A girl's "sweet" sixteenth birthday is anything but special: her family forgets about it, and she suffers from every embarrassment possible.A girl's "sweet" sixteenth birthday is anything but special: her family forgets about it, and she suffers from every embarrassment possible.A girl's "sweet" sixteenth birthday is anything but special: her family forgets about it, and she suffers from every embarrassment possible.
- Awards
- 2 wins & 1 nomination total
Debbie Pollack
- Lumberjack
- (as Deborah Pollack)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAnthony Michael Hall and Molly Ringwald initially disliked each other, so John Hughes took them to a record store and they bonded after they found out they like the same music. One of the groups they liked was The Rave-Ups which Molly scribbled on Samantha's notebook.
- GoofsWhen the family is leaving for the wedding, the grandparents all pile into the car, but it was not large enough to accommodate the group. Grandma Baker squats near the passenger door to create the impression that she is sitting in the car. However, when the car is backing out of the driveway, you briefly see her curved back remain stationary while the car moves away from her.
- Alternate versionsVHS releases, cable TV broadcasts, and the initial DVD release change the majority of the soundtrack. The 2003 DVD and Blu-ray release restore the original theatrical soundtrack.
- ConnectionsEdited into Weird Science (1985)
- SoundtracksSnowballed
Written by Angus Young (uncredited), Malcolm Young (uncredited) and Brian Johnson (uncredited)
Performed by AC/DC
Courtesy of Leidseplein Presse B.V. / J. Albert Ltd.
By Arrangement with Warner Special Products
Featured review
These are the immortal words spoken by SIXTEEN CANDLES heroine Samantha Baker (Molly Ringwald) in the ultimate 80's teen comedy. This movie has become a classic to those born in the 70's, like myself, and I now consider it a "guilty pleasure". Its a movie we all grew up with. Didn't we all know a person like 'Farmer Ted', or a hot queenie like the blonde he hilariously gets. It was every young freshman's fantasy. This funny flick is also a relic of the 80's that is not all that dated.
The jokes still work (as long as you see it uncut) and it is neat seeing things of the not so distant past be on display. Floppy disks, headgears, leotards, etc... Time has not been so good to the featured stars. Ringwald and Anthony-Michael Hall, who was born to play this role, and this one only, have all but disappeared. The biggest stars now are blips on the screen here: Joan (in a headgear) and John (a geek) Cusack. The film is like a toy you can't put away.
Some situations are beat, but at least Paul Dooley adds an extra dimension to the father. Too many of John Hughes' teen-angst comedies of the era feature tissue-thin parental figures. This was the first and best of the so-called "brat pack" movies, and will always hold a place in 1980's filmmaking history. Girls learned never to lend their underwear to a geek and we all learned that high school is just a phase, easily forgotten as time goes on.
The jokes still work (as long as you see it uncut) and it is neat seeing things of the not so distant past be on display. Floppy disks, headgears, leotards, etc... Time has not been so good to the featured stars. Ringwald and Anthony-Michael Hall, who was born to play this role, and this one only, have all but disappeared. The biggest stars now are blips on the screen here: Joan (in a headgear) and John (a geek) Cusack. The film is like a toy you can't put away.
Some situations are beat, but at least Paul Dooley adds an extra dimension to the father. Too many of John Hughes' teen-angst comedies of the era feature tissue-thin parental figures. This was the first and best of the so-called "brat pack" movies, and will always hold a place in 1980's filmmaking history. Girls learned never to lend their underwear to a geek and we all learned that high school is just a phase, easily forgotten as time goes on.
Details
Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $23,686,027
- Opening weekend US & Canada
- $4,461,520
- May 6, 1984
- Gross worldwide
- $23,686,027
- Runtime1 hour 33 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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