Would you believe me if I told you that the director who directed the raunchy Adam Sandler movie That's My Boy would later write and direct an endearing and heartfelt film about fostering and adopting? I doubt it. But that is what happened.
Instant Family tells the story of Pete and Ellie (Mark Wahlberg and Rose Byrne), a married couple with no kids who renovate and fix up houses for a living. They feel a void in their marriage, and go to an adoption center where two social workers, guide them and many other couples through the process of fostering and eventually adopting children. While everyone easily wants to match up with younger kids, social workers Sharon and Karen emphasize teenagers. Pete thinks talking to any of the teenagers is worth trying, while Ellie is reluctant. Their loud conversation easily catches attention of Lizzie (Isabela Moner), a teenager who confronts them about their conversation. This proves enough for Pete and Ellie who want to take Lizzie in. The catch is her younger brother and sister.
The film focuses on the turmoil of Pete and Ellie being new parents to three kids who have had rough lives, while the kids are in new territory with interesting behaviors. There are times where the story may feel predictable, but only part of what one may guess comes true.
What I enjoyed most out of this film were the characters, thanks to the work of director Sean Anders and the cast for fleshing out these characters. Mark Wahlberg and Rose Byrne are strong characters who show that they are doing the best that they can with taking care of the kids, but being respectful of them and only being firm when absolutely necessary. Wahlberg and Byrne deserve major props for pulling every kind of emotion throughout the film. Wahlberg gives one of his funniest performances to date as Pete. Rose Byrne gives a much more emotional performance as the foster mother who does what is best for the kids despite them being bratty, especially Isabela Moner's Lizzie. Moner does a fantastic job as the teenager Pete and Ellie take in. She makes Lizzie a strong character, who pulls off the rebellious teen well. We see Moner play Lizzie as disagreeing with Pete and Ellie but always has the best interests of younger siblings Juan and Lita at heart. I found it interesting in her part with how she also is still attached to her biological mother, who visits frequently. The other actors fit their roles well. Octavia Spencer and Tig Notaro did nice jobs as the social workers. Margo Martindale is funny as the over the top, yet good-hearted grandmother.
As I said before, the script and story may feel formulaic and predictable, but it's only part way and throws in an unexpected turn here or there. This is thanks to the work of co-writer/director Sean Anders and co-writer John Morris. They crafted a script that takes many of the funny things that go about with what it's like to be a foster parent and eventual adopter. They do a nice job of throwing in a turn every once in a while. While there are a lot of laughs, there are plenty of dramatic moments that kept my interest. This film comes loosely from a personal experience Anders had with his wife, and you'll see a picture of him with his family in the beginning of the end credits. Thanks to this, Sean Anders has given us his best and most personal film as a director. As a director, Anders does a nice job at keeping a good pace where the jokes aren't excessive and there isn't a dull moment.
Instant Family tells the story of Pete and Ellie (Mark Wahlberg and Rose Byrne), a married couple with no kids who renovate and fix up houses for a living. They feel a void in their marriage, and go to an adoption center where two social workers, guide them and many other couples through the process of fostering and eventually adopting children. While everyone easily wants to match up with younger kids, social workers Sharon and Karen emphasize teenagers. Pete thinks talking to any of the teenagers is worth trying, while Ellie is reluctant. Their loud conversation easily catches attention of Lizzie (Isabela Moner), a teenager who confronts them about their conversation. This proves enough for Pete and Ellie who want to take Lizzie in. The catch is her younger brother and sister.
The film focuses on the turmoil of Pete and Ellie being new parents to three kids who have had rough lives, while the kids are in new territory with interesting behaviors. There are times where the story may feel predictable, but only part of what one may guess comes true.
What I enjoyed most out of this film were the characters, thanks to the work of director Sean Anders and the cast for fleshing out these characters. Mark Wahlberg and Rose Byrne are strong characters who show that they are doing the best that they can with taking care of the kids, but being respectful of them and only being firm when absolutely necessary. Wahlberg and Byrne deserve major props for pulling every kind of emotion throughout the film. Wahlberg gives one of his funniest performances to date as Pete. Rose Byrne gives a much more emotional performance as the foster mother who does what is best for the kids despite them being bratty, especially Isabela Moner's Lizzie. Moner does a fantastic job as the teenager Pete and Ellie take in. She makes Lizzie a strong character, who pulls off the rebellious teen well. We see Moner play Lizzie as disagreeing with Pete and Ellie but always has the best interests of younger siblings Juan and Lita at heart. I found it interesting in her part with how she also is still attached to her biological mother, who visits frequently. The other actors fit their roles well. Octavia Spencer and Tig Notaro did nice jobs as the social workers. Margo Martindale is funny as the over the top, yet good-hearted grandmother.
As I said before, the script and story may feel formulaic and predictable, but it's only part way and throws in an unexpected turn here or there. This is thanks to the work of co-writer/director Sean Anders and co-writer John Morris. They crafted a script that takes many of the funny things that go about with what it's like to be a foster parent and eventual adopter. They do a nice job of throwing in a turn every once in a while. While there are a lot of laughs, there are plenty of dramatic moments that kept my interest. This film comes loosely from a personal experience Anders had with his wife, and you'll see a picture of him with his family in the beginning of the end credits. Thanks to this, Sean Anders has given us his best and most personal film as a director. As a director, Anders does a nice job at keeping a good pace where the jokes aren't excessive and there isn't a dull moment.
Tell Your Friends