To put Godzilla in perspective in my house.
We have two different Godzilla posters, one in my wife and I's bedroom. I have no idea how many toys we have. I am getting a tattoo of the poster for Godzilla vs King Ghidorah in a couple of weeks. So, you could call us experts on all things big lizard.
I want to start by saying I have enjoyed the Legendary American Godzillas. They have done a wonderful job of answering the age-old question, "What would a Godzilla film look like with a real budget?" And make no mistake, Legendary is full of fans that know the formula, and follow it to a T. The results have been nothing but i enjoyable and fun.
The problem here is, Toho has decided to create a new and better formula. This, is not a great Kaiju film, it's a great film. It deals with all kinds of heavy emotional territory, survivor's guilt, loss, PTSD, personal redemption, duty.... The film is a HARD tear-jerker. You heard me right, a Godzilla film that will wring tears out of anyone short of corpse status. Godzilla itself is returned to the roots, a force of nature, an analogy for the atomic bomb, it cares not about good or evil, it kills both with as much thought, none.
There have been hints from Toho over the decades that they were and could be smarter than their reputation, the Cold War paranoia of Matango, the original Godzilla, the environmental message of Godzilla vs the Smog Monster, but this.... This is as smart and as heartfelt a film as you're watching all year, saying it's a kaiju film almost diminishes the film's stature.
Unbelievable bit of filmmaking here.
Hail to the King.
Footnote, I saw it again in the theater, the first time I've gone to see a film in the theater twice since Sleepy Hollow.
Even better the second time, film of the year hands down.
We have two different Godzilla posters, one in my wife and I's bedroom. I have no idea how many toys we have. I am getting a tattoo of the poster for Godzilla vs King Ghidorah in a couple of weeks. So, you could call us experts on all things big lizard.
I want to start by saying I have enjoyed the Legendary American Godzillas. They have done a wonderful job of answering the age-old question, "What would a Godzilla film look like with a real budget?" And make no mistake, Legendary is full of fans that know the formula, and follow it to a T. The results have been nothing but i enjoyable and fun.
The problem here is, Toho has decided to create a new and better formula. This, is not a great Kaiju film, it's a great film. It deals with all kinds of heavy emotional territory, survivor's guilt, loss, PTSD, personal redemption, duty.... The film is a HARD tear-jerker. You heard me right, a Godzilla film that will wring tears out of anyone short of corpse status. Godzilla itself is returned to the roots, a force of nature, an analogy for the atomic bomb, it cares not about good or evil, it kills both with as much thought, none.
There have been hints from Toho over the decades that they were and could be smarter than their reputation, the Cold War paranoia of Matango, the original Godzilla, the environmental message of Godzilla vs the Smog Monster, but this.... This is as smart and as heartfelt a film as you're watching all year, saying it's a kaiju film almost diminishes the film's stature.
Unbelievable bit of filmmaking here.
Hail to the King.
Footnote, I saw it again in the theater, the first time I've gone to see a film in the theater twice since Sleepy Hollow.
Even better the second time, film of the year hands down.
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