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Reviews
Framing Agnes (2022)
Failed Hybrid Doc
This was my least favorite film I saw at Sundance (Fire of Love was probably my favorite). I'm guessing the source material was interesting enough, so it's too bad it turned out this way. I can understand why the topic would impress festival critics. I'm also really glad to see more trans films coming out over the last few years (all the other ones I've seen were better than this one).
I have to be honest though, I mostly agree with the other review that says this could have been a much better film than the one that was screened. The problem is the way that Framing Agnes tells its story is confusing, and not in a way that pays back interpretation beyond what the film already tells you about itself. The pacing was off too. And it wasn't visually exciting. Somehow a 75-minute feature felt like it dragged for over 2 hours. At parts, this felt like a student film, its heart is in the right place but it fails -- and not in an interesting way.
Also I'm also a fan of reenactments and experimental fiction elements in documentaries. For a couple of decades I've seen many films blur history and fiction. Maybe the most creative and stunning and well known example was The Act of Killing. Framing Agnes tries to use reenactment to produce a counternarrative to the representation of trans people in history, on TV, and other contexts. In theory that's a promising idea. In practice it doesn't work well. What the film does just isn't as new as at least one of the reviews I read claimed. A couple of the performances are really strong, which is why I'm higher on this than the other reviewer even though I agree about the director's awkward performance. Still, the reenacted segments are both poorly integrated and the writing is mostly flat. The takeaways about trans people might have been more surprising or meaningful 10 years ago than they are now. I'm sure this film will win festival awards but I can't see it finding an audience beyond a smaller group of people who want to see a film that unfortunately isn't there.
Sirens (2022)
Energetic and Personal Metal Documentary
Director Rita Baghdadi made an excellent documentary about the Middle East's first all-female heavy metal band, which is called Slave to Sirens. These two best friends pursue their art in Beirut as political turmoil unfolds. The film is personal in ways that exceed your usual music documentary. A small film that's worth a watch.
Fire of Love (2022)
Lava and Love
This film tells the story of two scientists who study volcanoes, which leads to their marriage and shared research. The setup might have been too sentimental for my taste but director Sara Dosa sure knows how to tell a story, bringing together amazing archival footage, the most amazing of which features the couple that undertook this dangerous and wonderful work. This was one of the best films at Sundance in 2022.
We Met in Virtual Reality (2022)
Fun but Superficial
This film was created entirely inside the VRChat platform. It's a neat enough gimmick but maybe not for 90 minutes? I've seen other documentaries about virtual worlds so this one didn't feel that new to me. I admit that if I didn't grow up online then I might like this more. But the film does capture something real about this virtual culture.
One thing that's very impressive about this movie is that the filmmaker (Joe Hunting) is only 22 and already showing a feature at Sundance. Looking forward to seeing what his long career brings as he moves beyond the festival scene.