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Dynamite Entertainment’s “Barbarella" comic book title, continues using the likeness of actress Sydney Sweeney, who will star and executive produce a new Sony Pictures live-action feature, based on the ‘adult’ French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman…

…who travels from planet to planet……

…and has numerous adventures...

....often involving sex.

The aliens she meets…

…often try to seduce her...

...and she also experiments with an 'orgasmotron'.

The original comic book version of 'Barbarella'…

…was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a feature, directed by her husband Roger Vadim.

Click the images to enlarge...

Dynamite Entertainment continues to adapt their "Barbarella" comic book title, with the likeness of actress Sydney Sweeney, who has agreed to star and executive produce a new live-action feature, based on the ‘adult’ French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman…

…who travels from planet to planet……

…and has numerous adventures...

....often involving sex.

The aliens she meets…

…often seduce her...

...and she also experiments with an 'orgasmotron'.

The original comic book version of 'Barbarella'…

…was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a feature, directed by her husband Roger Vadim.

Click the images to enlarge...

After Robert Eggers arrived on the scene with "The Witch" in 2015, it was obvious we were in the presence of a budding genre master. "The Lighthouse" and "The Northman" were also well received by critics, but now, in 2024, a lifelong passion project has finally come to fruition. Eggers' "Nosferatu" is, in my opinion, one of the best movies of the year, regardless of genre. It's certainly the scariest, but I fear that because it is a capital-h "Horror Movie," it will once again be shut out of major awards discussions. The Academy Awards, for example, notoriously overlook horror movies, a true shame when considering how many incredible performances and brilliant cinematic achievements can be found within the genre. I was recently given the opportunity to sit down one-on-one with Eggers, so I asked him, point blank, what is it that he thinks they're so afraid of?

"I just think that...

Alain Delon, the legendary French actor, was a central figure in the French golden age of cinema during the 1960s and 70s. Known for his suave, tough-guy persona and striking good looks, Leon appeared in more than 100 movies in his five-decade career. What made Delon so memorable was the unpredictable nature of his performances. From the ruthless assassin he played in Le Samouraï, to the charismatic criminal in Borsalino, Delon especially shone when he showed his seductive side in L'Eclisse and La Piscine. Hiss filmography even includes iconic literary characters, such as Zorro and Tom Ripley.

Delon passed away on August 18th, 2024, at the age of 88. Since then, film scholars, journalists, and fans have reflected on his remarkable body of work and the legacy his powerful performances have left in cinema history. He is undoubtedly one of the greatest actors of his generation and the rare international star to achieve global acclaim.

Fashion in Sci-Fi movies has always played a crucial role in setting the tone and immersing audiences in otherworldly experiences. However, it is far more than a simple glimpse of the future — sci-fi costuming is key to bringing characters and their environments to life, whether they're dystopian or ideal. When it comes to alien depictions in sci-fi movies (such as the Xenomorph from Alien), it doesn't always feel exciting to imagine actually living in such a future.

On the other hand, there are movies where costume design is taken to the next level, making the viewer not only appreciate the world on screen but also wish they could be part of it. Personally, certain outfits have completely pulled me into these futuristic visions. While the exotic fabrics, unusual cuts, and often unconventional silhouettes might not be realistic in our current world, the future might just hold a space for them.

Jane Birkin was a prolific actress with a film career that spanned decades, starting back in 1965. Born in London, Birkin mostly worked as an actress in French cinema, becoming a major movie star in the country for her early roles in films like Slogan, La Piscine, and Cannabis. Alongside her work as an actress, she was a singer, with a number of studio albums throughout her career. However, Birkin is perhaps most famous for being the namesake of Birkin bags, fashion house Herms' most famous luxury handbags.

Sadly, Jane Birkin passed away on July 16, 2023, just two years after suffering a stroke in 2021. Her last film was the docu-drama, Jane by Charlotte, the directorial debut of her daughter, Charlotte Gainsbourg. Since first appearing in an uncredited role in the film The Knack... and How to Get It in 1965, Birkin had a legendary career right until the end.

Daddy Nostalgia (1990) Jane Birkin...

Dynamite Entertainment has adapted their "Barbarella" comic book title, with the likeness of Emmy nominated actress Sydney Sweeney, as she preps to star as "Barbarella" in a new Sony Pictures action feature, based on the erotic French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman who travels from planet to planet and has numerous adventures...

....often involving sex.

The aliens she meets often seduce her...

...and she also experiments with an 'orgasmotron'.

The original comic book version of 'Barbarella'…

…was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a feature, directed by her husband Roger Vadim.

Click the images to enlarge...

Roger Vadim's 1968 sci-fi freak-out "Barbarella" is one of the zestiest, sexist, strangest, and most amusing pictures the genre has to offer. Set in the 41st century, "Barbarella" follows the merry caprices of the title heroine (Jane Fonda), a freelance adventurer of the cosmos. Barbarella, frequently undressed, is assigned by the President of Earth (Claude Dauphin) to track down a mysterious, missing scientist named Durand-Durand (Milo O'Shea) who has invented an all-powerful weapon called the positronic ray.

During her quest, Barbarella is attacked by killer dolls, befriends a blind angel (John Philip Law), is forced into a deadly orgasm machine (although she can outlast its mechanical manipulations), and faces off against the Black Queen, the tyrant ruler of Sogo.

The film was based on the erotic comics by Jean-Claude Forest, and possesses all the same sexual energy as the aggressively naughty original, even if it's not quite as sexually explicit.

Any Trekkie will be able to tell you that "Star Trek" wasn't a big hit in its initial run in 1966. Indeed, the show was all set to be canceled after its second season, and only a well-organized letter-writing campaign rescued "Star Trek" for a third year. Thanks to the gods of syndication, however, "Star Trek" continued to air in reruns for years, and it wasn't until the early 1970s that the series really started to accrue a massive audience. Prior to 1972, "Star Trek" was more or less a scrap of cult television, deeply beloved only by a small (but passionate) audience of science nerds and free-love enthusiasts. 

The first large-scale "Star Trek" convention was held in New York at the end of January in 1972, and by then, it was clear that the series had become a phenomenon. Fans gathered to meet actors, discuss technology, and swap merch. "Star Trek" creator Gene Roddenberry frequented large-scale conventions,...

Actress Anouk Aimée, the sophisticated French beauty who graced the films of Federico Fellini, Jacques Demy, Sidney Lumet, Bernardo Bertolucci and Claude Lelouch, has died. She was 92.

Aimee’s daughter said in an Instagram post on Tuesday that the star died at her home in Paris without providing further details.

Perhaps best known for her role opposite Jean-Louis Trintignant in Lelouch’s A Man and a Woman (1966) — for which she received an Oscar nomination for best actress and won a Golden Globe — Aimée also starred in such art house standouts as Fellini’s La Dolce Vita (1960) and 8 1/2 (1963), Demy’s Lola (1961), Jacques Becker’s Montparnasse 19 (1958) and Bertolucci’s Tragedy of a Ridiculous Man (1981).

Her career kicked off in the late 1940s and lasted all the way through a reunion with Trintignant in The Best Years (Les Plus belles annees), Lelouch’s 2019 epilogue to A Man and a Woman.

With more than 80 feature credits,...

Within a career that lasted over 50 years, French singer-songwriter, actress, author, fashion icon, and astrologist Françoise Hardy — who passed away Tuesday, June 11 after a long battle with cancer — produced 32 studio albums, performed in over 10 films and television specials, wrote six books, and influenced countless artists ranging from Carla Bruni to Charli Xcx. Her screen career includes roles in films like Jean-Luc Godard’s “Masculin Féminin” and John Frankenheimer’s “Grand Prix.”

She was a renegade. A heartbreaker. Born at the height of World War II in Paris, her upbringing coincided with a great sociopolitical re-evaluation in France that fed her own anxieties and obsessions. Seeking artistic refuge outside of her home country, she found inspiration in American music that, by her teen years, was starting to reach her shores.

“This passion for singing became real madness when I discovered an English station called Radio Luxembourg,” Hardy said in a 2012 interview with Télérama.

Dynamite Entertainment has adapted their "Barbarella" comic book title, with the likeness of Emmy nominated actress Sydney Sweeney, prepping to star as "Barbarella" in a new Sony Pictures action feature, based on the erotic French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman who travels from planet to planet and has numerous adventures...

....often involving sex.

The aliens she meets often seduce her...

...and she also experiments with an 'orgasmotron'.

The original comic book version of 'Barbarella'…

…was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a feature, directed by her husband Roger Vadim.

Click the images to enlarge...

Quick Navigation The Silver Boots – Barbarella (1968) Rosie Beltzer’s Shoes – JoJo Rabbit (2019) The Parrish Sneakers – Jumanji (1995) The Edible Shoe? – Werner Herzog Eats a Shoe (1980) The One Red Shoe – The Man With One Red Shoe (1985) The Magic Jordans – Like Mike (2002) The Knife Boots – From Russia With Love (1963) The Cobbler’s Shoes – The Cobbler (2014) The Red Shoes – The Red Shoes (1948) The Ruby Slippers – The Wizard of Oz (1939) The Scuffed Jordans – Do the Right Thing (1989) Nike Air Mags – Back to the Future Part II (1989) Forrest Gump’s Nike Cortez – Forrest Gump (1994) Data’s Slick Shoes – The Goonies (1985) Cinderella’s Little Glass Slippers – Cinderella (1950)

Shoes have always been one of the most overlooked aspects of our wardrobes in everyday life.

However, this may change soon, as the rise of the “sneakerhead” has renewed attention and appreciation for footwear in general. In this article, we’ll look at some of cinema history’s most iconic and instantly recognizable shoes.

Cannes film festival

Moore plays a fading Hollywood star whose career is set to be axed by misogynists when she’s offered a secret new medical procedure

Coralie Fargeat, known for the violent thriller Revenge from 2017, now cranks up the amplifier for some death metal … or nasty injury metal anyway. This is a cheerfully silly and outrageously indulgent piece of gonzo body-horror comedy, lacking in subtlety, body-positivity or positivity of any sort. Roger Corman would have loved it. It’s flawed and overlong but there’s a genius bit of casting in Demi Moore who is a very good sport about the whole thing. And as confrontational satire it strikes me as at least as good, or better, than two actual Palme d’Or winners: Julia Ducournau’s Titane and Ruben Östlund’s Triangle of Sadness.

The Substance is a grisly fantasy-parable of misogyny and body-objectification, which riffs on the...

The Barbarella remake is reportedly in talks with Edgar Wright to direct, bringing a fast-paced visual style. The involvement of talented writers like Jane Goldman hints at turning Barbarella into a successful film franchise. Sydney Sweeney's success at the box office makes her a bankable star, contributing to the fast-tracking of the Barbarella remake.

Sydney Sweeney's Barbarella remake is reportedly in talks with Edgar Wright to direct. The 1968 sci-fi film, which was based on the French comic book and directed by Roger Vadim, starred Jane Fonda as the titular space traveler sent to find the evil scientist Durand Durand, who threatens to bring evil back to the galaxy. Barbarella wasn't a big box office hit, though it became a cult classic, and in October 2022, it was announced that Sweeney was set to star in a remake.

Now, according to Deadline, the Barbarella remake is in talks with Wright to direct.

It’s been over 18 months since we first shared the news of Sydney Sweeney’s plans to produce and star in a reboot of Roger Vadim’s cult 1968 sci-fi Barbarella. Since then, Sweeney’s star has risen and risen, with the Euphoria sensation releasing a slew of films including rom-com Anyone But You, erotic thriller The Voyeurs, and nunsploitation flick Immaculate, leaving ol’ Barb on the back burner. But now it looks like Sweeney has found the right stuff to finally get the project off the ground. The Wright stuff, in fact.

According to Deadline, none other than Cornetto Trilogy mastermind Edgar Wright is in talks to helm the remake. Reportedly Wright has been circling the film for some time, meeting with Sweeney shortly after the remake was announced and expressing an interest in developing the project in a directorial capacity. And whilst both prospective director and star are exceptionally...

Edgar Wright is in talks to direct the 'Barbarella' remake.The 50-year-old filmmaker is set to helm the new take on the 1968 cult classic that will star Sydney Sweeney in the title role – a part that was played by Jane Fonda in the original flick.Edgar, whose previous movies include 'Shaun of the Dead' and 'Last Night in Soho', has been interested in the picture for some time and held a meeting with Sydney after it was first announced in 2022. However, he was only committed to working on the project if he was able to get behind the camera.Jane Goldman and her daughter Honey Ross are also in negotiations to pen the script – with the former writing for successful franchises including 'X-Men' and the 'Kingsman' spy series.Little is known about the new movie, but the original film was...

Edgar Wright will direct a remake of Barbarella starring Sydney Sweeney, and here are details of the upcoming film.

It was reported last year thar Edgar Wright was going to direct a remake of Barbarella. The original 1968 film, adapted from the French comic book series by Jean-Claude Forest and directed by Roger Vadim, followed Jane Fonda as an astronaut from the 41st century. She sets out to find and stop the evil scientist Durand Durand, whose Positronic Ray threatens to bring evil back into the galaxy.

Jane Fonda has repeatedly claimed that she pushed its producer, Dino De Laurentiis to make a feminist take on the film many times but he always refused.

According to Deadline, the new film is now officially in development, with Wright directing from a screenplay by Jane Goldman and her daughter Honey. Sydney Sweeney will star in the picture too, we now learn.

It won...

Emmy nominated actress Sydney Sweeney will star as outer space heroine "Barbarella" in a developing Sony Pictures action feature, to be directed by Edgar Wright, based on the French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman who travels from planet to planet and has numerous adventures...

....often involving sex. 

The aliens she meets often seduce her...

...and she also experiments with an 'orgasmotron'. 

The original comic book version of 'Barbarella' was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a spoof feature, directed by her husband Roger Vadim.

Click the images to enlarge...

The critical and commercial success of movies like Anyone But You and Immaculate has made it easy for Sydney Sweeney to move on from Madame Web, and it looks like her Barbarella remake is now taking shape at Sony Pictures.

Deadline (via SFFGazette.com) reports that Scott Pilgrim vs. the World and Last Night in Soho director Edgar Wright is officially in talks to direct, with Jane Goldman, and her daughter Honey, eyed to pen the screenplay. The former will be best known to many of you for her work on comic book adaptations such as Kick-Ass, X-Men: First Class, and Kingsman: The Secret Service.

If everything works out, Jane and Honey will co-write the script with Wright.

Sweeney will play Barbarella but remains one of Hollywood's busiest rising stars; as for Wright, he's prepping The Running Man reboot starring her Anyone But You co-star Glen Powell, so this movie...

When Sydney Sweeney brandishes a curiously phallic laser gun for her reimagining of Barbarella, she could be doing so under the watchful eye of Edgar Wright. According to Deadline, Wright is in talks to direct Barbarella, with Jane and Honey Goldman negotiating to co-write the script.

As Deadline notes, bringing Jane Goldman aboard shows how serious Sony is about assigning strong talent to Sweeney’s dream project. Jane Goldman’s writing credits include screenplays for Kick-Ass, Kingsman: The Secret Service, X-Men: First Class, Stardust, the upcoming Kingsman: The Blue Blood, and more.

During the backlash for Sony’s abysmal Marvel film Madame Web, Sweeney said she joined the film to position herself to pitch Anyone But You. The rom-com was an admirable success, with $219M+ worldwide. With Sweeney being a bankable star at the studio, Sony is ready to shoot her into space for an action-packed remake of Roger Vadim...

Edgar Wright is doubling down on iconic-film remakes, potentially directing “Barbarella,” starring executive producer Sydney Sweeney.

IndieWire can confirm that Wright is in talks to direct the reimagining of the 1968 cult film that originally starred Jane Fonda as an astronaut looking to defeat an intergalactic evil force. “X-Men: First Class” screenwriters Jane Goldman and Honey Ross are also in negotiations to write the Sony film.

Deadline first reported that Wright is in the running to direct.

And speaking of running, Wright was recently announced to be writing and directing his long-awaited “Running Man” remake with Sweeney’s “Anyone But You” co-star Glen Powell in the lead. The Paramount feature has been in the works with Wright since 2017, and is based on Stephen King’s 1982 novel and later the 1987 feature starring Arnold Schwarzenegger.

“Barbarella” is based on Jean-Claude Forest’s comic series, which was published as a serialized strip for V...

A fun game those of legal drinking age can play while watching Roger Vadim's surreal/sexy 1968 Eurotrash space romp "Barbarella": take a drink every time Barbarella (Jane Fonda) changes costumes. One will be blindingly intoxicated by the 20-minute mark. "Barbarella" takes place in the distant future wherein the President of Earth (Claude Dauphin) has tasked the title heroine, a freelance space captain, to locate and retrieve Durand-Durand (Milo O'Shea) a scientist who has invented the positronic ray, a weapon of massive destructive power. Barbarella must trek through a picaresque adventure, stopping to be savaged by killer dolls, locked into an orgasm machine (!), and to befriend a friendly angel (John Philip Law). The film was based on the bawdy 1966 French comic by Jean-Claude Forest.

Yes, the band Duran Duran got their name from "Barbarella."

Back in October 2022, it was announced that Sony was developing a remake of "Barbarella," and...

Exclusive: Following the success of her most recent Sony pic Anyone But You, the studio isn’t wasting any time staying in the Sydney Sweeney business as sources tell Deadline Jane and Honey Goldman are in negotiations to pen a new Barbarella pic starring Sweeney with Edgar Wright In Talks to direct. The film is still in development given Sweeney’s busy schedule and Wright deep in prep on his The Running Man reboot with Glen Powell starring, so the project will not be next up for either talent.

Even with it being in development, the Goldman being brought on to pen clearly shows the studio is not messing around in getting the film right as they see this as big franchise for all parties. Jane Goldman has helped launch such successful franchises like the rebooted X-Men movies starring James McAvoy and Michael Fassbender as well as Matthew Vaughn’s The Kingsmen: Secret Service.

Streaming in Europe on Netflix, “Bardot" is a 6-episode, France-produced drama TV series, created, directed by Danièle Thompson and Christopher Thompson, starring Julia de Nunez as the iconic film actress:

"...the series follows the career of French cinema actress Brigitte Bardot, from her first casting as a teenager...

"...to the filming of Henri-Georges Clouzot's feature "La Vérité"..."

Cast also includes Victor Belmondo as 'Roger Vadim', Jules Benchetrit as 'Sami Frey'...

...Géraldine Pailhas as 'Anne-Marie Mucel'...

...Hippolyte Girardot as 'Louis Bardot', Yvan Attal as 'Raoul Lévy'......

...... Anne Le Ny as 'Olga Horstig', Louis-Do de Lencquesaing as 'Henri-Georges Clouzot'...

...Laurent Stocker as 'Pierre Lazareff'...

...Oscar Lesage as 'Jacques Charrier', Noham Edje as 'Jean-Louis Trintignant'...

...Fabian Wolfrom as 'Sacha Distel' and Mikaël Mittelstadt as 'Gilbert Bécaud'.

Click the images to enlarge...

Joshua Logan’s Paint Your Wagon can be viewed as one of the last gasps of a dwindling Hollywood studio system, as well as a precursor to the New Hollywood. The film, with its expansive anamorphic vistas of the American Northwest, bears some superficial similarities to Michael Cimino’s Heaven’s Gate, which is often historicized as the end of the New Hollywood, given how it bankrupted United Artists. But in contrast to the profound sadness with which Cimino regards America’s history of violence, Logan’s musical romp takes a lighthearted approach to the process of resettlement, and it’s propelled by the contrasting personalities of Lee Marvin and Clint Eastwood as bickering and tussling gold prospectors.

Paint Your Wagon straddles multiple genres at once, suggesting something like a western-inflected musical riff on Ernst Lubitsch’s Design for Living. The crux of the story concerns Ben Rumson (Marvin), a ne...

Dynamite Entertainment has adapted their ongoing "Barbarella" comic book title, with the likeness of Emmy nominated actress Sydney Sweeney, who is prepping to star as "Barbarella" in a new Sony Pictures action feature, based on the erotic French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman who travels from planet to planet and has numerous adventures...

....often involving sex.

The aliens she meets often seduce her...

...and she also experiments with an 'orgasmotron'.

The original comic book version of 'Barbarella'…

…was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a feature, directed by her husband Roger Vadim.

Click the images to enlarge...

Dynamite Entertainment has adapted the ongoing "Barbarella" comic book title, with the likeness of Emmy nominated actress Sydney Sweeney, prepping to star as "Barbarella" in a new Sony Pictures action feature, based on the erotic French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman who travels from planet to planet and has numerous adventures...

....often involving sex.

The aliens she meets often seduce her...

...and she also experiments with an 'orgasmotron'.

The original comic book version of 'Barbarella'…

…was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a feature, directed by her husband Roger Vadim.

Click the images to enlarge...

Emmy nominated "Euphoria" actress Sydney Sweeney, currently co-starring in the Sony/Marvel Studios feature "Madame Web", has been cast as "Barbarella" in a new feature based on the French comic strip heroine created by Jean-Claude Forest:

'Barbarella' is a young woman who travels from planet to planet and has numerous adventures...

....often involving sex.

The aliens she meets often seduce her...

...and she also experiments with a 'machine excessive' or 'orgasmotron'.

The original comic book version of 'Barbarella' was modeled on French actress Brigitte Bardot...

...and Jane Fonda starred in a spoof feature, directed by her husband Roger Vadim.

The Dynamite Entertainment title "Barbarella" #1 is written by Mike Carey and illustrated by Kenan Yarar, with covers by Kenneth Rocafort, Joe Jusko, Josephn Michael Linsner, Robert Hack, Annie Wu, Kenan Yarar, Valentine DeLandro, Veronica Fish and Roberto Castro.

"...Earth's star-crossed daughter is back!

"When 'Barbarella' wanders into a war zone,...

This fall marks 30 awards seasons I’ve covered, not only as neutral observer, which is my main gig, but also as a fervent film fan, quietly cheering on my filmmaking heroes who sometimes manage to put their teams on the field. Sometimes they even manage to win.

But most of the time, I’ve spent the past 30 years hoping, not hyping.

I’ve hoped that the achievements that seem special to me also resonate with voters for the Oscars, Golden Globes, various guilds and critics’ groups. It doesn’t matter, if you care passionately about great cinema, you never hit the “off” button. But I’ve done so in the context of equal attention to everything, no playing favorites, let the fastest horse win at the gate.

I have also managed to personally avoid the predictions game, which now seems to almost dominate coverage across all publications, including this one.

Nineteen sixty-eight has to be considered the apex of psychedelic sexploitation romps, with the release of Candy, adapted from Mason Hoffenberg and Terry Southern’s satirical reworking of Voltaire’s Candide, and Roger Vadim’s Barbarella, based on Jean-Claude Forest’s comic, and partially scripted by Southern (alongside an armada of other credited writers). Both employ a rambling, shaggy-dog structure as an excuse to flagrantly foreground softcore sexual hijinks tinged with a pungent whiff of social commentary, albeit the latter aspect may be easier to discern in Candy’s perverse daisy chain of events.

Southern’s contributions to the Dino De Laurentiis-produced Barbarella can be detected in some of its wittier lines (“A good many dramatic situations begin with screaming!”) and sly pokes at the persistence of class-consciousness. Aside from Southern, the two films are linked by the presence of Anita Pallenberg, style icon and muse of the Rolling...

Though there had been earlier efforts, like Ealing Studios’s Dead of Night from 1945, the horror anthology film came into its own in the 1960s with titles like Kobayashi Masaki’s Kwaidan and the Poe-centric Spirits of the Dead from directors Roger Vadim, Louis Malle, and Federico Fellini. Hammer Films’s rival Amicus churned out no fewer than seven of them in a 10-year period starting with Dr. Terror’s House of Horrors. But the one that really got the omnibus rolling was Mario Bava’s Black Sabbath from 1963, an Italian-American co-production that resulted in two different versions of the film.

After the success of 1960’s Black Sunday, American International Pictures took a more active hand in producing several of Bava’s later films, altering them in the process to suit American audiences that tended to skew younger. The Aip cut of Black Sabbath rearranges its three segments, tones down some...

Exclusive: Bardot, the TV drama about the life of actress Brigitte Bardot, is headed Stateside.

The six-part series be presented in its entirety on the closing night of The American French Film Festival (Tafff) and will be competing in the fest’s Best Series Award category. Co-creator Danièle Thompson will attend the screening.

The Federation Studios drama is billed as “a post-wwii Pygmalion story” in which the young Bardot ignites a sexual revolution in France, only to struggle with her role in that and the cult of celebrity that surrounds her.It traces her life the in 1950s from her first audition aged 15 to her explosive international breakout film, God Created Woman to her performance in Henri-Georges Cluzot’s Truth in 1960.

Julia de Nunez plays Bardot, with Vincent Belmondo playing her first husband, writer/director Roger Vadim. Hippolyte Girardot and Géraldine Paihas also star.

Federation produces and distributes the series,...

Emergency services were called to Brigitte Bardot’s Saint Tropez home on Wednesday after the iconic French actress and animal rights activist suffered breathing difficulties, according to French media reports.

News of her malaise sent French media outlets into overdrive amid fears for the well-being of the 88-year-old actress.

Her husband Bernard d’Ormale was later reported to have told local newspaper Var Martin that his wife’s breathing was back under control and she was feeling better.

“It was around 9 o’clock when Brigitte had trouble breathing. It was stronger that usual but she didn’t lose consciousness… the fireman came and gave her oxygen and then stayed to monitor her,” he said.

He suggested high temperatures in Saint Tropez as Southern Europe suffers a prolonged heatwave had been a contributing factor.

“Like all people of a certain age, she can no longer stand the heat,” he said.

Bardot remains...

Jane Birkin graced the front pages of most French newspapers on Monday as France mourned the death of the late British actress and singer who enjoyed icon status in the country that she had called home since the late 1960s.

“Our tears can’t change anything,” proclaimed Le Parisien newspaper, which first broke the news of Birkin’s death at the age of 76 on Sunday.

Libération ran with the simple headline “Without Jane”, while regional newspaper Le Maine Libre referred to the late actress as “The Eternal English Bride of France”.

International obituaries have highlighted Birkin’s notorious performance with partner and late bad boy of French pop music Serge Gainsbourg on the 1968 pop song, ‘Je t’aime… moi non plus’, or the fact she inspired the Hermès Birkin bag.

For the French, she was much more.

In a six-page tribute, Libération mused over the reasons for Birkin’s never-ending...

"Bardot" is the new 6-episode, live-action, France-produced drama TV series, created, directed by Danièle Thompson and Christopher Thompson, starring Julia de Nunez, airing in 2023 on France 2:

"...the series follows the career of French cinema actress Brigitte Bardot, from her first casting as a teenager...

"...to the filming of Henri-Georges Clouzot's feature "La Vérité"..."

Cast also includes Victor Belmondo as 'Roger Vadim', Jules Benchetrit as 'Sami Frey'...

...Géraldine Pailhas as 'Anne-Marie Mucel'...

...Hippolyte Girardot as 'Louis Bardot', Yvan Attal as 'Raoul Lévy'...... 

...... Anne Le Ny as 'Olga Horstig', Louis-Do de Lencquesaing as 'Henri-Georges Clouzot'...

...Laurent Stocker as 'Pierre Lazareff'...

...Oscar Lesage as 'Jacques Charrier', Noham Edje as 'Jean-Louis Trintignant'...

...Fabian Wolfrom as 'Sacha Distel' and Mikaël Mittelstadt as 'Gilbert Bécaud'.

Click the images to enlarge...

</ifram...

Birkin’s death has shocked her adopted France over the long Bastille Day weekend.

Anglo-French actress, director and singer Jane Birkin has died at the age of 76.

Born and brought up in the UK, Birkin rose to fame in France in the 1960s with a parallel acting and singing career and became a global fashion icon and a woman’s rights activist. France claimed the naturalised citizen as their own.

Birkin starred in around 70 films including Michelangelo Antonioni’s 1966 film Blow Up, 1969’s The Swimming Pool opposite Alain Delon and Romy Schneider, Roger Vadim’s Don Juan, Or if Don...

Jane Birkin, the iconic British-born actress, singer and model who became a chart-topping artist in France with her collaborations with then-partner Serge Gainsbourg, has died at the age of 76.

Birkin’s death was announced Sunday by the French culture ministry, which said Birkin was found dead at her Paris home. No cause of death was provided. Birkin recently canceled concerts due to unspecified health reasons; in recent years, she also suffered a stroke and battled leukemia.

French president Emmanuel Macron tweeted Sunday, “Because she embodied freedom, because she sang the...

Updated with new title of documentary Catching Fire: The Story of Anita Pallenberg: Were it not for a chance encounter with the Rolling Stones in 1965, we might remember Anita Pallenberg as an exceptional actress and stunning model. Instead, her life was to be defined largely in relation to her ties with the “greatest rock n’ roll band in the world.”

In the documentary Catching Fire: The Story of Anita Pallenberg, which premiered earlier this week at the Cannes Film Festival (under the abbreviated title Anita), the radiant and compelling Pallenberg finally gets her due as a creative force in her own right, a woman of alluring beauty, intelligence, dysfunction, addiction, and yes, an important figure in the world of the Stones at their apex.

Directors Alexis Bloom (L) & Svetlana Zill

Alexis Bloom and Svetlana Zill directed the documentary, which begins with grainy archive of a gorgeous Pallenberg outdoors in a park-like setting,...

"Bardot" is the new 6-episode, live-action, France-produced drama TV series, created, directed by Danièle Thompson and Christopher Thompson, starring Julia de Nunez, airing in 2023 on France 2:

"...the series follows the career of French cinema actress Brigitte Bardot, from her first casting as a teenager...

"...to the filming of Henri-Georges Clouzot's feature "La Vérité"..."

Cast also includes Victor Belmondo as 'Roger Vadim', Jules Benchetrit as 'Sami Frey'...

...Géraldine Pailhas as 'Anne-Marie Mucel'...

...Hippolyte Girardot as 'Louis Bardot', Yvan Attal as 'Raoul Lévy'...... 

...... Anne Le Ny as 'Olga Horstig', Louis-Do de Lencquesaing as 'Henri-Georges Clouzot'...

...Laurent Stocker as 'Pierre Lazareff'...

...Oscar Lesage as 'Jacques Charrier', Noham Edje as 'Jean-Louis Trintignant'...

...Fabian Wolfrom as 'Sacha Distel' and Mikaël Mittelstadt as 'Gilbert Bécaud'.

Click the images to enlarge...

Linda Stevens inherited more than a house when her mother passed away; she also came into a wealth of fear. In the 1982 film Next of Kin, darkness closes in on Jackie Kerin’s character as she moves back to her rural hometown and honors her mother’s last wishes. Yet the longer she stays and digs into the past, the more Linda puts herself in danger. Death lurks around every corner of this Ozploitation classic.

There was a stretch of time where Australian horror was not commercially successful in its own homeland. The cinematic renaissance of the ‘70s and ‘80s (also known as the Australian New Wave) produced a number of homegrown horror films, yet the immediate public was not all that receptive. In fact, some of these films ended up being more beloved and victorious outside their birthplace. Next of Kin certainly did not find its audience until years later,...

There’s a tender empathy emanating from every frame of Rebecca Zlotowski’s latest feature Other People’s Children. The French director’s latest work stars Virginie Efira in her finest performance to date, playing a woman who forms a special bond with her boyfriend’s daughter as she juggles professional and personal responsibilities. It’s a film of equal charm and quiet heartbreak with Zlotowski expertly weaving in each subplot to form a complete picture of universal quandaries of love in different forms.

When Zlotowski was in town for the Rendez-Vous with French Cinema premiere, I had the opportunity to speak with her about the difficult of capturing everyday feelings, finding magical moments throughout the film, the movies that influenced her, Frederick Wiseman’s cameo, and more. As the film begins its U.S. release, check out the conversation below.

The Film Stage: I love how focused this film is on character,...

Sydney Sweeney is being stalked by the FBI.

The “Euphoria” Emmy nominee leads HBO film “Reality,” based on writer-director Tina Satter’s 2019 play “Is This A Room.”

On June 3, 2017, 25-year-old former American intelligence specialist Reality Winner (Sweeney) is confronted by FBI agents, played by Josh Hamilton and Marchánt Davis, arriving at her home to question her suspected role in the mishandling of classified information. Reality Winner is an ex-Air Force member and Nsa translator who later received the harshest sentence, five years and three months in prison, for the unauthorized release of government information to the media leading to FBI director James Comey being fired for the investigation into how Russian interference affected the 2016 election.

Based on true events, the film’s dialogue, as with the acclaimed Off-Broadway play, comes directly from the transcript of their tense and transfixing conversation.

“Reality” debuted at the 2023 Berlin International Film Festival, marking Satter...

“Fair to middling” is how Angie Dickinson is feeling this morning as she talks about “Rio Bravo,” the 1959 film that made her a star. “Somebody who says they’re great at 90, you can figure out that they lie a lot.” It’s a line that could have come straight from Jules Furthman and Leigh Brackett’s script for the film — and a reminder that Dickinson’s gift for delivery isn’t dependent on working with a brilliant director, though she has many times in her seven-decade career.

Dickinson has more then 350 screen credits — an enormous body of work that includes “Ocean’s Eleven” (the 1960 original), “Point Blank” and “Dressed to Kill.” She’s set to appear April 13 at the TCM Film Festival to introduce a 4K restoration of Howard Hawks’ classic Western, whose boys’ club cast of John Wayne, Dean Martin, Ricky Nelson and Walter Brennan she breaks up with that same brisk humor.

Movie star John Wayne has quite the history when it comes to his involvement with the Oscars. He understood the politics that went on behind the scenes with the Academy of Motion Picture Arts and Sciences, but he still sought the validation of his peers. As a result, Wayne still played the game and recognized his own works that he felt were most worthy. Wayne once introduced an iconic comedian at the 1970 Oscars, describing him as having “true grit.”

John Wayne was a regular Oscars attendee L-r: John Wayne and Barbra Streisand | Getty Images

Wayne regularly showed up to the Oscars, even though many of his critics thought that he only had the skill to play the same, single character. Nevertheless, he brought a certain star power to the show that only the Western actor could bring. His peers even erupted into thunderous applause when he had his final public speech at the 1979 Oscars ceremony.

Jane Fonda went down memory lane on The Drew Barrymore Show remembering films from her acting career. When an image of the 2005 rom-com Monster-in-Law came up, Fonda recalled the infamous slap scene opposite Jennifer Lopez that left her with an injury.

“The thing that comes to mind right away is we have a slapping scene – I slap her, she slaps me…,” Fonda recalled. “Well Jennifer, as per Jennifer, she had this enormous diamond ring and so when she slapped me one of the times it cut open across my eye – my eyebrow.”

Fonda continued, “And she’s never apologized.”

Monster-in-Law was directed by Robert Luketic and written by Anya Kochoff about aspiring fashion designer Charlie (Lopez) who has to face her mother-in-law played by Fonda who will do anything to ruin her relationship with her son. The film marked Fonda’s return to the movies after a 15-year absence since...

Jane Fonda walked down memory lane while appearing on “The Drew Barrymore Show”, and one particular film seemingly still had her feeling a type of way.

While discussing with Drew Barrymore some of her — and guest Lily Tomlin‘s — past work, Fonda got a glance of the image on the screen, which showed Fonda and Jennifer Lopez in their iconic roles for the 2005 rom-com, “Monster-in-Law”. After the crowd roared in approval, Fonda shared the first thing that comes to mind when thinking about that film.

“The thing that comes to mind right away is we have a slapping scene,” she says. “I slap her, she slaps me. Well, Jennifer — as per Jennifer — she had this enormous diamond ring. And so when she slapped me one of the times, it cut open across my eye, my eyebrow.”

The crowd at first laughed but then things took a bit of a serious turn when Fonda claimed,...

While she retired prematurely at the age of 39, Brigitte Bardot has left an indelible mark on France’s popular culture in the 1960s and 1970s. With her wild blonde mane, smoky eyes and pouty lips, Bardot became a symbol of a modern, effortlessly sexy French woman and a style emblem that continues to inspire current trends.

The event series “Bardot,” which is penned and directed by Daniele Thompson (“The Queen Margot”) and Christopher Thompson (“La bûche”), world premiered at Series Mania Festival to unanimous praise and has been pre-sold by Federation nearly worldwide.

“‘Bardot’ is like the French ‘The Crown’ because Bardot embodied France, and through her journey we reminisce about many parts of France’s history and popular culture in the 1950s and 1960s,” Federation’s boss and “Bardot” producer Pascal Breton told Variety. “That era is a historical moment where everything changes, where we go from black and white to color,...

Many artists are not appreciated till after they have long passed away or society catches up with their ideas. Dying is not a prerequisite to fame since garbage is still garbage. In the case of the singular Jean Rollin, you have a double-edged sword which in documentary Orchestrator of Storms: The Fantastique World of Jean Rollin (2022) tells well.

Jean Rollin was one of the later to become Eurocult cinema’s most misunderstood personalities. These creators imbue their personalities in their work, unlike mainstream directors. Mainstream will say they create unique stories or camera angles with the full knowledge that it all comes down to one from a studio. ​The Diabolique films team of Dima Ballin and Kat Ellinger who Directed, Wrote & Produced this roughly two-hour documentary has done a solid job without being academically dry.

Orchestrator of Storms (2022) features lips and interviews with key people in Rollin’s past. The...

Thelonious Monk breathtakingly performing in Alain Gomis’s enthralling and insightful Rewind & Play: At one point he’s a little bit upset and says “let’s stop all that, it’s about music, let me play music.”

Alain Gomis’s enthralling and insightful Rewind & Play: it’s not nice (a highlight in the Currents programme of the 60th New York Film Festival), produced by Arnaud Dommerc (Andolfi) and Anouk Khélifa (Sphere Films), opens with the arrival of Thelonious Monk (composer for Roger Vadim’s Les liaisons dangereuses) and his wife, Nellie, in Paris on December 15, 1969, for a concert at the Salle Pleyel.

Alain Gomis with Anne-Katrin Titze on Thelonious Monk and Henri Renaud: “It’s like two planets that never meet …”

Monk’s next stop is the set in a Montmartre recording studio for the French television program Jazz Portrait. He is scheduled for a performance and an interview with Henri Renaud.