An old couple visit their children and grandchildren in the city, but receive little attention.An old couple visit their children and grandchildren in the city, but receive little attention.An old couple visit their children and grandchildren in the city, but receive little attention.
- Rinka no saikun
- (as Toyoko Takahashi)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe film is notable for its use of the "tatami-mat" shot, in which the camera height is low and remains largely static throughout.
- Goofs(At around 1hr 45 mins) When the children are visiting their mother at home and leave the room to talk with the father in an adjoining room, just as they sit on the floor, the shadow of the boom-mic can be seen to drop into the scene and back out again, just over the son's head on the top right of the screen. This shadow is well into the frame against the edge of what appears to be a bookshelf and should not be considered a masking mistake of the projectionist.
- Quotes
Kyoko: [after the rest of the family had left] I think they should have stayed a bit longer.
Noriko: But they're busy.
Kyoko: They're selfish. Demanding things and leaving like this.
Noriko: They have their own affairs.
Kyoko: But you have yours too. They're selfish.
Noriko: But Kyoko...
Kyoko: Wanting her clothes right after her death. I felt so sorry for poor mother. Even strangers would have been more considerate!
Noriko: But look Kyoko. At your age I thought so too. But children do drift away from their parents. A woman has her own life, apart from her parents, when she becomes Shige's age. She meant no harm I'm sure. They have to look after their own lives.
Kyoko: I wonder: I won't ever be like that. Then what's the point of family?
Noriko: But children become like that, gradually.
Kyoko: Then... you, too?
Noriko: I may become like that in spite of myself.
Kyoko: Isn't life disappointing?
Noriko: Yes, it is.
- ConnectionsFeatured in Tokyo-Ga (1985)
I had never seen an Ozu film before, but now I feel as if I must see them all. His use of cinematic space is incredible. He breaks all sorts of conventions with his cinematography such as violating the axis of action. This gives the viewer the sense of a large, open, unrestricted world.
Going with this realism, the characters seem real; not for a moment did I see the people on the screen as actors. They were the family, and you as the viewer feels what they feel. Part of this comes from the use of head-on-shots such that the characters are speaking TO you.
It is a fantastic, moving piece of work and arguably one of the best films ever made.
- Stroheim-3
- Oct 26, 1999
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Details
Box office
- Gross worldwide
- $92,310
- Runtime2 hours 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1