I'm not entirely sure what to say about Glengarry Glen Ross without dumbing it down to blind praise. It's easily in my all time top 20 films I've ever seen, and it gets everything right. It has a dream cast and a level of intelligence that's unheard of in movies these days. Need lots of action and cheap thrills? You'll most certainly hate it. Do you enjoy high quality dialogue in your movies? Then it's like porn. Better than porn actually, seeing how you can watch Glengarry Glen Ross over and over and it will always be just as great.
This awkwardly titled classic comes from a play by David Mamet, who also wrote the script. It's a dark, profane, bitter, and cynical story about an office full of sleazy, lowlife salesmen (Pacino, Lemmon, Harris, and Arkin) who's job is to get in contact with cold potential customers (leads), and pass off what's essentially uninhabitable swampland as prime real estate. The job is naturally an exercise in futility, as most of the men are performing very below average, despite their most desperate efforts. The fact that the good leads are being held back by their boss (Spacey) until management sees some results isn't helping either. The situation is a humiliating paradox, that becomes outright desperate when a manager (Alec Baldwin) comes to the office from headquarters and announces a motivational sales contest that will mean prizes for the winners and unemployment for everyone else.
The characters are developed to perfection, and it is their words and reactions to the situation at hand that make this film such a work of genius. Ricky Roma (Al Pacino), has nothing to worry about. He's pretty much always been the top salesman at the office, treating his sales more like tangent-laced seductions, one of which we see working effortlessly. Unfortunately for everyone else, Roma's guaranteed victory narrows down the potential winners. The other guys have varying, but equally desperate reactions to this.
Shelley Levine (Jack Lemmon) is the oldest of the salesmen, and while he was once Roma's equal, he has been seriously slipping in his age and hasn't closed a sale in a very long time. He's in a desperate family situation, which is unspecified, but clearly severe enough that he can't afford to lose his job. He starts by trying to bribe their boss, Williamson (Kevin Spacey), and when that doesn't work, he tries to worm his way into the home of a family who are just as set on buying nothing as he is on selling anything. It's painful to watch, even though the character is unlikeable in many ways.
And then there's Dave Moss (Ed Harris) and George Aaronow (Alan Arkin). These guys have never been near the top, and now their expendability is here to haunt them. George spends the night listening passively as Moss pontificates on everything wrong with their office, which may or may not turn out to be justifying a robbery. Because the next morning, the office is found burglarized. And although Moss was the only one to verbalize his desire to do so, everyone has a reason to. The morning after the robbery, these situations all come to a head and the men are all exposed for the backstabbing scumbags they really are, particularly when Roma's customer from the night before shows up intent on canceling the sale.
The dialogue sizzles. It is some of the best dialogue Mamet ever wrote, which is saying a lot. Every actor sinks into their role, and it's hard to single out a stand-out performance aside from Alec Baldwin's ten minute appearance delivering an unforgettably cruel and venomous speech. Jack Lemmon, most well-known from classic movies like The Apartment and Some Like it Hot, is hard to forget in this movie with a character who is incredibly unlikable, yet still sympathetic. Everyone plays a shade of unlikable in this film, but as far as characters you'll love to hate goes, Kevin Spacey's Williamson takes the cake. He has the easiest job in the office, and he treats his employees like his position makes him more important to the company. He is a complete tool in every way, and when he screws over Roma, you can bet that Al Pacino will dish out the verbal assault to end all verbal assaults ("Who told you that you could work with MEN?!"). It's a completely satisfying moment, as memorable as any of Pacino's best moments from The Godfather, and it's all the better since you totally feel that Spacey's character deserves it.
I could gush over this movie scene after scene all day. It's not so much a movie that appeals to me on a personal level as it is one that plays like a great piece of music. The dialogue is as pleasurable to the ears as great music, and the movie has a stagy yet lyrical quality that sucks you in and doesn't let go. It's one of the most fast-paced films you'll ever see, with two very distinct acts. The movie is over before you know it. Even if it bores you to tears, it'll be over before you realized you were bored. Overall, give the movie a chance. It's the best compilation of writing and acting since 1976's Network.
This awkwardly titled classic comes from a play by David Mamet, who also wrote the script. It's a dark, profane, bitter, and cynical story about an office full of sleazy, lowlife salesmen (Pacino, Lemmon, Harris, and Arkin) who's job is to get in contact with cold potential customers (leads), and pass off what's essentially uninhabitable swampland as prime real estate. The job is naturally an exercise in futility, as most of the men are performing very below average, despite their most desperate efforts. The fact that the good leads are being held back by their boss (Spacey) until management sees some results isn't helping either. The situation is a humiliating paradox, that becomes outright desperate when a manager (Alec Baldwin) comes to the office from headquarters and announces a motivational sales contest that will mean prizes for the winners and unemployment for everyone else.
The characters are developed to perfection, and it is their words and reactions to the situation at hand that make this film such a work of genius. Ricky Roma (Al Pacino), has nothing to worry about. He's pretty much always been the top salesman at the office, treating his sales more like tangent-laced seductions, one of which we see working effortlessly. Unfortunately for everyone else, Roma's guaranteed victory narrows down the potential winners. The other guys have varying, but equally desperate reactions to this.
Shelley Levine (Jack Lemmon) is the oldest of the salesmen, and while he was once Roma's equal, he has been seriously slipping in his age and hasn't closed a sale in a very long time. He's in a desperate family situation, which is unspecified, but clearly severe enough that he can't afford to lose his job. He starts by trying to bribe their boss, Williamson (Kevin Spacey), and when that doesn't work, he tries to worm his way into the home of a family who are just as set on buying nothing as he is on selling anything. It's painful to watch, even though the character is unlikeable in many ways.
And then there's Dave Moss (Ed Harris) and George Aaronow (Alan Arkin). These guys have never been near the top, and now their expendability is here to haunt them. George spends the night listening passively as Moss pontificates on everything wrong with their office, which may or may not turn out to be justifying a robbery. Because the next morning, the office is found burglarized. And although Moss was the only one to verbalize his desire to do so, everyone has a reason to. The morning after the robbery, these situations all come to a head and the men are all exposed for the backstabbing scumbags they really are, particularly when Roma's customer from the night before shows up intent on canceling the sale.
The dialogue sizzles. It is some of the best dialogue Mamet ever wrote, which is saying a lot. Every actor sinks into their role, and it's hard to single out a stand-out performance aside from Alec Baldwin's ten minute appearance delivering an unforgettably cruel and venomous speech. Jack Lemmon, most well-known from classic movies like The Apartment and Some Like it Hot, is hard to forget in this movie with a character who is incredibly unlikable, yet still sympathetic. Everyone plays a shade of unlikable in this film, but as far as characters you'll love to hate goes, Kevin Spacey's Williamson takes the cake. He has the easiest job in the office, and he treats his employees like his position makes him more important to the company. He is a complete tool in every way, and when he screws over Roma, you can bet that Al Pacino will dish out the verbal assault to end all verbal assaults ("Who told you that you could work with MEN?!"). It's a completely satisfying moment, as memorable as any of Pacino's best moments from The Godfather, and it's all the better since you totally feel that Spacey's character deserves it.
I could gush over this movie scene after scene all day. It's not so much a movie that appeals to me on a personal level as it is one that plays like a great piece of music. The dialogue is as pleasurable to the ears as great music, and the movie has a stagy yet lyrical quality that sucks you in and doesn't let go. It's one of the most fast-paced films you'll ever see, with two very distinct acts. The movie is over before you know it. Even if it bores you to tears, it'll be over before you realized you were bored. Overall, give the movie a chance. It's the best compilation of writing and acting since 1976's Network.
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