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Jill Jacobson was born on 21 May 1954 in Beaumont, Texas, USA. She was an actress and producer, known for Falcon Crest (1981), Boredom (2015) and Mic Whore (2014). She was married to Paul Dorman. She died on 8 December 2024 in Culver City, California, USA.

Diane Delano was born on 29 January 1957 in Los Angeles, California, USA. She was an actress, known for The Wicker Man (2006), Miracle Mile (1988) and The Ladykillers (2004). She died on 13 December 2024 in Sherman Oaks, Los Angeles, California, USA.

Shelley Alexis Duvall was born in Fort Worth, Texas, the first child to Bobbie Ruth (Massengale, 1929-2020), a real estate broker, and Robert Richardson Duvall (1919-1994), a lawyer. At the time of her birth, her mother was visiting her grandmother in Fort Worth, though Duvall was raised in Houston. During her childhood, Shelley's mother humorously gave Shelley the nickname "Manic Mouse", because she would often run around her house and tip over furniture. Shelley however was more than a mouse, but rather quite the little artist. Her favorite thing to do when she was very young was draw. She also has three brothers: Scott, Shane, and Stewart.

Shelley graduated from Waltrip High School in Texas and at first became a cosmetics salesperson. It was in 1970 when Shelley was discovered by talent scouts at a local party. Director Robert Altman wanted to cast Shelley in a film that he was making during the time. Shelley had experience in acting in high school plays at the time and took Altman's offer and she appeared in her first film Brewster McCloud. Altman was so fascinated by her performance that she appeared in his next films including: McCabe and Mrs. Miller in 1971, Thieves Like Us in 1974, and Nashville in 1975. Aside from these three successful films, Duvall's acting blossomed in her leading role as Mille Lammoroux in 3 Women in1977. Duvall's acting was so superb that she won Best Actress at the 1977 Cannes Film Festival. Shelley also starred as Bernice in Joan Micklin Silver's Bernice Bobs Her Hair in 1976, and had a cameo in Woody Allen's Annie Hall in 1977. In the same year, Shelley also hosted an episode of Saturday Night Live.

When the 1980s hit, Duvall's career was just beginning.

She is famously known for playing the role of "Wendy Torrance" in Stanley Kubrick's The Shining with Jack Nicholson. During the making of this film, Kubrick psychologically tormented Duvall, causing her immense stress and affecting her mental state. He would often ignore her entirely during filming or would put her into situations which caused immense fear and distress for her. The most obvious example is when Kubrick shot the famous "baseball bat scene" with Duvall and Nicholson 127 times, which is the world record for most number of takes in any film set.

In January of 1979, Robert Altman would offer Duvall yet another role in one of his films. Only the role was a certain role Altman believed she was born to play. That certain role was "Olive Oyl" in the real life version of Popeye. Shelley was skeptical at first on accepting the role, due to bad memories as a child of negatively being called "Olive Oyl" in grade school. She fortunately decided to take the role and performed admirably. Shelley also sings several songs in this film. The most famous ones would be "He's Large" and "He Needs Me" which also appeared in the film Punch Drunk Love.

As the 1980s rolled on, Shelley's career never slowed down.

She appeared as a supporting actress in Terry Gilliam's Time Bandits in 1981; she played "Susan Frankenstein" in Tim Burton's Frankenweenie (1984) , and co-starred in the hit comedy film Roxanne in 1987 starring Steve Martin.

From 1982 to 1986, Shelley continued her filming career but from a different aspect. Since Shelley was 17, she had a collection of a variety of illustrated classic fairy tale books. During the making of Popeye, she showed her collection to Robin Williams. One particular fairy tale she showed Robin was "The Frog Prince". Picturing Robin as the real life Frog Prince, Shelley created Platypus Productions, her own production company. Shelley went to Showtime with the idea for airing a television program based on fairy tales. She produced Fairy Tale Theater which Showtime aired and was a hit television series based on several classic fairy tales.

Fairy Tale Theatre was on television from 1982-1987. Each episode was a one-hour series and there were a total of twenty six episodes, all hosted by Shelley Duvall. Shelley also starred in four out of the twenty six episodes. In 1985, Ms. Duvall created Tall Tales and Legends which was aired for three years until it ended in 1988. Similar to Fairy Tale Theatre, Tall Tales and Legends was also a one-hour series hosted, produced, and guest starred by Duvall. Although it only consisted of nine episodes, Shelley was nominated for an Emmy from the series.

In the late 1980s and early 1990s, Shelley discovered Think Entertainment; another production company which helped Shelley create more programs and movies that were made for television that aired on common cable channels. Shelley produced three more programs from these production companies that aired on Showtime: Nightmare Classics, Shelley Duvall's Bedtime Stories, and Mrs. Piggle Wiggle. Her Bedtime Stories program earned her a 2nd Emmy Nomination. Shelley sold Think Entertainment in 1993 and retired as a producer.

In 1989, Shelley met Dan Gilroy while filming the Disney Channel movie Mother Goose Rock 'n' Rhyme (1990), the two fell in love and they have been together ever since.

Shelley Duvall's later career found her a number of different roles. She appeared in the family comedy Home Fries in 1998 playing "Mrs. Jackson", Drew Barrymore's character's mother. Other comedic films Shelley appeared in were Suburban Commando in 1991, and Changing Habits in 1997. She also had cameos in several TV series' such as: Frasier, L.A. Law, The Ray Bradbury Theater, Wishbone, and several others. Shelley returned to the horror genre when she played "Martha Stewart" in The 4th Floor in 1999 and played the role of "Mrs. Stein" in Big Monster On Campus in 2000; which consisted of both the comedy and horror genre.

Since 2002, Shelley Duvall has not acted in any films, but lives a quiet and peaceful life in Blanco, Texas. She has lived in Blanco since 1994, after her home in Los Angeles was badly damaged by an earthquake. For the last couple years, there have been several rumors about Duvall being a "recluse" and not being in touch with reality. However, a recent interview in 2010 was conducted by MondoFilm VideoGuide that had heavy proof that Shelley is as normal and aware of reality as ever. She has also noted in this interview that she takes care of several animals at her home in Texas and writes a lot of poetry, and that returning to acting is always a possibility.

Marisa Paredes was born on 3 April 1946 in Madrid, Madrid, Spain. She was an actress, known for All About My Mother (1999), The Skin I Live In (2011) and High Heels (1991). She was married to Antonio Isasi-Isasmendi. She died on 17 December 2024 in Madrid, Spain.

One of the world's most famous and distinguished actresses, Dame Maggie Smith was born Margaret Natalie Smith in Essex. Her Scottish mother, Margaret (Hutton), worked as a secretary, and her English father, Nathaniel Smith, was a teacher at Oxford University. Smith has been married twice: to actor Robert Stephens and to playwright Beverley Cross. Her marriage to Stephens ended in divorce in 1974. She was married to Cross until his death in 1998. She had two sons with Stephens, Chris Larkin and Toby Stephens who are also actors.

Maggie Smith's career began at the Oxford Playhouse in the 1950s. She made her film debut in 1956 as one of the party guests in Child in the House (1956). She has since performed in over sixty films and television series with some of the most prominent actors and actresses in the world. These include: Othello (1965) with Laurence Olivier, The Prime of Miss Jean Brodie (1969), California Suite (1978) with Michael Caine and Jane Fonda, A Room with a View (1985), Richard III (1995) with Ian McKellen and Jim Broadbent, Franco Zeffirelli's Tea with Mussolini (1999) with Judi Dench, Joan Plowright and Cher and Gosford Park (2001) with Kristin Scott Thomas and Clive Owen, directed by Robert Altman. Maggie Smith has also been nominated for an Oscar six times and won twice, for The Prime of Miss Jean Brodie (1969) and California Suite (1978).

Smith later appeared in the very successful 'Harry Potter' franchise as the formidable Professor McGonagall as well as in Julian Fellowes' ITV drama series, Downton Abbey (2010) (2010-2011) as the Dowager Countess of Grantham.

Bernard Hill was an English actor. He was well recognized for playing King Théoden in The Lord of the Rings film trilogy, Captain Edward Smith in Titanic, and Luther Plunkitt, the Warden of San Quentin Prison in the Clint Eastwood film True Crime. Hill was also known for playing roles in television dramas, including Yosser Hughes, the troubled "hard man" whose life is falling apart in Alan Bleasdale's groundbreaking Boys from the Blackstuff in the 1980s, and more recently, as the Duke of Norfolk in the BBC adaptation of Hilary Mantel's Wolf Hall.

Teri Garr can claim a career in show business by birthright. She was the daughter of Eddie Garr, a Broadway stage and film actor, and Phyllis Garr, a dancer. While she was still an infant, her family moved from Hollywood to New Jersey but, after the death of her father when she was 11, the family returned to Hollywood, where her mother became a wardrobe mistress for movies and television. While Garr's dancing can be seen in five Elvis Presley movies, her first speaking role in motion pictures was in the 1968 feature Head (1968), starring The Monkees. In the 1970s she became well established in television with appearances on shows such as Star Trek (1966), It Takes a Thief (1968) and McCloud (1970), and became a semi-regular on The Sonny and Cher Show (1976) as Cher's friend, Olivia. Garr has since risen to become one of Hollywood's most versatile, energetic and well-recognized actresses. She has starred in many memorable films, including Young Frankenstein (1974), Oh, God! (1977), Close Encounters of the Third Kind (1977), Mr. Mom (1983), After Hours (1985) and her Academy Award-nominated performance for Best Supporting Actress in Tootsie (1982). Other film roles include The Black Stallion (1979), One from the Heart (1981), The Escape Artist (1982), Firstborn (1984), Let It Ride (1989), Full Moon in Blue Water (1988), Out Cold (1989), Short Time (1990), Waiting for the Light (1990), Mom and Dad Save the World (1992), Perfect Alibi (1995), Ready to Wear (1994) and A Simple Wish (1997).

Widely regarded as the one of greatest stage and screen actors both in his native USA and internationally, James Earl Jones was born on January 17, 1931 in Arkabutla, Mississippi. At an early age, he started to take dramatic lessons to calm himself down. It appeared to work as he has since starred in many films over a 40-year period, beginning with the Stanley Kubrick classic Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). For several movie fans, he is probably best known for his role as Darth Vader in the original Star Wars trilogy (due to his contribution for the voice of the role, as the man in the Darth Vader suit was David Prowse, whose voice was dubbed because of his British West Country accent). In his brilliant course of memorable performances, among others, he has also appeared on the animated series The Simpsons (1989) three times and played Mufasa both in The Lion King (1994) and The Lion King (2019), while he returned too as the voice of Darth Vader in Star Wars: Episode III - Revenge of the Sith (2005) and Rogue One: A Star Wars Story (2016).

Masuimi Max was born in Little Rock, Arkansas to a Japanese-American father and a mother who was ethnic German and Scottish. She spent her early years living in Korea and the Philippines. Her father retired from the Air Force and moved to Las Vegas during her teenage years.

Masuimi was an international performer, top alternative/fetish model, actress and owner of I Am Sin cosmetics. She modeled for hundreds of companies around the world -including such well-known brands as Harley-Davidson, Coffin Case, Pinup Girl Clothing, Murray & Vern latex and Bibian Blue -and was the spoke model for Pinup Girl Clothing. Sinical Magazine has said of her, "She has inspired a legion of alternative models to lace up a corset, pull on some stockings and slide into a pair of stilettos. Masuimi was a true 'master of disguise' and often made her own costumes and backgrounds, and was an accomplished fire performer and burlesque dancer. She was a true original in a sea full of copycats, and one of the few models that has made a career out of doing what she loves".

Aside from modeling and performing, Masuimi operated an exclusive pay site for her fans, which offers a free guest area and a paid members-only area. There are over 60,000 images and videos, along with live video demos in which she connected with her fans by doing various tutorials that range from cooking to putting makeup on. She was a webmaster and designer for several websites. Model Mayem magazine has said of her, "Her success in the industry paved the way for so many models that followed, but the story of her success is a classic tale of how hard work, talent and determination can overcome all challenges. Masuimi's list of credits is so vast, with nearly 100 magazine covers and many more features, music videos, TV shows and movies, that it's almost impossible to select a few highlights." She was compared to iconic model Dita Von Teese by Sinical Magazine: "Dita Von Teese and Masuimi Max.. They modeled and performed full time since the 1990s. Their influence on current models was unquestioned and they basically joined the ranks of Miss Page". Masuimi was on the cover of Bizarre Magazine nine times, as well as Maxim, Import Tuner, Performance Sound and Auto, DDI Mag, and many others. She was featured on Playboy.com and was the leading lady in Tiger Army's "Rose of a Devils Garden"

She appeared in a number of films, including Unlucky Charms (2013), Gingerdead Man vs Evil Bong (2013), Here Lies Lonely (1999) and The Devil's Muse (2007), and was also in the mega-hit xXx: State of the Union (2005). She also made personal appearances at car shows. She was a contestant in the reality television game show Fear Factor (2001) where she ate a potato bug. She also had a brief cameo at the end of the David Lynch film Inland Empire (2006) as a girl with the blonde wig who has a monkey. In 2011, she made a cameo appearance in the SuperHeavy video for "Miracle Worker."

Shannen Doherty was born in Memphis, Tennessee, USA, on April 12, 1971, to Rosa Doherty (Wright) and Tom Doherty. Her father worked in a bank, while her mother owned a beauty parlor. She has an older brother, Sean B. Doherty. Her ancestry includes Irish, English, Scottish, and French. In 1978, at the tender age of seven, she and her family moved to Los Angeles, where her father started a West Coast branch of the family transportation business. She knew she wanted to pursue an acting career when she made her acting debut at age ten, with a role on the series Father Murphy (1981).

Shannen was a confident student, involving herself in school performances and working hard in school, making sure she always had exceptional grades. Despite her confidence she isolated herself from large crowds and preferred to few close friends. She made a name for herself as a child actress at just 11-years-old, starring in Little House on the Prairie (1974) as Jenny Wilder. It was Michael Landon who noticed her performance in an episode of Father Murphy (1981) that he decided to cast her. She then went on to appear in Our House (1986) with Deidre Hall and Wilford Brimley. She also starred alongside Sarah Jessica Parker and Helen Hunt in Girls Just Want to Have Fun (1985) and then in Heathers (1988), a teen comedy also starring Winona Ryder.

Her real success came in 1990, at the age of 19, when she was cast in Aaron Spelling's long-running hit series, Beverly Hills, 90210 (1990) as Brenda Walsh, the twin sister of Brandon Walsh, played by Jason Priestley. She attracted media attention from the press and eventually made her a household name. The success of the popular teen drama appealed to young teenage girls who could relate to her character. After four years she left the show in 1994. Afterward, she continued her work in movies, starring in the thriller Almost Dead (1994) and the comedy Mallrats (1995).

During the fall of 1998, she reunited with long-time producer Aaron Spelling, when she was cast as Prue Halliwell on Charmed (1998), a show about three ordinary women who happen to be witches. She starred alongside Alyssa Milano and Holly Marie Combs. After three years she left the show to find work in movies. Before her departure from the show she directed three of the last episodes in which she starred. She continued her work in movies by starring in Another Day (2001), The Rendering (2002), Hell on Heels: The Battle of Mary Kay (2002), and View of Terror (2003). In 2003, she hosted season one of Scare Tactics (2003) as well as season two with only 8 episodes and then left to pursue other endeavors.

In the fall of 2004, Shannen made her return to television on Fox's drama series North Shore (2004), where she played Alexandra Hudson, the long-lost sister of Nicole Booth, played by Brooke Burns. The show was canceled after one season. Then in 2005 she landed the role of Denise Johnson on the UPN series Love, Inc. (2005); however, after the pilot episode she was dropped from the sitcom. From there she has ventured into new projects and in 2006 she starred in her own reality series, Breaking Up with Shannen Doherty (2006).

Bob Avila was an actor, known for Yellowstone (2018). He died on 9 November 2024.

Perhaps best known for his chilling performance as "Candyman", the charismatic 6' 5" actor Tony Todd has consistently turned in compelling performances since his debut in the fantasy film Sleepwalk (1986). Born in Washington, D.C., Todd spent two years on a scholarship at the University of Connecticut, which, in turn, led to a scholarship from the renowned Eugene O'Neill National Theatre Institute. It proved to be the foundation for intense stints at the Hartman Conservatory in Stamford, Connecticut and the Trinity Square Repertory Theatre Conservatory in Providence, Rhode Island. Todd appeared in dozens of classical and many experimental plays, yet still managed to find time to teach playwriting to high school students in the Hartford public school system.

Todd's extensive credits exemplify his versatility. They include such film classics as The Rock (1996), The Crow (1994), Lean on Me (1989), Bird (1988), Night of the Living Dead (1990), Final Destination (2000), the multiple Academy Award winning Oliver Stone film Platoon (1986) and The Secret (2000), which was nominated and screened at the Cannes Film Festival. Todd's recent films include the independent film Silence (2002) and Final Destination 2 (2003). He has had prominent guest starring roles in numerous critically-acclaimed television series, including recurring on Boston Public (2000), For the People (2002) and The District (2000), as well as NYPD Blue (1993), Smallville (2001), Law & Order (1990), Crossing Jordan (2001), Homicide: Life on the Street (1993) and The X-Files (1993). Todd recurred on three incarnations of "Star Trek" and guest starred on Xena: Warrior Princess (1995) and episodes of CSI: Miami (2002) and Andromeda (2000). His television movies include starring roles in True Women (1997), Black Fox (1995), Butter (1998), Ivory Hunters (1990), Babylon 5: A Call to Arms (1999) and Control Factor (2003).

Todd's considerable theatre credits include the world premiere of award-winning playwright August Wilson's "King Hedley II", where he originated the title role in Pittsburgh, Seattle and Boston. Variety commented: "Todd's King Hedley dominates the stage. A sour-faced mix of rage and resolve, anger and vulnerability. Todd's Hedley was a memorable tour-de-force even on opening." He also received a coveted Helen Hayes nomination for his performance in Athol Fugard's "The Captain's Tiger at La Jolla, the Manhattan Theatre Club and the Kennedy Center. Other theatre credits include "Les Blancs", "Playboy of the West Indies", "Othello", "Zooman and the Sign", award-winning playwright Keith Glover's "Dark Paradise", "Aida" (on Broadway), and most recently, "Levee James" for the prestigious Eugene O'Neill Playwrights Conference and The New Dramatist Guild.

The towering presence of Canadian actor Donald Sutherland was often noticed, as were his legendary contributions to cinema. He appeared in almost 200 different shows and films. He was also the father of renowned actor Kiefer Sutherland, among others.

Donald McNichol Sutherland was born in Saint John, New Brunswick, to Dorothy Isobel (McNichol) and Frederick McLea Sutherland, who worked in sales and electricity. He had Scottish, as well as German and English, ancestry. Sutherland worked in several different jobs - he was a radio DJ in his youth - and was almost set on becoming an engineer after graduating from the University of Toronto with a degree in engineering. However, he also graduated with a degree in drama, and he chose to abandon becoming an engineer in favour of an actor.

Sutherland's first roles were bit parts and consisted of such films as the horror film Dr. Terror's House of Horrors (1965) which starred Christopher Lee. He was also appearing in episodes of TV shows such as "The Saint" and "Court Martial". Sutherland's break would come soon, though, and it would come in the form of a war film in which he was barely cast.

The reason he was barely cast was because he had been a last-minute replacement for an actor that had dropped out of the film. The role he played was that of the dopey but loyal Vernon Pinkley in the war film The Dirty Dozen (1967). The film also starred Lee Marvin, Charles Bronson, and Telly Savalas. The picture was an instant success as an action/war film, and Sutherland played upon this success by taking another role in a war film: this was, however, a comedy called M*A*S*H (1970) which landed Sutherland the starring role alongside Elliott Gould and Tom Skerritt. This is now considered a classic among film goers, and the 35-year old actor was only getting warmed up.

Sutherland took a number of other roles in between these two films, such as the theatrical adaptation Oedipus the King (1968), the musical Joanna (1968) and the Clint Eastwood-helmed war comedy Kelly's Heroes (1970). It was Kelly's Heroes (1970) that became more well-known, and it reunited Sutherland with Telly Savalas. 1970 and 1971 offered Sutherland a number of other films, the best of them would have to be Klute (1971). The film, which made Jane Fonda a star, is about a prostitute whose friend is mysteriously murdered. Sutherland received no critical acclaim like his co-star Fonda (she won an Oscar) but his career did not fade.

Moving on from Klute (1971), Sutherland landed roles such as the lead in the thriller Lady Ice (1973), and another lead in the western Alien Thunder (1974). These films did not match up to "Klute"'s success, though Sutherland took a supporting role that would become one of his most infamous and most critically acclaimed. He played the role of the murderous fascist leader in the Bernardo Bertolucci Italian epic 1900 (1976). Sutherland also gained another memorable role as a marijuana-smoking university professor in National Lampoon's Animal House (1978) among other work that he did in this time.

Another classic role came in the form of the Robert Redford film, Ordinary People (1980). Sutherland portrayed an older father figure who must deal with his children in an emotional drama of a film. It won Best Picture, and while both the supporting stars were nominated for Oscars, Sutherland once again did not receive any Academy Award nomination. He moved on to play a Nazi spy in a film based on Ken Follett's book "Eye of the Needle" and he would star alongside Al Pacino in the commercial and critical disaster that was Revolution (1985). While it drove Al Pacino out of films for four years, Sutherland continued to find work. This work led to the dramatic, well-told story of apartheid A Dry White Season (1989) alongside the legendary actor Marlon Brando.

Sutherland's next big success came in the Oliver Stone film JFK (1991) where Sutherland plays the chilling role of Mister X, an anonymous source who gives crucial information about the politics surrounding President Kennedy. Once again, he was passed over at the Oscars, though Tommy Lee Jones was nominated for his performance as Clay Shaw. Sutherland went on to appear in Buffy the Vampire Slayer (1992), Shadow of the Wolf (1992), and Disclosure (1994).

The new millennium provided an interesting turn in Sutherland's career: reuniting with such former collaborators as Clint Eastwood and Tommy Lee Jones, Sutherland starred in Space Cowboys (2000). He also appeared as the father figure to Nicole Kidman's character in Cold Mountain (2003) and Charlize Theron's character in The Italian Job (2003). He also made a fascinating, Oscar-worthy performance as the revolutionist Mr. Thorne in Land of the Blind (2006) and also as a judge in Reign Over Me (2007). He also joined forces with his son Rossif Sutherland and Canadian comic Russell Peters with the new comedy The Con Artist (2010), as well as acting alongside Jamie Bell and Channing Tatum in the sword-and-sandal film The Eagle (2011). Sutherland also taken a role in the remake of Charles Bronson's film The Mechanic (1972).

Donald Sutherland made a lasting legacy on Hollywood, whether portraying a chilling and horrifying villain, or playing the older respectable character in his films. A true character actor, Sutherland was one of Canada's most well-known names and will hopefully continue to be remembered long after his time.

Bob Newhart was an American actor and stand-up comedian. His comedic style involved deadpan delivery of dialogue, a slight stammer when talking, and comedic monologues. He cited earlier comedians George Gobel (1919-1991), Ray Goulding (1922-1990), and Bob Elliott (1923-2016) as his main influences in developing his comedy style.

In 1929, Newhart was born in a hospital in Oak Park, Illinois to Roman Catholic parents, George David Newhart (1900-1985) and his wife, Julia Pauline Burns (1900-1994). George Newhart was the son of an American father and a Canadian mother, had both German and Irish ancestry, and claimed maternal descent from the O'Conor family of Connacht; his mother was an Irish-American. George had partial ownership in a plumbing and heating-supply business, which was the Newhart family's main source of income. Bob Newhart and his sister, who became a nun (Sister M. Joan Newhart), were raised Catholic.

Newhart was raised in the vicinity of Chicago and attended a number of local Roman Catholic schools: first the St. Catherine of Siena Grammar School in Oak Park, then St. Ignatius College Prep in Chicago. He graduated the prep school (equivalent to a high school) in 1947, then enrolled at the Loyola University Chicago. He graduated in 1952 with a Bachelor's Degree in business management.

Shortly after graduating, Newhart was drafted into the the United States Army. He served as a personnel manager for the Army during the Korean War (1950-1953). He was honorably discharged in 1954, during the post-war demobilization of the American armed forces. He attempted to continue his studies, and enrolled into the Loyola University Chicago School of Law. However, he never completed his degree, quitting a required internship because his employer had allegedly demanded "unethical" behavior from him.

Newhart briefly worked as an accountant for the USG Corporation (United States Gypsum Corporation), a Chicago-based company which manufactures construction materials. He quit after regularly facing trouble in "adjusting petty cash imbalances". He then proceeded to work as a clerk for various employers, but found himself struggling financially.

In 1958, he was hired as an advertising copywriter for a Chicago-based production company. To entertain himself, he started exchanging "long telephone calls about absurd scenarios" with a friendly co-worker. The 29-year-old Newhart had the idea to try his hand as a comedian, and developed a comedy routine based on the telephone calls. He recorded his routine into audition tapes, and send them to radio stations. His routine was met favorably. In 1959, Newhart started performing as a stand-up-comedian in nightclubs, and signed a contract with a new record company which was seeking to recruit some talent. The company was Warner Bros. Records (established in 1958), a subsidiary of the film studio Warner Bros.

Newhart became famous primarily through his audio releases. His comedy album "The Button-Down Mind of Bob Newhart" (1960) became the first comedy album to make number one on the Billboard charts, and earned him the 1961 Grammy Award for Best New Artist. This success opened to him new career opportunities, in television and film. NBC offered him his own variety television show, the short-lived "The Bob Newhart Show" (October, 1961-June 1962). The show won the 1962 Primetime Emmy Award for Outstanding Comedy Series, but was canceled anyway. It had won the award while facing four other candidates: "The Andy Griffith Show", "Car 54, Where Are You?", "Hazel", and "The Red Skelton Show", all of which outlasted Newhart's award-winning show.

In 1962, Newhart made his film debut in the war film "Hell Is for Heroes". Newhart played the character James Driscoll, an Army company clerk who broadcasts misleading radio messages to the enemy limes during World War II. He appeared frequently as a guest star in television over the subsequent years, but had relatively few big screen roles. He appeared in the caper story "Hot Millions" (1968), the reincarnation-themed fantasy film "On a Clear Day You Can See Forever" (1970), the war film "Catch-22" (1970), and the tobacco-smoking-themed satirical film "Cold Turkey" (1971).

From 1972 to 1978, he starred in the hit sitcom "The Bob Newhart Show". He played the character Robert "Bob" Hartley, Ph.D. (Newhart), a Chicago psychologist who is surrounded by eccentric patients, work colleagues, friends, and family members. Hartley was effectively the "straight man" to the wacky characters surrounding him.

In 1977, Newhart voiced Bernard, the male lead in the animated film "The Rescuers" (1977). The film features the Rescue Aid Society, an international mouse organization, with its headquarters located in New York City. Bernard is not initially one of its members, but works as their janitor. When Miss Bianca, Hungary's representative in the organization, must choose a partner for her first field mission, she impulsively chooses Bernard over the the other available agents. Part of the success of the film is based on the contrast between the two partners, the adventurous, brave, but rather impulsive Bianca, and the overly cautious, shy, and reluctant hero Bernard. "The Rescuers" earned worldwide gross rentals of $48 million dollars at the box office during its initial release, and had a total lifetime worldwide gross of $169 million through subsequent re-releases.

In 1980, Newhart appeared in two live-action films, the comedy-drama "Little Miss Marker", and the political comedy "First Family". The first features Newhart as a member of a gangster-run gambling operation. The gangsters are surprised when a client uses his 6-year-old daughter as collateral for a bet. The other film featured Newheart as an inept President of the United States. The main plot deals with the President tolerating the kidnapping of American citizens by a fictional African country, because the country offers some valuable resources in exchange for their new American slaves.

From 1982 to 1990, Newhart starred in a second hit sitcom, called simply "Newhart". He played the character Dick Loudon, a Vermon-based innkeeper who finds himself surrounded by strange employees, neighbors, and competitors. The show had a famous ending where the entire series is "revealed" to be a dream of Robert Hartley, Newhart's character from his hit CBS sitcom, "The Bob Newhart Show".

In 1990, Newhart returned to the role of Bernard, in the sequel film "The Rescuers Down Under". Early in the film, Bernard is preparing a marriage proposal for Miss Bianca, but his plans are derailed when they are both send to Australia for an urgent mission. The duo are partnered with Australian agent Jake, and Bernard is frustrated with when Jake competes with him for Bianca's affections. At the end of the mission, Berbard finally makes his marriage proposal, unwilling to let orders for further missions to interfere with his plans to marry the woman he loves. The film only earned 47.4 million dollars at the worldwide box office, and became Walt Disney Animation Studio's least successful theatrical animated film of the 1990s.

From 1992 to 1993, Newhart starred in his third sitcom, called simply "Bob". He played the character Bob McKay, a veteran comic book writer and artist from the 1950s. Having long retired into obscurity, McKay is hired by a corporation to produce a revival of his classic character, the superhero "Mad-Dog". The first season introduced a large cast of eccentric co-workers. The second season dismissed most of these characters, and had McKay serving as the President of a company producing greeting cards. The series suffered from low ratings, and was canceled at the end of its second season. Only 33 episodes were produced.

From 1997 to 1998, Newhart starred in his fourth sitcom "George & Leo". He played George Stoody, a bookstore owner who finds himself offering hospitality to a professional magician and part-time criminal (Judd Hirsch). The humor was based on the strong contrast between the two men, but the series failed to find an audience.

Newhart returned to theatrical films with the romantic comedy "In & Out" (1997). He had roles in the animated film "Rudolph the Red-Nosed Reindeer: The Movie" (1998), the comedy "Legally Blonde 2: Red, White & Blonde" (2003), and the Christmas film "Elf" (2003) . From 2004 to 2008, Newhart played the major character Judson in three television films of "The Librarian" fantasy franchise. The franchise features a mystical library, which hides numerous magical and technological artifacts from various historical eras. A series of librarians have to guard the library and its contents from criminal organizations with sinister designs. Judson is the mentor who trains the current librarian, after the previous one was killed in action. The series hinted that Judson was older than he looked, and he was eventually revealed to be the original librarian. He was nearly immortal, and had trained succeeding librarians for centuries. In "Horrible Bosses" (2011), he made a surprise cameo at the end as Jason Bateman's new boss, Lou Sherman, who has a notorious reputation of his own.

In 2013, Newhart started playing the recurring character Arthur Jeffries (stage name "Professor Proton") in "The Big Bang Theory". He was a scientist who decades ago served as the host of a science show aimed at children, inspiring series co-protagonists Leonard Hofstadter and Sheldon Cooper to start science careers of their own. Leonard and Sheldon, now professional physicists with academic careers, eventually get to meet their childhood idol. Jeffries's scientific career ended in disgrace, his television days are long over, and he has been reduced to earning a meager living as a party entertainer. This role won Newhart his first Primetime Emmy Award. The character dynamic between the two was popular, as Sheldon continued to idolize Jeffries who found his "student" to be insufferable. Following Jeffries' death, Newhart continued to appear in the series as Jeffries' ghost, appearing at various points to offer Sheldon advice and serving as a reluctant mentor. Sheldon viewed Jeffries as his version of Obi-Wan Kenobi.

Bob Newhart died in 2024, aged 94.

Kenneth Mitchell was born on 25 November 1974 in Toronto, Ontario, Canada. He was an actor, known for Miracle (2004), The Recruit (2003) and Captain Marvel (2019). He was married to Susan May Pratt. He died on 24 February 2024 in Los Angeles, California, USA.

Adan Canto is a Mexican-American actor and director. He left home at the age of 16 to pursue a career as a musician. Canto wrote for and produced several songs for film and television while living in Mexico City. He began acting in a handful of commercials in Mexico City and was soon cast in a television series called Estado de Gracia. Canto eventually turned to the stage after being cast as a lead for the adaptation of Pedro Almodovar's All About My Mother.

In 2013, Canto made his debut in American television, playing the role of Paul Torres on the Fox drama series, The Following. In 2015 Canto played real life politician Rodrigo Lara Bonia in Netflix drama series Narcos. In 2016, he was cast in the ABC political drama series, Designated Survivor, playing White House Chief of Staff Aaron Shore opposite Kiefer Sutherland, Natascha McElhone, and Maggie Q. Canto wrote and directed his first short film Before Tomorrow in 2014. His short film The Shot earned several festival awards for Best Narrative Short Film in 2020.

Chance Perdomo was born on 20 October 1996 in Los Angeles, California, USA. He was an actor, known for Gen V (2023), After We Fell (2021) and Chilling Adventures of Sabrina (2018). He died on 29 March 2024 in New York, USA.

Glynis Johns was the daughter of actor Mervyn Johns. Best known for her light comedy roles and often playful flirtation, Glynis was born in South Africa while her parents were on tour there (her mother was a concert pianist) but was always proud of her Welsh roots and took delight in playing the female lead (opposite Richard Burton) in the classic Under Milk Wood (1971). She was probably best known for her role as the suffragette mother in Mary Poppins (1964) although she is probably best loved for her fishy roles in Miranda (1948) and Mad About Men (1954). She had earlier showed she could take on the serious roles as well as in Frieda (1947). Most recently seen (at the time of writing) in Superstar (1999). Johns died in 2024, aged 100, having never received the damehood she had richly deserved for decades. Predeceased by her only son, she was survived by a grandson,Thomas Forwood, and three great-grandchildren.

M. Emmet Walsh, a native of Ogdensburg, New York, grew into one of Hollywood's most respected and hard-working character actors. Over a career that spanned six decades, he became known for his remarkable ability to slip effortlessly into roles across drama, comedy, and thrillers, leaving a lasting impact on film and television.

Growing up in rural New York and Vermont, Walsh's childhood was shaped by his father's work as a customs officer along the northern border. After earning a degree from Clarkson University in Potsdam, New York, Walsh set his sights on acting. He started out on the stage in off-Broadway productions before transitioning to screen work in the 1960s. With his gravelly voice, memorable features, and talent for giving even the smallest roles depth and humanity, Walsh quickly stood out in a crowded field.

On television, Walsh became a familiar face, popping up in some of the most popular shows of his time. During the 1970s, he made a name for himself on crime dramas like The Streets of San Francisco and Kojak, playing sharp-witted detectives and morally complex characters. He also showed a knack for comedy, appearing in recurring roles on shows like The Bob Newhart Show and Frasier, where his quirky charm and impeccable timing made him a standout. In later years, he brought his signature blend of wit and gruffness to guest spots on critically acclaimed series like Mad About You and Curb Your Enthusiasm, proving his ability to steal scenes no matter the genre.

Walsh's biggest successes, though, came on the big screen. His breakout role as the scheming private investigator Loren Visser in the Coen Brothers' 1984 neo-noir Blood Simple earned him critical acclaim and cemented his reputation as a master of morally ambiguous characters. He followed this up with a string of memorable performances in iconic films throughout the 1980s and 1990s. In Blade Runner (1982), he brought grit and authority to the role of police officer Bryant, leaving a lasting impression in the sci-fi classic. His comedic talents shone in films like Raising Arizona (1987) and Fletch (1985), where his deadpan delivery became a signature. He also displayed warmth and heart as the father in Harry and the Hendersons (1987), showcasing his ability to bring depth to family-friendly roles.

Walsh was also a scene-stealer in smaller roles, appearing in beloved films like The Jerk (1979) and A Time to Kill (1996). No matter how large or small the part, he brought an unmistakable presence that elevated every project he touched.

On March 19, 2024, Walsh passed away at Northwestern Medical Center in St. Albans, Vermont, from cardiac arrest. With more than 200 credits to his name, he left behind a legacy of versatility, dedication, and a deep love for storytelling. Beloved by audiences and peers alike, M. Emmet Walsh remains a shining example of the impact a character actor can have on the world of entertainment.

Kris Kristofferson was born in Brownsville, Texas, to Mary Ann (Ashbrook) and Lars Henry Kristofferson. His paternal grandparents were Swedish, and his father was a United States Air Force general who pushed his son to a military career. Kris was a Golden Gloves boxer and went to Pomona College in California. From there, he earned a Rhodes scholarship to study literature at Oxford University. He ultimately joined the United States Army and achieved the rank of captain. He became a helicopter pilot, which served him well later. In 1965, he resigned his commission to pursue songwriting. He had just been assigned to become a teacher at USMA West Point. He got a job sweeping floors in Nashville studios. There he met Johnny Cash, who initially took some of his songs but ignored them. He was also working as a commercial helicopter pilot at the time. He got Cash's attention when he landed his helicopter in Cash's yard and gave him some more tapes. Cash then recorded Kristofferson's "Sunday Morning Coming Down", which was voted the 1970 Song of the Year by the Country Music Association. Kris was noted for his heavy boozing. He lost his helicopter pilot job when he passed out at the controls, and his drinking ruined his marriage to singer Rita Coolidge, when he was reaching a bottle and half of Jack Daniels daily. He gave up alcohol in 1976. His acting career nose-dived after making Heaven's Gate (1980). In recent years, he has made a comeback with his musical and acting careers. He does say that he prefers his music, but says his children are his true legacy.

Carl Weathers was born on January 14, 1948, in New Orleans, Louisiana. A famous and successful football star at San Diego State, he played with the Oakland Raiders and retired from the sport in 1974, in order to give full attention to his goal: to be a real actor.

Weathers first played small parts in two blaxploitation flicks, Friday Foster (1975) (in which he played "Yarbro") and Bucktown (1975) (playing "Hambone"), both made in 1975 and directed by Arthur Marks. However, his big break came the following year when producers Irwin Winkler and Robert Chartoff chose him to play "Apollo Creed" in the blockbuster "sleeper" Rocky (1976) (real-life boxing legend Ken Norton was originally signed for the part, but it eventually went to Weathers). He went on to play "Creed" in three other "Rocky" movies, and the characters' adversarial relationship eventually evolved into a warm friendship. After Creed's death in Rocky IV (1985), Weathers met with producer Joel Silver and agreed to play an important supporting role in Predator (1987), an action film starring Arnold Schwarzenegger.

The following year, Silver produced Action Jackson (1988), a first starring role for Weathers, but it performed poorly at the box office and was panned by the critics.

During the 1990s, Weathers starred in four In the Heat of the Night (1988) two-hour TV specials that were much better received by critics and viewers alike. In 1996, he played the part of "Chubbs Peterson" in the blockbuster Adam Sandler comedy Happy Gilmore (1996). He returned to his "action roots" in two TV-movies with Hulk Hogan: Assault on Devil's Island (1997) and Assault on Death Mountain (1999).

In addition to his acting career, Weathers is also a member of the Big Brothers Association and the U.S. Olympic Committee, handling the career of athletes of various sports such as gymnastics, wrestling, swimming and judo.

Anne Whitfield was born August 27, 1938 in Oxford, Mississippi, USA. She was an actress, known for White Christmas (1954), numerous TV shows and commercials, and a long radio career beginning in 1945 when she was seven. Her TV appearances include One Step Beyond, 3 Perry Masons, Rawhide, Gunsmoke, 77 Sunset Strip, Dobie Gillis, 2 Cheyennes, and a Bonanza. When she left Hollywood in 1976, she went back to college, got a degree in Mass Communications, and began a new career as a water quality educator at the state Department of Ecology. Now retired, Annie is a climate activist and a proud but worried grandmother of seven.

Alain Fabien Maurice Marcel Delon was born in Sceaux, Hauts-de-Seine, France, to Édith (Arnold) and Fabien Delon. His father was of French and Corsican Italian descent, and his mother was of French and German ancestry. His parents divorced early on, and Delon had a stormy childhood, being frequently expelled from school.

In 1953/1954 he served with the French Marines in Indochina. In the mid-'50s he worked at various odd jobs including waiter, salesman and porter in Les Halles market. He decided to try an acting career and in 1957 made his film debut in Yves Allégret's Quand la femme s'en mêle (1957). He declined an offer of a contract from producer David O. Selznick, and in 1960 he received international recognition for his role in Luchino Visconti's Rocco and His Brothers (1960). In 1961 he appeared on the stage in "'Tis a Pity She's a Whore", directed by Visconti, in Paris. In 1964 he formed his own production company, Delbeau Productions, and he produced a short film directed by Guy Gilles. In 1968 he found himself involved in murder, drug and sex scandal that indirectly implicated major politicians and show-business personalities, but he was eventually cleared of all charges. In the late 1960s he formed another company. Adel Film, and the next year he began producing features. In 1981 he directed his first film, To Kill a Cop (1981).

Delon was a sensation early in his career; he came to embody the young, energetic, often morally corrupted man. With his breathtaking good looks he was also destined to play tender lovers and romantic heroes, and he was a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in 'Rene Clement''s sun-drenched thriller Purple Noon (1960). Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in Rocco and His Brothers (1960). In this film Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his shiftless brother Simon.

After several other films in Italy, Delon returned to the criminal genre with Jean Gabin in Any Number Can Win (1963). This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was first used to real effect by Jean-Pierre Melville in Le Samouraï (1967). In 1970 he had a huge success in the bloodstained Borsalino (1970)--which he also produced--playing a small-time gangster in the 1930s who, with Jean-Paul Belmondo, becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's Mr. Klein (1976) in which he played (brilliantly) the icily sinister title role, and the art-movie Swann in Love (1984). He has an older son Anthony Delon (who has also acted in a number of movies) from his first marriage to Nathalie Delon, and has a young son and daughter, Alain-Fabien and Anouchka with Rosalie.

A native of New Jersey and son of a mechanic, African-American John Amos has relied on his imposing build, eruptive nature and strong, forceful looks to obtain acting jobs, and a serious desire for better roles to earn a satisfying place in the annals of film and TV. He has found it a constant uphill battle to further himself in an industry that tends to diminish an actor's talents with severe and/or demeaning stereotypes and easy pigeonholing. A tough, often hot-headed guy with a somewhat tender side, John would succeed far better on stage than on film and TV...with one extremely noteworthy exceptions.

Born on December 27, 1939, John was first employed as an advertising copywriter, a social worker at New York's Vera Institute of Justice, and an American and Canadian semi-professional football player before receiving his calling as an actor. A stand-up comic on the Greenwich Village circuit, the work eventually took him West and, ultimately, led to his hiring as a staff writer on Leslie Uggams' musical variety show in 1969. Making his legit stage debut in a 1971 L.A. production of the comedy "Norman, Is That You?", John went on to earn a Los Angeles Drama Critics nomination for "Best Actor". As such, he formed his own theater company and produced "Norman, Is That You?" on tour.

The following year he returned to New York to take his first Broadway bow in "Tough To Get Help". By this time he had secured secondary work on the classic The Mary Tyler Moore Show (1970) as Gordy the weatherman. His character remained on the periphery, however, and he left the show after three discouraging seasons. On the bright side, he won the recurring role of the sporadically-unemployed husband of maid Florida Evans (played by Esther Rolle) on Norman Lear's Maude (1972) starring Bea Arthur. The two characters were spun-off into their own popular series as the parental leads in Good Times (1974).

Good Times (1974), a family sitcom that took place in a Chicago ghetto high-rise, initially prided itself as being the first network series ever to be created by African-Americans. But subsequent episodes were taken over by others and John was increasingly disgruntled by the lack of quality of the scripts and the direction Lear was taking the show. Once focused on the importance of family values, it was shifting more and more toward the silly antics of Jimmie 'JJ' Walker, who was becoming a runaway hit on the show as the aimless, egotistical, jive-talking teenage son JJ. John began frequently clashing with the higher-ups and, by 1976, was released from the series, with his character being killed in an off-camera car accident while finding employment out of state.

Amos rebounded quickly when he won the Emmy-nominated role of the adult Kunte Kinte in the ground-breaking epic mini-series Roots (1977), one of the most powerful and reverential TV features ever to hit television. It was THE TV role of his career, but he found other quality roles for other black actors extremely difficult to come by. He tried his best to avoid the dim-headed lugs and crime-motivated characters that came his way. Along with a few parts (the mini-movie Willa (1979) and the films The Beastmaster (1982) and Coming to America (1988)), he had to endure the mediocre (guest spots on The Love Boat (1977), "The A-Team", "Murder, She Wrote" "One Life to Live"). John also toiled through a number of action-themed films that focused more on grit and testosterone than talent.

He found one answer to this acting dilemma on the proscenium stage. In 1985, the play "Split Second" earned him the NAACP Award as Best Actor. He also received fine reviews in a Berkshire Theater festival production of "The Boys Next Door", a tour of O'Neill's towering play "The Emperor Jones", and in a Detroit production of Athol Fugard's "Master Harold...and The Boys". In addition, John directed two well-received productions, "Miss Reardon Drinks a Little" and "Twelve Angry Men", in the Bahamas. He took on Shakespeare as Sir Toby Belch in "Twelfth Night" at Joseph Papp's New York Shakespeare and earned strong notices in the late August Wilson's Pulitzer Prize-winning play "Fences" at the Capital Repertory Company in Albany, New York. Overseas he received plaudits for his appearance in a heralded production of "The Life and Death of a Buffalo Soldier" at the Bristol's Old Vic in England. Capping his theatrical career was the 1990 inaugural of his one-man show "Halley's Comet", an amusing and humanistic American journey into the life of an 87-year-old who recalls, among other things, World War II, the golden age of radio, the early civil rights movement, and the sighting of the Comet when he was 11. He wrote and has frequently directed the show, which continues to play into the 2007-2008 season.

In recent years, John has enjoyed recurring parts on "The West Wing" and "The District", and is more recently appearing in the offbeat series Men in Trees (2006) starring Anne Heche. John Amos has two children by his former wife Noel Amos and two children. Son K.C. Amos director, writer, producer, editor and daughter Shannon Amos a director, writer and producer. Amos has one grand child,a grand-daughter, Quiera Williams.

Chad McQueen was born on 28 December 1960 in Los Angeles, California, USA. He was an actor and producer, known for The Karate Kid (1984), The Karate Kid Part II (1986) and Firepower (1993). He was married to Jeanie Galbraith and Stacey Toten. He died on 11 September 2024 in Palm Springs, California, USA.