick off the entire movie with their loving and slightly terrifying conversation immediately before holding up a diner at gunpoint. But according to both Roth and Tarantino, the pairing was somewhat serendipitous.

Apparently Tarantino was at the premiere of Plummer's film "The Fisher King,...

(Welcome to Tales from the Box Office, our column that examines box office miracles, disasters, and everything in between, as well as what we can learn from them.)

"The goal for me, always, is try to make a movie that feels timeless, that people will watch years from now," said "Mrs. Doubtfire" director Chris Columbus in a recent interview with Ktvu.

The character of Mrs. Doubtfire actually has her roots in a real person -- not a recently-divorced father pulling a desperate gambit to see more of his kids, but the owner of a second hand clothing shop in Edinburgh. The shop was called Madame Doubtfire and, colloquially, so was its owner, though her name after remarrying was Annabella Coutts. She was something of a local legend, with one Edinburgh resident recalling that she had "about half a dozen cats" and that while her shop was an excellent resource for high-quality second hand goods,...

To celebrate Mrs. Doubtfire turning 30, director Chris Columbus shared insight into the making of the classic film starring comedy legend Robin Williams.

During an interview with Business Insider published Tuesday, Columbus revealed that William improvised so much during the making of the 1993 classic that nearly 2 million feet of film was shot.

Following the success of Good Morning, Vietnam — which resulted in Williams’ first Oscar nomination, for Best Actor — the actor starred in a slew of movies in a variety of roles including Dead Poets Society, Awakenings, The Fisher King, and Aladdin,...

Debra Hill is best known for producing and co-writing the 1978 classic Halloween, but she went on to produce more than thirty more films after that one, including the first two Halloween sequels, The Fog, Escape from New York and Escape from L.A., The Dead Zone, Clue, Adventures in Babysitting, Big Top Pee-wee, The Fisher King, Crazy in Alabama, World Trade Center, and the films that made up the Rebel Highway series, among others. Now Hill’s career is being celebrated with the documentary Hollywood Trailblazer: The Debra Hill Story – and it’s being executive produced by Halloween (and Halloween II and The Fog) star Jamie Lee Curtis!

Deadline reports that Hollywood Trailblazer is coming our way from Causeway Pictures and is currently in production. Directed by Jim McMorrow and Margaret McGoldrick, the documentary is being produced by McGoldrick and Chris Patterson of Causeway Pictures. In addition to Curtis, the executive...

Exclusive: Hollywood Trailblazer: The Debra Hill Story, a feature documentary about Debra Hill, the late producer and co-writer of classic movies such as Halloween (1978) and The Fog (1980), has moved into production with Causeway Pictures.

Directed by Irish filmmakers Jim McMorrow and Margaret McGoldrick, producers are Margaret McGoldrick and Chris Patterson of Causeway Pictures. Executive Producers are Jamie Lee Curtis, Mike Chapman on behalf of Blue Finch Films, and Kerry Deignan Roy (William Shatner: You Can Call Me Bill). The doc was developed with Northern Ireland Screen and Blue Finch Film Releasing, who are handling world sales.

Hill, who died in 2005, is best known as the prolific filmmaker behind titles such as Halloween (1978) and The Fog (1980), both of which she co-wrote with John Carpenter, as well as many more titles, including Clue, Adventures In Babysitting, The Dead Zone, The Fisher King and World Trade Centre. Hill was recently honored by the...

In the third and final season of "Star Trek: Picard," a vicious Changeling named Captain Vadic (Amanda Plummer) is eager to apprehend Jack Crusher (Ed Speleers), the son of Jean-Luc Picard (Patrick Stewart). Vadic is a vicious killer who has no compunction about blowing up ships and murdering thousands. It seems she and several of her Changeling compatriots were medically tortured during the Dominion War (a conflict dramatized on "Star Trek: Deep Space Nine") and was in no mood to offer forgiveness. Vadic commanded a starship she called the Shrike, a massive, pointy, claw-like vessel that was armed to the teeth. Captain Riker (Jonathan Frakes) took one look at the Shrike and declared it to be more guillotine than starship. 

On the bridge of the Shrike, Vadic sat in an enormous chair, surrounded in the shadows by masked servants who fired weapons and cut down enemy combatants. The chair, as it so happens,...

Kinepolis Heralds Opening Of Six New Imax Screens

Belgium-based exhibitor Kinepolis has unveiled details for the opening of six new Imax screens in Europe and North America, first announced in May as part of its expanded partnership with Imax Corporation. The first new Imax screen opened at Canadian subsidiary Landmark Cinemas’ complex in the city of Waterloo on October 7. This will be followed by the opening of Imax Liège in Belgium on 13 October; Imax Kirchberg in Luxembourg (which is the country’s first Imax screen) on 18 October; Imax Nîmes in France on 19 October, and Imax Madrid in Spain on 20 October. The first titles due to be shown at these venues will be Taylor Swift: The Eras Tour and Martin Scorcese’s Killers of the Flower Moon, which premieres worldwide on October 20. A sixth new Imax screen will launch at Mjr Southgate theatre in the U.S. state of Michigan on...

Jamie Lee Curtis turned up at UTA headquarters in Beverly Hills on Thursday to help the Producers Guild of America announce the recipient of a fellowship bestowed upon a producer identified as a next-generational talent. Before she handed over the certificate, the Oscar winning actress looked to the past to honor the fellowship’s namesake, the late Debra Hill, a beloved friend and colleague from the Halloween franchise.

Curtis, an early riser who joked that she was out past her typical sunset curfew, said the franchise has been dissected in everything from books to college courses (“literally, PhDs have been earned on Halloween“) as people have attempted to get to the root of its appeal and meaning. She credited director John Carpenter as a “great guy, a wonderful director,” who co-wrote the film with Hill, but noted that it was the female storytelling that also helped the movie rise above.

July brings new channels to Pluto TV, including the Godzilla Channel, which features 30 films, such as “Godzilla Vs. King Chidorah” and “Godzilla vs. Biollante,” as well as the 1998-2000 animated adventure “Godzilla: The Series.” The Hollywood Squares Channel is also debuting. Celebrities in nine separate tic-tac-toe boxes provide right — and wrong — answers to contestants longing to hear “circle gets the square!”

July continues the streamer’s Summer Popcorn Movies with the “Mission Impossible” franchise starring Tom Cruise as Ethan Hunt, an agent of the Impossible Missions Force (Imf). Cruise has played the super-fit spy since 1996, as well as produced the series. The seventh iteration, “Mission: Impossible - Dead Reckoning Part 1,” has a theatrical release date of July 12.

Check out the first “Mission Impossible” trailer

“The Soldier’s Story,” a gripping 1984 drama nominated for three Academy Awards, is a jarring mystery about the death of a black sergeant stationed at a...

In this article, we are taking a look at the top 10 Jeff Bridges movies. From his breakthrough film in 1971, “The Last Picture Show,” to his hit movies “Big Lebowski” and the more recent one, “True Grit,” Bridges has played several iconic roles.

Jeff is from a family of actors. His father, Lloyd Bridges, was a very successful actor with over 100 movie credits to his name. His brother Beau Bridges is an Emmy Award winner. Jeff got his first major award nomination at 22 for his major role in “The Last Picture Show” as the character Duane Jackson, a high school student. He has since followed that remarkable performance with other spectacular displays, some of which have earned him prestigious award nominations.

He is married to Susan Geston, and together they have three daughters — Isabelle, Jessica, and Hayley.

Time to take a look at the top 10 best Jeff Bridges movies as ranked on IMDb by viewers.

Terry Gilliam walks, trots actually, through the white alleys of Monopoli. Humming as he goes: “I’ve got two legs from my hips to the ground/And when they move they walk around/And when I lift them they climb the stairs/And when I shave them they ain’t got hairs.”

“That’s the most important and well-known song I’ve ever written,” he jokes, “and I understand this now more than ever: Being an almost 83-year-old man, I thank my legs every day. They haven’t betrayed me yet!”

Far from being an “old man,” Gilliam remains a force of nature. In person, he is almost too much: At turns sensitive, raw and irreverent, with a razor-sharp intelligence and irrepressible imagination. The only American member of legendary British comedy troupe Monty Python, the man whose contributions to cinema include gems like Brazil, Time Bandits and The Fisher King,...

Just in time for Succession‘s end, let’s look at method acting. The Criterion Channel are highlighting the controversial practice in a 27-film series centered on Brando, Newman, Nicholson, and many other’s embodiment of “an intensely personal, internalized, and naturalistic approach to performance.” That series makes mention of Marilyn Monroe, who gets her own, 11-title highlight––the iconic commingling with deeper cuts.

Pride Month offers “Masc,” a consideration of “trans men, butch lesbians, and gender-nonconforming heroes” onscreen; the Michael Koresky-curated Queersighted returning with a study of the gay best friend; and the 20-film “LGBTQ+ Favorites.” Louis Garrel’s delightful The Innocent (about which I talked to him here), the director’s cut of Gregg Araki’s The Doom Generation, and Stanley Kwan’s hugely underseen Lan Yu make streaming premieres, while Araki’s Totally F***ed Up and Mysterious Skin also get a run. Criterion Editions include Five Easy Pieces,...

Could you imagine a world where Terry Gilliam’s Brazil doesn’t exist? It’s a dark territory, I know. Would you believe Universal almost shelved the filmmaker’s dystopian sci-fi drama in America before one of its stars, Robert De Niro, rescued the film from cancelation? According to Gilliam, the brilliant director behind films like The Fisher King and Fear and Loathing in Las Vegas, Universal balked at the film and demanded significant changes before it could open in theaters. After an exhausting back and forth between Gilliam and then-Universal chief Sid Sheinberg, De Niro used his connections to push the film’s fate in a more positive direction.

Speaking on The Hollywood Reporter‘s It Happened in Hollywood podcast, Gilliam said, “The studio did not like the movie at all.” Gilliam says he was on pins and needles during a screening where Universal executives looked pensive and distraught about Brazil.

At this point, it's probably not a spoiler to say that a key "Yellowjackets" character is alive and somewhat well. That character is Vanessa "Van" Palmer (Lauren Ambrose and Liv Hewton), and if we're being honest, she's kind of living the best life out of all the show's plane crash survivors. Why is that? Well, she has her own video and DVD rental business, While You Were Streaming, smack dab in the middle of an undisclosed Pennsylvanian town. If you are even the slightest bit familiar with the work we do here at Slash Film dot com, it shouldn't be a surprise that we consider this the best possible fate to have.

What also isn't surprising is that Van has very good taste in movies, and also knows a thing or two about Hollywood's bizarre queer history. That's because While You Were Streaming is filled with Easter eggs to mainstream queer cinema,...

For centuries, actors have endured a unique position in society. After dazzling audiences with their talent on the silver screen or stage, many talented individuals move behind the camera to become directors. With this transition comes great respect from those who recognize their performances as an actor and their skills in directing films that capture hearts and minds worldwide in spectacular fashion.

Related: Top 10 Richest Actors in the World [2022]

We wanted to know which actors make up some of our favorite director-actor combinations. So we dove into IMDb’s extensive collection of movie ratings, searching for insight into history’s best actor-directors based on viewer opinion alone. What follows is ten beloved actor-directors who saw success on either side (or both!) throughout various stages throughout showbiz’ past decade: Charlie Day, Zoë Kravitz, and Chris Pine, among others, all turn out award-winning feature productions utilizing decades worth of experience knowing precisely...

This post contains spoilers through the seventh episode in season 3 of "Star Trek: Picard."

As of this writing, seven episodes of "Star Trek: Picard" have aired, and we've learned many secrets about the show's primary antagonist, Vadic (Amanda Plummer). Captaining a ship called the Shrike, Vadic has the ability to form weaponized portals in space and uses this technology to redirect enemy fire back at them. The Shrike can also fling entire starships using its overpowered tractor beam, and a lot of dialogue has been devoted to how well-armed it is. Vadic projects a slithery intensity when talking to her potential foes, and sports facial scars and the slicked-forward hairstyle of a proper supervillain. Vadic, however, becomes scared in private when talking to her Changeling commanding officer. Her villainous arrogance is merely a show. 

We eventually learn that Vadic is also a Changeling. Following the Dominion War (a central event...

Actress Rhea Seehorn discusses a few of her favorite movies with hosts Josh Olson and Joe Dante.

Show Notes: Movies Referenced In This Episode

The Swimmer (1968)

Linoleum (2023)

Close Encounters of The Third Kind (1977)

Young Frankenstein (1974)

The Bride Of Frankenstein (1935)

Glengarry Glenn Ross (1992)

Short Cuts (1993)

Lars And The Real Girl (2007)

Eternal Sunshine Of The Spotless Mind (2004)

Synecdoche, New York (2008)

Breaking The Waves (1996)

Sound Of Metal (2020)

Starman (1984)

The Worst Person In The World (2021)

Beatriz At Dinner (2017)

Frida (2002)

The Shape Of Water (2017)

Pan’s Labyrinth (2006)

Nightmare Alley (2021)

Guillermo del Toro’s Pinocchio (2022)

The Creature From The Black Lagoon (1954)

The Lobster (2015)

Delicatessen (1992)

The Cook, The Thief, His Wife & Her Lover (1989)

The Favourite (2018)

World’s Greatest Dad (2009)

Birdman (2014)

The Banshees of Inisherin (2022)

Jojo Rabbit (2019)

The Stepford Wives (1975)

The Stepford Wives (2004)

Triangle Of Sadness (2022)

Get Out (2017)

Nope (2022)

Brazil (1985)

Safe (1995)

Withnail & I (1987)

The Fisher King (1991)

Regarding Henry (1990)

Lost in La Mancha (2002)

The Man Who Killed Don Quixote...