This is actually one of those films that you could write countless number of essays about, and be wrong in every single one of them. Well, not quite because this is one of those films that leaves a lot of things open to interpretation - like for instance how long does the dream last. One website was pretty sure that it was from the car crash to the end of the film, however the film says that it is from the time in which he falls asleep drunk on the side of the road.
Mind you, you can't really trust what the film says, and I suspect that this is on purpose. The thing is that most of the film involves the protagonist telling a prison psychologist a story of how he got up to the point in which he is in. As such, we can only trust what he is telling us, but as the film progresses we begin to realise more and more that we cannot actually trust what we are being told.
The interesting thing is that while the film opens itself up to interpretation, Cameron Crowe does give us quite a few hints. Like, for instance, we have the rego sticker on the car being due to expire on the 30th February. Crowe apparently suggested that this was a mistake, but decided to run with it. Then there is the second scene (not the first, where he wakes up in an empty New York, though interestingly if you pay attention you will note that the voices on the alarm are different) where he wakes up draped across his bed. As far as I was concerned, he was alone in his apartment, but then after he pulls his grey hairs out, we discover that there is a woman in the bed (though I suspect that this was also on purpose).
Yeah, this film is one of those films that you can consider a psychological thriller, though there is a suggestion that there are some sci-fi elements. Sure, that is certainly the case, but the thing is that I believe that that plays a second role to the main part of the film. Also, I suspect that a lot of the questions that are raised about how long the dream sequence is also plays second fiddle. The reason I say this is because the film seems to be focused more on the development of the main character.
Like, the first part, which is repeated, shows him removing grey hairs from his head. Then, he turns up in a completely abandoned New York. As the film progresses we come to realise that this dream has more to do with how he sees himself, and how he gives himself meaning. It is people, and people admiring him, and his looks, that define him. Basically an incredibly self-centred character. Take away the people, and he is nothing. However, take away his looks, and he is also nothing. This is no doubt why he suffers a disfiguring injury, but when the dream sequence starts, his face is completely restored.
Actually, it is why he is intermittently putting the mask back on, and taking it off - in a way he is coming to terms with who he is, and his identity. This is why the end of the film he is offered a choice - a red pill/blue pill moment - stay asleep in a dream world, or wake up and face the world as it has become, as a person that no longer has the power, influence, and wealth that he had at the beginning. His decision is what defines his character.
Oh, and the broken guitar - I suspect that this means something as well, as it is something that is featured. Sure, it could be in part his eccentricity (and I suspect the guitar that Jimi Hendrix smashed would be worth quite a lot). Yet, it could also represent his shattered mind, but also alludes to the second part of the film, where a thing of beauty - himself - has been shattered.
Mind you, you can't really trust what the film says, and I suspect that this is on purpose. The thing is that most of the film involves the protagonist telling a prison psychologist a story of how he got up to the point in which he is in. As such, we can only trust what he is telling us, but as the film progresses we begin to realise more and more that we cannot actually trust what we are being told.
The interesting thing is that while the film opens itself up to interpretation, Cameron Crowe does give us quite a few hints. Like, for instance, we have the rego sticker on the car being due to expire on the 30th February. Crowe apparently suggested that this was a mistake, but decided to run with it. Then there is the second scene (not the first, where he wakes up in an empty New York, though interestingly if you pay attention you will note that the voices on the alarm are different) where he wakes up draped across his bed. As far as I was concerned, he was alone in his apartment, but then after he pulls his grey hairs out, we discover that there is a woman in the bed (though I suspect that this was also on purpose).
Yeah, this film is one of those films that you can consider a psychological thriller, though there is a suggestion that there are some sci-fi elements. Sure, that is certainly the case, but the thing is that I believe that that plays a second role to the main part of the film. Also, I suspect that a lot of the questions that are raised about how long the dream sequence is also plays second fiddle. The reason I say this is because the film seems to be focused more on the development of the main character.
Like, the first part, which is repeated, shows him removing grey hairs from his head. Then, he turns up in a completely abandoned New York. As the film progresses we come to realise that this dream has more to do with how he sees himself, and how he gives himself meaning. It is people, and people admiring him, and his looks, that define him. Basically an incredibly self-centred character. Take away the people, and he is nothing. However, take away his looks, and he is also nothing. This is no doubt why he suffers a disfiguring injury, but when the dream sequence starts, his face is completely restored.
Actually, it is why he is intermittently putting the mask back on, and taking it off - in a way he is coming to terms with who he is, and his identity. This is why the end of the film he is offered a choice - a red pill/blue pill moment - stay asleep in a dream world, or wake up and face the world as it has become, as a person that no longer has the power, influence, and wealth that he had at the beginning. His decision is what defines his character.
Oh, and the broken guitar - I suspect that this means something as well, as it is something that is featured. Sure, it could be in part his eccentricity (and I suspect the guitar that Jimi Hendrix smashed would be worth quite a lot). Yet, it could also represent his shattered mind, but also alludes to the second part of the film, where a thing of beauty - himself - has been shattered.
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