Have u heard the Tracy Chapman song "Subcity" ?
"Thank You Mr President for Disregarding me!"
-Mahanagar (The Big City) carries the same vein of faceless struggle,only with infinitely more subtle nuances. The revolts of Madhobi against the trying times both at home and professionally,forced job seeking,uncomfortable but obvious rise to "the man (bread winner)in the house' status,the gradual acceptance of that by her family esp the patriarchal father-in-law and the final revolt for the sake of ideals- against the backdrop of a devastated Calcutta under the stream of refugees arriving daily from East-Pakistan------can't have a masterpiece better than that. Coupled to it her husband's vulnerability at being unemployed,he doesn't want but can't help feeling inferior to his wife whom he loves--each shade is crafted with poise and care of a virtuoso.Moreover Ray addresses the issue of reverse-racism,the agonies of a ill treated race manifest, when the Indian manager fires the Anglo Indian employee just because of her Anglo-Christian roots.The ending is almost philosophical in its expansive acceptance of one's fate and belief that some hope must be still left.Watch this movie to realize the angst of urban poverty in one of post-world war II history's most turbulent times.
"Thank You Mr President for Disregarding me!"
-Mahanagar (The Big City) carries the same vein of faceless struggle,only with infinitely more subtle nuances. The revolts of Madhobi against the trying times both at home and professionally,forced job seeking,uncomfortable but obvious rise to "the man (bread winner)in the house' status,the gradual acceptance of that by her family esp the patriarchal father-in-law and the final revolt for the sake of ideals- against the backdrop of a devastated Calcutta under the stream of refugees arriving daily from East-Pakistan------can't have a masterpiece better than that. Coupled to it her husband's vulnerability at being unemployed,he doesn't want but can't help feeling inferior to his wife whom he loves--each shade is crafted with poise and care of a virtuoso.Moreover Ray addresses the issue of reverse-racism,the agonies of a ill treated race manifest, when the Indian manager fires the Anglo Indian employee just because of her Anglo-Christian roots.The ending is almost philosophical in its expansive acceptance of one's fate and belief that some hope must be still left.Watch this movie to realize the angst of urban poverty in one of post-world war II history's most turbulent times.
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