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Revolution (2012–2014)
Colorful, Mindless Entertainment
26 September 2012
Warning: Spoilers
The show's worst enemy will be the minds of its audience and how much they are willing to push their imaginations to "suspend belief". The broader concept is a spin on your standard post-apocalyptic drama, with the characters surviving a world that has mysteriously lost all electricity ten years prior. With modern society so dependent on electrical power, the governments and institutions have collapsed and civilization has regressed into a tribal state. The land is divided up among military factions called 'republics', suppressing local people under their tyrannical will with muskets and medieval weaponry.

The pilot episode contains enough drive, drama and action to keep you entertained until the very end, but as soon as the credits are rolling, you'll ask yourself, "what the **** did I just watch?" Okay, I can buy into the premise, something has shutdown man-made electricity and when the power is out, people will use crossbows and swords to save valuable ammunition, but it's just not in human nature to reverse technology and innovation. That's the exact opposite of what drives the human spirit! People would still find new power sources to run the world. Hard times would push into hard progress. Not to mention that there's a difference between current and static electricity; one is a chemical reaction. You can make a make a battery out of a potato with stuff you can find in your garage. There's electricity everywhere you look in nature. This is remedied in the show with one line, "Physic doesn't even make sense anymore!" Okay, fine. I realize that the Internet is off and Google no longer exists (which they remind us in this episode), but have all the books burned up too? Does anybody remember history? Does steam still rise? Because that's how we powered massive engines before the discovery of electricity.

Okay, enough about power and on to the guns. Where did all the civil war muskets come from? Those would be a difficult find in a world stockpiled full of guns. You don't need electricity to keep a gun in decent shape or to make bullets, but I get it, they're trying to make two worlds meet—the past and the present –and a sword fight makes for a cool action sequence.

There are some redeemable aspects that bring the show back to life. The characters are set up well and have a lot of room for development. I like how they use their past lives to explain how they got to where they are now and how their old jobs helped prep them for the new world or how much they've dramatically changed since. Just remember, it's more about the characters and less about plot. These people are supposed to be real, not in actual real-life or reality–TV sense, but real as in it's the actor's job to make it real, to pull you out of your life and into theirs (not always accomplished). It's watching a social experiment to see how people will act when they are pushed into a hostile environment, observing how they will act and react in this dog-eat-dog world. Well, at least that should be the point.
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Total Recall (I) (2012)
6/10
A revisit to the short story
7 August 2012
If you're expecting Total Recall to be a remake of the Mars-adventure Schwarzenegger classic that we all know and love, then you're in for a rough ride. Total Recall is not a remake, it's a revisit of the original short story by Philip K. Dick (who has inspired some of the greatest sci-fi films of all time), but it takes on it's own story and fails to do either the short story or the Schwarzenegger version any justice. The film looks magnificent and the action is great, but the story/plot falls on it's face like a giant game of jenga. Also the ending(s) just doesn't make any sense at all, really feels like it was wrapped up too quickly and neatly to be in the least bit believable. Still an overall entertaining movie, just turn your brain off and enjoy the ride.
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The Newsroom (2012–2014)
9/10
Brilliant and Challenging
25 June 2012
Rarely does a television show come along and sweep you off your feet with brilliant writing, an amazing cast and an actual message that is relevant and inspirational. Aaron Sorkin has done it again with The Newsroom! This show is truly a display of what television can achieve if we have the right people who are willing to break the rules of the mundane drab to make an engaging and intelligent show.

Jeff Daniels plays Will McAvoy, the cautious, veteran news anchor tiptoeing with his career in order to "play it safe", concerned more with keeping his ratings than stepping on toes. He has the smarts, the background and the ability to be something more, a challenger of beliefs and a defender of ideals, but lacks the motivation until Mackenzie MacHale (played beautifully by Emily Mortimer), a woman from his past, reenters his life. She is the spark to ignite his flame and gets him burning with an unquenchable passion once again.

Within the first five minutes of the show, Jeff Daniels delivers a speech of Aaron Sorkin's words about the state of America that is extremely touching, stimulating and brutally true for a vast majority of the population. It's reminiscent of his West Wing days, but with even more flare and aggression. I only hope he can keep the pace that he has set with the pilot; the bar is set high.
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Prime Suspect (2011–2012)
9/10
A fresh, old story
27 October 2011
With all sorts of shows coming out this year featuring a strong female lead, this one by far has the strongest. She's head-strong, unrelenting, ambitious, driven, willful and carries a duffle bag full of vices which brings a depth to her character rarely seen in cop shows, but makes her very likable as well as human.

The show is gritty and feels a bit more realistic than most of the high-tech, ultra-forensic one- man cop shows that seem to come and go every season. It takes a team to catch the bad guys and suspects don't always willingly confess to murder (who would really?) There's tension and rivals among the police and detectives, as well as sexism you'd expect to see in a male dominate New York police force.

All in all, this show is very well done with a great cast and believable plot lines. I hope it can find its audience to gather momentum and keep going.
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Terra Nova (I) (2011)
8/10
surprisingly well done
27 September 2011
I feel like the commercials and previews for this show really let it down and were pretty misleading, in a good way. I, for one, was lead to believe this would be a low budget, SyFy-esk production of utmost cheese, until I gave it a shot.

This high-concept show in which the technology of the future meets the stone age world of the past, is actually pulled off very well. From the setup, the story is well told and keeps the viewer entertained and involved, although the beginning was a bit rushed. The acting is great, even the kids and teens pull off their roles with believability.

The plot, feel and overall look of the story does rip off from a few different sources. From the doomed totalitarian future to the picturesque "Jurassic Park" past, we see a compilation of movies we all know and love. However, they are movies that we all know and love, so it doesn't hurt to see it again retold in a different light.

In all, if this series keeps up with the thrill ride of the hour and a half pilot of the past, then it has got a great future.
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Pan Am (2011–2012)
4/10
Pan Am, a slice of cheese
26 September 2011
Wow. This has got to be the cheesiest show on the air. I get that Pan Am was this glamorous way to travel and every Pan Am employee was idolized in the children's eyes, but do you have to end every scene with a whimsical smile and/or every character laughing joyously? It's a bit over the top and leaves the viewer a little confused -- the pilots are lifting off, why are they looking at each other and laughing? -- The intelligent, under cover stewardess just got double crossed by an MI-6 agent, is now really the best time to sigh, shake your and smile to yourself? And he just wiped all his fingerprints from the room (he really should have just worn gloves) how do you know he didn't catch you in your obvious 6-hour spy act, pretended to be British and now your spying for the Russians?? As he just told you "they don't call it the cold war for nothing". -- Or how about the pilot who's fiancée just ran off and merrily laughs the night away after about 2 seconds of feeling a little bad... I guess that's ABC's attempt at making dramatic conflict or lack there of. When the horrible directing is matched with the weird, over-the-top and misleading acting (could be contributed to poor direction) and put up against other tried, tested and wildly successful period shows (mainly Mad Men), this one falls flat on its face. One more thing: we've all seen enough period pieces or know people who remember the 60's (but if you remember them you weren't REALLY there) that we can call you out when you suddenly break from the time period, so don't. I.E. the changing stewardess reveals she is wearing a pushup bra (or maybe it was a Victoria Secrets Wonderbra™ hmmm) and NOBODY WAS SMOKING in a time when EVERYBODY smoked EVERYWHERE including on Pan Am aeroplanes.
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Suits (2011–2019)
9/10
bright, clever new series
17 September 2011
This show is great from the get-go. With a unique plot, 3 dimensional characters (including the female characters, which one reviewer failed to notice... I believe he's confusing this show with 'Franklin and Bash', which is a 2-D cartoon compared to 'Suits'.) and clever episodes, I think this show has a bright future.

After the pilot, the first few episodes felt a little repetitive, using the same episode plow over and over again (new associate makes a mistake and spends the rest of the episode cleaning up for himself and trying to set things right). But, the writers broke their mold and the show only got better as the season went on, along with the development of deep characters and relationships.

I'd gladly recommend this show, especially to anyone with a lawyer in the family (my mom and her brother are both attorneys). Can't wait for a second season.
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Setup (I) (2011)
2/10
bad script, worse acting
14 September 2011
The screenplay feels like a teenager wrote it, who learned to cuss by his wangster older brother, and now uses his overly foul language in the most inappropriate situations.

On top of the horrific acting and terrible dialogue, the characters seem to feel the need to describe what they're doing as their doing it. And hey 50-cent, it's called pronunciation, try it!

The plot can't decide what type of action movie it wants to be. It feels like the writers just strung a series of their favorite movie scenes from all their favorite movies randomly together. There is no action leading to the next action, just 50 running around sticking a gun in everyone's face and explaining the plot over and over again.

Question: WHY ARE ALL THE CHARACTERS EXPLAINING TO ME WHAT I'M WATCH?! Answer: it's a dumbed-down movie for those people who are always asking questions during a movie.

Oh and the music sucks, sounds like stock music or the temp soundtrack was never changed.
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4/10
mindless attempt at entertainment
10 August 2011
Warning: Spoilers
To put this politely, this movie is just plain dumb. You'll really have to tune out and shut down the old tinker to thoroughly enjoy this flick,unless you're one of those few who purposely sit through a crappy movie just to make fun of it and snicker silly comments under your breath to your movie-going buddy.

SPOILER ALERT! The sad part is, it started off pretty good. In the first half hour they introduce and developed the characters really well and then he turns into Cpt. USA and the movie takes a dive. For reasons unknown, other than the script is dumb, the generals refuse to use this buffed out soldier who can jump over 10 foot fences and take out submarines with his fist. And the kid who has always wanted to join the military and fight Nazis doesn't go back to boot camp? That was his one and only drive; he lied and cheated his way in, why on earth would he be so willing to give up his dream to join a traveling Broadway show??? And he does this for three years!!!! stupid. And when he finally gets the urge to fight, he's suddenly great at everything- -ummm excuse me, but didn't you skip out on ALL of your training? You've never even fired a gun before and you've been singing the past 3 years! Oh and don't expect any Nazis to show up in this WWII movie, that would just be silly. Instead, we have a bad guy who's first plan, if Cpt. A left him alone, is to take out Berlin and probably kill Hitler. Good thing we stopped him, killing is wrong!

It seems like marvel is really dropping the ball lately with their super hero movies. I will not be surprised if they reboot Captain America in 2 - 3 years from now just like they've done with countless other failed attempts.
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Franklin & Bash (2011–2014)
7/10
entertaining, but overly contrived
21 July 2011
Franklin and Bash is entertaining, but it's so contrived every plot line reaches way beyond reality. Their legal tactics need quite a bit more thought and creativity from the writers. The producers could at least bring in some attorneys for consultation and give a foundation for this show to stand on because for the most part, they win court cases based on emotion rather than fact and evidence.

The redeeming factor, however, is the chemistry of the characters which makes up for much of the absurdity of the show. This show and these characters would work much better in a detective scenario rather a court drama IMAO.

All in all, an excellent show to watch when your DVR is empty and nothing else is on.
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