This film swept the board at this year's Goyas (Spanish cinema awards), but after last years Cell 211 ( an enjoyable but unremarkable prison drama) did the same, I wasn't expecting too much.
I'd enjoyed Villaronga's disturbing Aro Tolbukhin, but I wasn't expecting this. One of the best opening sequences you'll see all year leads to a mystery, experienced through the eyes of one boy, that reveals lies, conspiracy and the dark secrets in the heart of a rural Catalan village a few years after the end of the Civil War.
It's magnificently done, and the performances of the children match those of actors such as Sergi Lopez (whose role echoes that in Pan's Labyrinth),Eduard Fernández and Marina Comas.
Scenes such as the boy's father instructing him to uphold his ideals and walk tall, or a powerless mother pleading her husband's innocence, are familiar from more commercial films. Here they are brutally undermined until nothing is left but pitiless self interest.
A chilling study of how war and poverty create monsters.
I'd enjoyed Villaronga's disturbing Aro Tolbukhin, but I wasn't expecting this. One of the best opening sequences you'll see all year leads to a mystery, experienced through the eyes of one boy, that reveals lies, conspiracy and the dark secrets in the heart of a rural Catalan village a few years after the end of the Civil War.
It's magnificently done, and the performances of the children match those of actors such as Sergi Lopez (whose role echoes that in Pan's Labyrinth),Eduard Fernández and Marina Comas.
Scenes such as the boy's father instructing him to uphold his ideals and walk tall, or a powerless mother pleading her husband's innocence, are familiar from more commercial films. Here they are brutally undermined until nothing is left but pitiless self interest.
A chilling study of how war and poverty create monsters.