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Reviews
Coonskin (1974)
How does one describe "Coonskin?"
After watching Bakshi's personal drama/comedy Heavy Traffic, I was pleasantly surprised at how one could blend animation and real life together (both figuratively and literally) to make a gritty and vulgar, yet still poignant film. The next film on my list was Coonskin, and after watching the trailer, I admit I was nervous. I was worried this would be an over indulgent, surreal mess like Cool World was. Fortunately, I was wrong.
Coonskin is framed by a live action story of two men planning to escape from prison. As they wait for their pickup, the older of the two begins to tell another, animated story about a trio of black men (so to speak). Brother Rabbit(Philip Michael Thomas), the slick, cunning, intelligent leader, Brother Bear (Barry White), the strong, loyal muscle, and Preacher Fox, the wild and upbeat father figure. The three head to Harlem after their house is sold to an uppity businessman, where they plan to make it big. They take down a corrupt, big name revolutionary on their first night and instantly make a name for themselves. The only thing keeping them from rising to the top is the Godfather and his associates.
What makes this movie better than Heavy Traffic is that it actually has a ground in plot, unlike the former, which more pretended like it had a plot. Coonskin is easier to follow and has some more likable and fun characters, Heavy Traffic's are sleazier and outlined with tragedy. The villains are well done too, The Godfather especially. He's hideous, looking like a bloated sack of flesh, and his voice drips with slime. His cohorts include his five sons (four of which are incestuous homosexuals,) a headless black man, and a small child dressed as a clown who swings from wires wherever he goes. With a creative cast like that, the movie becomes a unique experience, and you really develop feelings for the protagonists and the antagonists. You've also got some clever symbolism, like a voluptuous white woman decorated with stars and stripes and named Miss America, who beats up and tricks helpless black men who try to befriend or stand up to her.
If you can handle the nudity and violence, which is certainly shocking, this is a must-see for people who love animation, blaxploitation, satires, or those just in the mood for something a little different.
Profondo rosso (1975)
Argento's Finest
"Deep Red"s plot parallels "The Bird With Crystal Plumage": a jazz composer witnesses the brutal murder of a psychic woman, and begins conducting his own investigations with the help of a news reporter. Deep Red is more crisp and well executed than "The Bird", offering up a much more disturbing murderer, a darker and creepier mood, and the murder scenes go from the quietly frightening style of "The Bird" to ghastly and cruel. But like it's predecessor, there's also a light and comical side to counter the uncompromising moments, and it offers up enjoyable characters and interactions. The score is oddly upbeat for the most part, but there's a spine chilling children's lullaby that plays whenever the killer is around that will turn your blood to ice. Overall, Deep Red is demanding, gruesome, and thought-provoking. I don't enjoy it as much as "The Bird", but I know that Deep Red is the better film.
L'uccello dalle piume di cristallo (1970)
Argento's First And My Personal Favorite
"The Bird With Crystal Plumage" is an enjoyable mystery from Italy's Maestro of Malevolence, Dario Argento. The plot is simple, an American novelist witnesses a murder attempt and begins performing his own investigation. The main characters are a bit run of the mill but still likable and fun, and the film offers a potpourri of quirky side characters such as a stuttering pimp who repeatedly says 'so long' at the end of his sentences, and a starving artist who has a collection of cats that he keeps for a rather gruesome reason. There's a flip side to every coin, though, as "The Bird" also contains suspense, tension, and dark twists. Though not as gruesome as the films that would follow, the murder scenes are nonetheless unsettling and creepy. A particular chase scene will have you biting your nails. Some scenes are a little campy or sloppily executed, but this is still a lively little mystery that is well worth the hour and a half it asks of you.