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shuvachowdhury0726
Reviews
Abar Proloy (2023)
Proloy's Legacy Solidified! A Comeback That Never Was, Never Is, and Never Will Be!
While watching this series, you might find that nearly everything seems right, yet leaves you unsatisfied. It's a puzzle of sorts, where something crucial seems to be missing, and the feeling lingers. Firstly, Saswata Chatterjee's appearance might disappoint. He seemed to be at his best in the prequel "Proloy," and even in movies he played the role of "Shabar Dashgupta." However, here, he appears aged and bulky, no longer fitting the role of Animesh Dutta perfectly. Many, including myself, have revisited the short clips from the "Proloy" movie countless times on platforms like Facebook and YouTube. Those moments still captivate us, pulling us back for repeated viewings. Regrettably, that same fire is noticeably absent in "Abar Proloy". Despite its attempts, the series struggles to rekindle the brilliance of the original "Proloy."
Moreover, the suspense that was once a hallmark is now lacking. The predictability starts right from the beginning, leaving no room for any genuine intrigue. For all its efforts, it fails to ensnare the audience's curiosity. On a positive note, I'm awarding it a 6-star rating for the extended screen time of the top stars of the Bengal Film Industry. Saswata Chatterjee, Paran Banerjee, and Ritwik Chakraborty continue to shine, making their presence enjoyable day after day. The ensemble cast includes other accomplished artists as well, yet the series falls short of harnessing even half of their potential.
Mango Dreams (2016)
Seeking a mood lift? Craving quality leisure? - Dive into this masterpiece.
Can a piece of art centered around Pankaj Tripathi ever be deemed "bad"? The acting prowess of two distinguished actors, the protagonist Ram Gopal Bajaj and the remarkable Pankaj Tripathi, is undeniably top-notch. The narrative revolves around a Hindu doctor named Ram Gopal Bajaj, afflicted by dementia, who yearns to revisit his father's ancestral home before losing his cherished childhood memories. The journey unfolds as he embarks on foot, setting out from his home with resolute determination.
In a poignant twist of fate, a Muslim autorickshaw driver encounters him at a bus station, where he remains, allowing buses on his route to pass him by. The doctor had previously saved the driver's son's life without expecting anything in return. This act of kindness creates a sense of obligation in the driver, driving him to reciprocate the favor. With no knowledge of the destination, the driver warmly welcomes the doctor into his autorickshaw, commencing a journey that extends beyond geographical miles. A journey that traverses the harrowing distress people endured during and post-partition of India in 1947 and poignantly underscores how those events continue to reverberate in lives today. This film masterfully portrays the profound impacts of the partition, the scars it left, and how individuals coped, highlighting that life, even after enduring such adversity, persists and triumphs.
As the doctor urges multiple stops at places steeped in personal history, the bond between the Hindu doctor and the Muslim autorickshaw driver deepens, painting an enduring portrait of unity amidst a divided past. This very aspect underscores a powerful message: that the divide between people cannot be drawn by mere border lines alone and that the nuances of human connection transcend such divisions.
The canvas of this cinematic creation is painted in the English language, a choice perhaps attributed to the English director. While seemingly unconventional for an Indian audience, I found myself captivated, even revisiting fragments of the film. However, I find it shocking that not many have rated and reviewed this film, implying that its reach has likely been unjustly limited.
In conclusion, I implore you to experience this cinematic gem for yourself. Sharing this recommendation brings me immense joy, as it feels like sharing a piece of my heart. It's a film that reiterates that history's ink cannot erase the resilience of the human spirit, nor can it sever the threads that bind us together.
Inception (2010)
A Poor Show of Rich Visuals - Worst of Nolan? Or is the Worst still on line?
As a fan of Christopher Nolan's exceptional works like "The Dark Knight," "Prestige," and "Memento," I had high hopes for "Inception." However, this time I was left feeling rather let down.
While Nolan's ambition is evident in tackling the concept of controlling actions in dreams, the lack of scientific grounding made it difficult for me to fully engage with the story. The movie seemed to prioritize its elaborate visual effects over coherent storytelling, leading to a disjointed experience.
The characters, while portrayed by talented actors, didn't receive the depth and development I expected. As a result, I found it hard to connect with them emotionally, which impacted my overall investment in the plot.
Though "Inception" does boast impressive visuals, they couldn't compensate for the lack of substance in the middle of the film. The pacing felt off, and the narrative seemed to lose direction, leaving me disoriented and disengaged.
Furthermore, the film's ending failed to provide the satisfying resolution I craved. Instead, it left me with more questions and a sense of unfulfillment.
I just can't believe that it ranked higher than all of Alfred Hitchcock's films on IMDB. That' should seem like a crime to you if you're a true movie enthusiast. This also tells you how ignorant this generation is. They don't want to see the old Hitchcock movies, as there was rich content but in black and white. I'm just telling you that I was born in 1992 and that Hitchcock is still my favorite director. I have watched almost all of his films. Most of them are ranked above 100 on IMDB; that's pathetic, and a stupid movie like this is in the top 15. That's an insult to true movie enthusiasts.
As I am giving this review in August 2023, I can't determine if this is the worst after watching "Tenet" and "Oppenheimer". Because these three movies compete vivaciously for Nolan's worst.
Moving on to "Tenet," I was hopeful that it would rekindle the magic I experienced in Nolan's earlier films. Unfortunately, it also suffered from similar issues as "Inception." The convoluted plot, though ambitious, left me struggling to follow the storyline. The characters lacked depth, making it challenging to empathize with their struggles.
While "Tenet" showcased some awe-inspiring action sequences and visual effects, they couldn't salvage a narrative that felt overly complex and distant.
Finally, "Oppenheimer" left me with mixed feelings. While the historical subject matter had potential, the film struggled to maintain a gripping and engaging pace. The characters didn't quite come to life, and the emotional impact fell flat.
As a devoted admirer of Nolan's talent, it's disheartening to see that his recent works haven't lived up to the storytelling prowess that captivated audiences in the past. I understand that pushing creative boundaries comes with risks, but I can't help but feel that these films prioritize style over substance.
In conclusion, "Inception," "Tenet," and "Oppenheimer" may boast impressive visuals and ambitious ideas, but they fall short of delivering cohesive and emotionally impactful experiences. As a fan, I hope that Christopher Nolan's future projects find a better balance between innovation and the storytelling brilliance he demonstrated in his earlier masterpieces.