My father, Robert R. Thiel, produced this show when I was--calculating--13! It was the last show he ever produced due to some trouble that, sadly, got him out of the business permanently. It was also his crowning achievement.
I believe this was his only production for television, though there may have been one more. I'll make sure to ask him.
Being a 13 year old on this set, with these famous stars, doing my best to embarrass the Producer--my dad--was a fantastic experience.
Melba Moore in person had the beauty and charm of Audrey Hepburn.
TRIVIA:
Originally the corporate folks wanted to do this on a closed set, like any television program or movie, but my father's love of the theatre and live/real audience reactions overpowered, and therefore the whole thing was shot in sequence with a live audience that was provided free tickets. If I remember correctly, there were three performances, and therefore three takes of each scene. They did not do more than one take of each scene per performance. During set changes, some celebrity would come out and keep the audience entertained--which worked quite well.
During one of these set change intermissions, an actor (Jose Ferrar I think) was standing in front of the asbestos curtain and joked that it was 'asbestos we could do' that day because of some problem with the front curtain.
The Lighting was all computerized and I believe it won and Emmy. The particular challenge was that since most of the actors were African-American, the lighting you would normally use with 'White' actors wouldn't have looked very good. This effected everything including the colors of the costumes and the set. I also seem to remember there was a fatal malfunction that required that the entire lighting sequence program to be dumped and reprogrammed at some point. It was tremendously complex, a real technical landmark.
The picture on the cover of the video was taken during a dress rehearsal. If you look not so carefully you can see their tights/leotards showing beneath the dancers' skirts.
VIDEOS and DVDs:
As for DVDs, my younger brother, who was 8 at the time, just a couple of Christmases ago had the video converted to DVD as a gift for my father--which is not available in stores of course. Also, as you can imagine having produced such a thing yourself, my father still has boxes full of hundreds of the Playbills and--I have no doubt--cases upon cases of the video in his basement.
I'm sure he would absolutely gush if someone were to request one of the videos.
I'm also quite sure a huge pile of money, enough for him to retire with a smile, is owed him from the sale and showing of those videos but he hasn't been up to fighting that battle. Bottom line is, he never saw a cent of it.
I leave it up to you fans to make it your business to pursue the re-release of the video on DVD if you are so inclined and passionate about it, which would bring my father tremendous joy in his old age if nothing else.
I believe this was his only production for television, though there may have been one more. I'll make sure to ask him.
Being a 13 year old on this set, with these famous stars, doing my best to embarrass the Producer--my dad--was a fantastic experience.
Melba Moore in person had the beauty and charm of Audrey Hepburn.
TRIVIA:
Originally the corporate folks wanted to do this on a closed set, like any television program or movie, but my father's love of the theatre and live/real audience reactions overpowered, and therefore the whole thing was shot in sequence with a live audience that was provided free tickets. If I remember correctly, there were three performances, and therefore three takes of each scene. They did not do more than one take of each scene per performance. During set changes, some celebrity would come out and keep the audience entertained--which worked quite well.
During one of these set change intermissions, an actor (Jose Ferrar I think) was standing in front of the asbestos curtain and joked that it was 'asbestos we could do' that day because of some problem with the front curtain.
The Lighting was all computerized and I believe it won and Emmy. The particular challenge was that since most of the actors were African-American, the lighting you would normally use with 'White' actors wouldn't have looked very good. This effected everything including the colors of the costumes and the set. I also seem to remember there was a fatal malfunction that required that the entire lighting sequence program to be dumped and reprogrammed at some point. It was tremendously complex, a real technical landmark.
The picture on the cover of the video was taken during a dress rehearsal. If you look not so carefully you can see their tights/leotards showing beneath the dancers' skirts.
VIDEOS and DVDs:
As for DVDs, my younger brother, who was 8 at the time, just a couple of Christmases ago had the video converted to DVD as a gift for my father--which is not available in stores of course. Also, as you can imagine having produced such a thing yourself, my father still has boxes full of hundreds of the Playbills and--I have no doubt--cases upon cases of the video in his basement.
I'm sure he would absolutely gush if someone were to request one of the videos.
I'm also quite sure a huge pile of money, enough for him to retire with a smile, is owed him from the sale and showing of those videos but he hasn't been up to fighting that battle. Bottom line is, he never saw a cent of it.
I leave it up to you fans to make it your business to pursue the re-release of the video on DVD if you are so inclined and passionate about it, which would bring my father tremendous joy in his old age if nothing else.
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