Somewhere on the Internet someone said Jiang Hu had the curse of coming after the Infernal Affairs series. Actually, that was not its only curse, and appeared to be the least of its worries. Forget the bar against which good triad movies are compared; just take the ordinary standards of a passably all-right movie that's worth your money and you will find yourself feeling short-changed.
Nothing much happened in the movie, and what did happen in the movie, well, sucked. Sure, there was a really clever twist in the way the story was told, but that was a high point in an almost two-hour long low point, unless you are looking to find out more about triad philosophy, love weird disco scenes with weird looking people strutting weirdly at weird angles, or find sense in hearing Western music in a triad movie set for the most part in an Italian restaurant. Jiang Hu came off totally pretentious: one could actually feel that whoever was making the movie was trying desperately to come off as a sophisticate, intellectual and visionary, which is too much baggage for a tired plot. The distracting music and dance sequences, the 'play' on lights, the script from hell, the sudden silences, and the spastic Edison Chen added to a pretty long list of what could have been re-shot, reworked, rewritten and redone.
Even to one who is no cineaste, hopping from one Chapman To movie to the next and going from this cheesy film to the next farce, it's a hard movie to watch and even more difficult to enjoy. Lower your lowered expectations.
Nothing much happened in the movie, and what did happen in the movie, well, sucked. Sure, there was a really clever twist in the way the story was told, but that was a high point in an almost two-hour long low point, unless you are looking to find out more about triad philosophy, love weird disco scenes with weird looking people strutting weirdly at weird angles, or find sense in hearing Western music in a triad movie set for the most part in an Italian restaurant. Jiang Hu came off totally pretentious: one could actually feel that whoever was making the movie was trying desperately to come off as a sophisticate, intellectual and visionary, which is too much baggage for a tired plot. The distracting music and dance sequences, the 'play' on lights, the script from hell, the sudden silences, and the spastic Edison Chen added to a pretty long list of what could have been re-shot, reworked, rewritten and redone.
Even to one who is no cineaste, hopping from one Chapman To movie to the next and going from this cheesy film to the next farce, it's a hard movie to watch and even more difficult to enjoy. Lower your lowered expectations.
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