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Kabul Express (2006)
8/10
A pleasant surprise
22 February 2007
Kabul Express is a story of two Indian journalists who go to Afghanistan to interview Taliban and their (mis)adventures in the war torn, now forgotten country. The movie is an adventure ride with a dash of comedy and emotions, a Hollywood Chicken Tikka Masala, if you so please.

Historically I am not sure how correct is the movie. I do not think that an extensive research on the history of Afgan conflict was part of the making. Too many Aghans spoke and understood Hindi for my liking. And how correct is the depiction of war journalism, is best left to a professional for comments (though John's character admits in the beginning being a Rookie)

But if you look beyond these (minor) flaws, the film has more that its share of moments. The plot, though follows predictable lines, is well knit and keeps the audience interested. A lot a time has been spent on each character so you end up empathizing with each of them, more so with the driver/guide Khyber and the on-the-run Talib, Imran Khan (The verbal duels of Imran with Khyber and Arshad's character should not be missed). The screenplay is majestic and eerie at the same time...which I guess comes naturally when shooting in the Afghanistan backdrop. Acting is very competent and so is the background score

And in between the journey and the jokes, the movie also makes an attempt to point fingers for the mess Afghanistan has become. To its credit it takes different view points, that of an Afghan, A Talib, a Pakistani, an Indian and, to some extent, an American. The blame is shared expectedly by Pakistan, America and Islamic fundamentalism. There is plenty of America bashing otherwise as well, reflecting the global dip in popularity of the Land of the Brave

Kabul Express is a ride to the frontiers relatively unknown to Indian Cinema audience. It is a must see just for that reason alone. But I am sure you will find more, as I did.
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Black Friday (2004)
8/10
Time to ask some questions
18 February 2007
A technically sound film no doubt with very good (though not brilliant) performances but does it really do the balancing act that it is being given the credit for? While the film does a lot of finger pointing, the act is lopsided to one community since it focuses more on the blasts than the 6 months of madness that preluded it. I would have liked to see some more of the "Majority community" perspective to the Rath Yatras, Demolition and the riots. You could argue that the film is based on the book and was only following the script. But is the reach of both the media same? Why could not Anurag Kashyap take that extra step and own the responsibility of showing us the "bigger picture". That is when is would have been the "masterpiece" that we are making it. But then the film would have been banned in most states!

The script is ideal for a superficially tolerant and secular India that we live in today.

Let us not pat our backs too much. Rather lets ask some very pertinent questions....questions like, how many arrests were made for demolition? who masterminded the riots and what were the political/social/economic motives? why isn't this film banned in Gujrat when it speaks of communal violence as much as a Parzania?
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6/10
Not what it should have been
18 February 2007
Eklavya is a lesson in movie making. It shows you how a bad screenplay can rip apart what could have been a gem.

The flaws are way too elementary and can not be covered by the good performances from Amitabh and Saif and some eye catching cinematography. Too much time wasted on Jackie Shroff and Jimmy Shergil (why were the characters required at all in the script, can some one explain please). Too many clichéd romantic moments between Saif and Vidya Balan, who sleepwalks through her "doormat" character. The dialogues in the second half of the film make you wonder if the writer got tired with the eloquence of the first half and copied the lines from a Lost and Found drama of the eighties.

IMHO, more energy could have been spent on Sharmila's character and Amitabhs relation with her; or his relation with the characters played by Saif and Boman Irani for that matter. Maybe that would have given more grip to the story line which, truth be told, did not justify a full feature.

Eklavya is definitely not the worst that we have seen from Mr Vinod Chopra (remember Kareeb?...well, no one does) but he should still stick to producing movies. There must be better ways of spending the money Munna Bhai series is making him
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