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antimason
I am constantly looking for new movies and interesting stories to immerse myself in. I love different genres and formats, from action to drama to blockbusters to independent cinema. I also respect historical and classic movies because they show us what our ancestors were like and what problems they solved.
I like watching movies not only in the language I know, but also in foreign languages because it allows me to learn more about other cultures and habits.
When I watch a movie, I feel like I am transported into another world where I can be anyone and do anything. I also love talking about movies with other people to hear their opinions and understand what they got out of watching the same movie.
To me, movies are not just entertainment, they are art that shows us how the director and his team see the world. I will never stop loving movies and will always look for new movies to learn something new about life and myself.
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Gaia (2021)
Gaia is a poetic and different film.
Gaia, a horror indie film, delivers a unique and surreal experience that is not for everyone. With an intriguing concept and a message that is not entirely new, the movie is beautifully crafted with an intense and captivating score and remarkable cinematography. However, while the film creates a disturbing atmosphere, it is not particularly scary
Released in the same year as another eco-horror movie, In the Earth, Gaia sets itself apart with its impressive visual effects and more compelling storyline. The film takes audiences on a trippy journey, overloaded with creative and breathtaking visuals. One of the most captivating scenes involves the protagonist's long trip, which showcases the movie's stunning visuals. The creatures' designs and looks are also well done, though the camera work can be a bit shaky and unclear.
Thematically, Gaia touches upon humanity's destructive impact on the environment since the Industrial Revolution. The central theme is about nature reclaiming its place, and the movie serves as an environmental commentary. While the film's conclusion includes a surprising twist, the plot doesn't always come together logically. It feels as if the movie prioritized the visuals over the story, making it more style-over-substance.
Despite its shortcomings, Gaia is a poetic and different film that some viewers will find beautiful. Though slow-paced, the film's artistic and surreal elements make it a captivating watch. The movie's message, while not new, remains powerful, emphasizing the importance of preserving our environment for future generations.
Bacurau (2019)
"Bacurau" is a film that defies easy categorization.
"Bacurau" is a film that defies easy categorization. It blends elements of the Western, the horror film, and the political thriller into something that feels wholly unique. At its core, it is a story of resistance against oppression and exploitation, and it is not afraid to show the brutal violence that often comes with such resistance. However, it is also a film that is unapologetic in its message, and it doesn't shy away from showing the complexities of the situation in which the characters find themselves.
One of the things that sets "Bacurau" apart is its refusal to cater to Western audiences. It is a Brazilian film made by Brazilian filmmakers, and it is unafraid to show the realities of life in rural Brazil. This is a film that deals with issues of poverty, corruption, and violence, and it does so with a sense of urgency that is palpable throughout. The characters are well-drawn, and the performances are excellent, which only adds to the film's impact.
In the end, "Bacurau" is a film that will leave a lasting impression. It is a film that is not afraid to confront difficult issues head-on, and it does so with a sense of style and panache that is truly impressive. Whether you are a fan of Westerns, horror films, or political thrillers, this is a movie that is well worth your time. It is a film that is both exciting and disturbing, and it is sure to leave you thinking long after the credits have rolled.
A Man Called Otto (2022)
A Man Called Otto.
The U. S. remake of the Swedish movie "En man som heter Ove (A Man Called Ove)" is a near-exact replica of the original, with almost identical scenes and dialogue. However, Tom Hanks brings his signature charm and entertainment value to the film, supported by a talented cast including Mexican actress Mariana Treviño and actor Manuel Garcia-Rulfo. Treviño in particular shines in her role, stealing some scenes with her excellent acting.
Despite being a remake of a classic European movie, "A Man Called Otto" plays to a much larger audience while still retaining the same sentiments as the original. The movie is well-written and well-acted, seamlessly transitioning between comedy and drama and ultimately delivering an emotional punch that makes it memorable. The supporting soundtrack, especially the Kate Bush single, is also worth noting.
Overall, this movie is highly recommended, as it provides great entertainment value while also being a poignant reminder of why Tom Hanks has been at the top of the industry for so long. Additionally, Treviño's breakout supporting role adds an extra layer of depth to the film, making it a must-see for fans of both comedy and drama. Despite some grumpy reviewers, "A Man Called Otto" is one of the best movies of the year and a testament to the power of great storytelling.
The Whale (2022)
There are several reasons to criticize the movie Whale!
Breaking news, folks! We have a hot take on the latest film causing a stir in Hollywood - "The Whale". It seems that there are some good reasons to criticize this movie, but also some extremely bad reasons that are emerging as the consensus among mainstream critics.
First off, let's address the elephant in the room, or should we say the whale? The film's repetitive structure and melodramatic tone have been causing some dead patches for viewers. But wait, that's not all! Apparently, some critics have been so dead set on the idea that this movie is about a "big fat guy" that they have completely missed the point. This film is about addiction, grief, and regret, but apparently, the only thing people can see is a person gorging themselves on food.
And let's talk about Brendan Fraser's performance. It's brilliant, according to one fan who has been following the actor since "Encino Man". It's about time Hollywood gave him another chance, and this film proved successful because of Fraser's dedicated and emotional performance. But wait, there's more! There have been preconceived outraged overreactions about the fact that Fraser wears a fat suit to appear as a morbidly obese person. But let's be real, this is a film made to entertain, and sometimes you wear things or makeup to alter looks. It's not like they could just cast a real-life obese person off the street and have them pour their real emotions out on screen.
Overall, this film is less pretentious and more honest than most A24 films, and it relies on pure emotion and struggle, which is shown masterfully by Fraser. But is it exploitative? Perhaps. Is it phobic? It's not impossible to think so. But who cares about that when we have raw and moving performances from Fraser, Sadie Sink, and Hong Chau to focus on? They show us that everyone is flawed, but authenticity should matter more than anything else.
In conclusion, "The Whale" is a flawed but often marvelous character piece that deserves our deepest empathy, despite some valid criticisms. And if you don't like it, well, that's just your opinion, man.