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A man who grew up an orphan finally gets to meet his father: The psychopath Dr. Josef Mengele, the Auschwitz surgeon who performed genetic experiments on concentration camp refugees during WWII.

Tulse Luper is swept into the ill-fortuned tides of the 20th century and forced to spend his life in a succession of imprisonments.

Maria and Jeffrey are a couple in their seventies whose marriage is in crisis. Maria tries to get their two sons and one daughter and their grandchildren together to celebrate the birthday of Assunta, their grandmother, the owner of Maria's beautiful house which remains standing despite the ravages of time.

75-year-old Giuseppe De Metrio has spent 30 years in Geneva, as foreign worker for the Broyer company. Upon retirement, he returned to Puglia, Italy, where his family had continued to live. His only grandchild, 7-year-old Carla, is blind. The whole family looks forward hopefully to the day when Carla's sight can be restored by means of a cornea transplantation. After a heart attack, Giuseppe decides to wait no longer and returns to Switzerland to ask his former boss Mr. Broyer for the money necessary for the operation, as an old promise binds the two men. Intended as a 48-hour trip, Giuseppe and Carla's visit in Switzerland becomes a journey that both grandfather and granddaughter never dreamt of...

Autumn 1944. Yellow star, ghettos, Arrow Cross terror. The inhabitants of Hungary's capital, Budapest, await the tragic fulfilment of their fate with helpless resignation. However, above one of the city's villas, once a week in the evening the stars of hope sparkle, if only for a few minutes. This short time gives fresh heart to those hiding here and kindles hope in their tortured souls to live for another day. This mysterious power is none other than a beautiful song that can be heard at such times from the villa's tower room. Géza Halász, the villa's always jovial caretaker, believes no Jew has reason to fear while the owner of the voice, Imre Rose, the world-famous opera singer and a Jew himself, remains in Budapest and does not flee from the country in spite of his American, British, Swiss, Swedish and Vatican connections. Halász visits the singer every Friday to dine with him. After a while the marvellous, hope-inspiring concert starts, which is listened to by the hiding inhabitants of the house with enraptured faces through the villa's open dumb waiter. Already in the "palmy years of peacetime" Rose had competed with Csortos, the famous actor, for the title of "Budapest's Greatest Misanthrope". Thus it does not surprise anybody that the eccentric singer never, not even once, tries to make contact with his fellow Jews who took refuge in his house. And when Halász recounts that the singer swore within an hour of the Arrow Cross's seizing power that he would not utter a single word nor cross the threshold of his tower room until "Andrássy Avenue has been purged of this Arrow Cross scum", even the slightest suspicion about Rose's "invisibility" vanishes. Only a fourteen-year-old boy, Tommy, the caretaker's son, listens to the weekly song with curiosity combined with suspicion, and tries to find out about the secret of the tower room. As a result of the adolescent's persistent and undaunted inquiries, the opera singer's mystery is unveiled. Meanwhile, however, almost unnoticed, the events of the calamitous days, filled with excitement and cheerfulness, turn the boy into a truly adult man. The story of THE SONGS OF RÓZSA is based on true events.

Prof Amedeo is irritated by a dream full of naked women including his mother, wife and daughter. Awake, he is enervated by his elderly mother, and he becomes really uneasy when his daughter Gloria openly asks him to teach her how to kiss.

Close to Greenaway takes us behind the scenes of the first part of the trilogy The Tulse Luper's Suitcases in Barcelona and Almeria. In this film, for the first time we get close to the unique vision of the controversial Welsh director Peter Greenaway. The intense rehearsals with the actors, his meticulous method of shooting and his thirst for the new audiovisual and technologies are revealed in this documentary. For enthusiasts of Greenaway this is an intimate portrait of the artist's work and it will open a door to those beginning to enjoy the films of this cult author. (The pillow book; The belly of the architect; The cook, the thief, his wife and her lover; Drowning by numbers; Prospero's book; The Draughtsman's contract.)