The World to Come (2020)
Reference View | Change View
- R
- 1h 45min
- Drama, History
- 02 Mar 2021 (USA)
- Movie
- 5 wins & 8 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Katherine Waterston | ... |
Abigail
|
|
Casey Affleck | ... |
Dyer
|
|
Vanessa Kirby | ... |
Tallie
|
|
Christopher Abbott | ... |
Finney
|
|
Karina Ziana Gherasim | ... |
Nellie
(as Karina Gherasim)
|
|
Ioachim Ciobanu | ... |
Widow Weldon's Son
(as Kim Ciobanu)
|
|
Daniel Blumberg | ... |
Tinker
|
|
Andreea Vasile | ... |
Mother
|
|
Liana Navrot | ... |
Widow Weldon
|
|
Sandra Personnic-House | ... |
Mrs. Nottoway
(as Sandra J House)
|
|
James Longshore | ... |
Man #1
|
Directed by
Mona Fastvold | ... | (directed by) |
Written by
Ron Hansen | ... | (screenplay by) & |
Jim Shepard | ... | (screenplay by) |
Jim Shepard | ... | (based upon the original story "The World to Come" by) |
Produced by
Casey Affleck | ... | producer |
Margarethe Baillou | ... | producer |
Carole Baraton | ... | executive producer |
Constantin Briest | ... | associate producer |
Pavel Burya | ... | executive producer (as Pavel Buria) |
Mihai Busuioc | ... | line producer |
Yohann Comte | ... | executive producer (as Yohan Comte) |
Brady Corbet | ... | associate producer |
Ilya Dzhincharadze | ... | associate producer |
David Hinojosa | ... | producer |
Jamie Jessop | ... | executive producer |
Pamela Koffler | ... | producer |
Ben Kuller | ... | co-producer |
Whitaker Lader | ... | producer |
Pierre Mazars | ... | executive producer |
Andrew Morrison | ... | executive producer |
Murad Osmann | ... | executive producer |
Patricia Poienaru | ... | co-producer |
Ilya Stewart | ... | executive producer |
Peter Touche | ... | executive producer |
Christine Vachon | ... | executive producer |
Music by
Daniel Blumberg | ... | (music by) |
Cinematography by
André Chemetoff | ... | director of photography |
Editing by
Dávid Jancsó |
Editorial Department
Joe Beirne | ... | chief technology officer: Technicolor Postworks New York |
Scott Frace | ... | color engineer: The Mill |
Dávid Gerencsér | ... | assistant editor (as David Gerencser) |
Javier Gomez | ... | negative film prepare for scan: Cinelabs Romania / negative film prepare for telecine: Filmlabs Romania |
Clark Henderson | ... | svp theatrical services: Technicolor Postworks New York |
Isaac Hoff | ... | assistant editor |
Eric Horwitz | ... | digital intermediate engineer: Technicolor Postworks New York |
Viktória Kiss | ... | assistant editor (as Viktoria Kiss) |
Lili Makk | ... | assembly editor |
Catalin Miloiu | ... | telecine dailies: Cinelab Romania |
Eszter Málnási Csizmadia | ... | assistant editor (as Eszter Malanasi Csizmadia) |
Gyula István Mózes | ... | dailies coordinator (as Gyula Mozes) |
Ilka Janka Nagy | ... | first assistant editor |
Elias Nousiopoulos | ... | color assist: The Mill |
Pete Olshansky | ... | account executive: Technicolor Postworks New York |
Javier Ortega | ... | negstive film prepare for scan: Cinelabs Romania |
Viorel Popescu | ... | negative film processing: Cinelabs Romania |
Megan Rumph | ... | color producer: The Mill |
Viorel Stoica | ... | negatigve film processing: Cinelabs Romania |
Patriciana Tenicela | ... | digital intermediate producer: Technicolor Postworks New York |
Damien Vandercruyssen | ... | colorist: The Mill (as Damien van der Cruyssen) |
Dóra Vaszily | ... | assistant editor (as Dora Vaszily) |
Brian Woos | ... | digital intermediate conform editor: Technicolor Postworks New York |
Brett Meyers | ... | digital restoration technician (uncredited) |
Casting By
Domnica Circiumaru | ... | (Romania) |
Production Design by
Jean-Vincent Puzos |
Art Direction by
Anca Perja | ||
Anca Perjaas | ... | supervising art director |
Andrei-Florian Popa | ... | (as Andrei Popa) |
Set Decoration by
Andreea Popa |
Costume Design by
Luminita Lungu |
Makeup Department
Gabriela Gociu | ... | hair stylist / makeup artist |
Gemma Hoff | ... | makeup designer |
Clara Peta | ... | hair stylist / makeup artist |
Clara Tudose | ... | hair and make-up: "b" unit (uncredited) |
Production Management
Teo Bostanica | ... | unit manager |
Mihai Busuioc | ... | unit production manager |
Mark Sean Haynes | ... | post-production supervisor |
Second Unit Director or Assistant Director
Emilie Balusson | ... | second assistant director |
Bianca Bumbacea | ... | trainee assistant director |
Simona Dinu | ... | first assistant director |
Ionut Sirbu | ... | third assistant director |
Célie Valdenaire | ... | assistant director: "b" unit |
Art Department
Denisa Avram | ... | art department trainee |
Emil Badea | ... | leadman assistant |
Florin Badita | ... | assistant property master |
Mihai Ciurel | ... | buyer |
Radu Costache | ... | assistant property master |
Eugen Cristea | ... | assistant property master |
Butiseaca Florin | ... | painter |
Florin Gavrila | ... | painter |
Marius Gherman | ... | additional swing gang |
Adi Handac | ... | property master |
Lara Hirzel | ... | assistant production designer |
Florian Ionita | ... | swing gang |
Ionel Ionita | ... | swing gang |
Florin Mazgaciu | ... | leadman assistant / swing gang |
Mihaita Mazgaciu | ... | swing gang |
Sorin Mihalache | ... | swing gang |
Marius Mititelu | ... | swing gang |
Bogdan Olariu | ... | sculptor (as Bogdan Olariu) |
Geaniloni Sandru | ... | painter (as Gianiloni Sandru) |
Adi Selaru | ... | additional swing gang |
Gabriel Serban | ... | additional swing gang |
Stefania Slatculescu | ... | art department trainee |
Cristian Stefan | ... | swing gang |
Costin Stroe | ... | swing gang |
Mugur Szabo | ... | leadman |
Alin Tarnita | ... | swing gang |
Daniel Timoc | ... | swing gang |
Dan Toma | ... | leadman |
Florin Toma | ... | leadman |
Ionut Weighel | ... | additional swing gang |
Ionel Branzoi | ... | scenic painter (uncredited) |
Elise Puzos | ... | set dresser (uncredited) |
Béla Rusu | ... | construction coordinator (uncredited) |
Sound Department
Leslie Bloome | ... | foley artist |
Ryan Collison | ... | foley mixer |
Marius Emil Stanescu | ... | sound mixer (as Marius Stanescu) |
Joanna Fang | ... | foley artist |
Marian Gabriel | ... | boom operator |
Josh Heilbronner | ... | supervising dialogue editor/adr editor |
Claudiu Marginean | ... | boom operator |
Javier Ortega | ... | sync sound dailies: Cinelabs Romania |
Nicolas Seaman | ... | foley mixer |
Leslie Shatz | ... | re-recording mixer / sound designer |
Andrei Stan | ... | boom operator |
Special Effects by
Octavian Dragulin | ... | special effects technician |
Daniel Dumitrescu | ... | special effects technician |
Viorel Militaru | ... | special effects technician |
George Petrache | ... | on-set special effects technician / special effects coordinator |
Nicusor Petre | ... | special effects supervisor |
Dorel Simion | ... | special effects technician |
Florin Stoian | ... | special effects coordinator |
Visual Effects by
Cristi Deliu | ... | head of scan department: scnning vfx and feature, Cinek=labs Romania |
Alexandru-Alin Dumitru | ... | visual effects supervisor (as Alin Dumitru) |
Javier Ortega | ... | scan assistant: scanning vfx and feature, Cinelabs Romania |
Cornelia Popa | ... | sales and lab manager: scanning vfx and feature, Cinelabs Romania |
Maximilian Tucudean | ... | visual effects artist |
Liviu Dinu | ... | on-set visual effects supervisor (uncredited) |
Alex Noble | ... | compositor (uncredited) |
Stunts
Catalin Banghea | ... | stunts |
Nicolae Constantin | ... | stunts |
Marilena Cristache | ... | stunt double: Abigail |
Andreea Cristea | ... | stunts |
Ciprian Dumitrascu | ... | stunt coordinator |
Sever Dumitru | ... | stunts |
Alexandru Erlich | ... | stunts (as Alexandru Elrich) |
Marius Florian | ... | stunts |
Ovidiu Marculescu | ... | stunts |
Robert Toma | ... | stunts |
Camera and Electrical Department
Octavian Andreescu | ... | gaffer |
Lupsa Armand | ... | best boy electrician (as Armand Lupsa) / best boy |
Chiriac-Dinu Bogdan | ... | grip |
Costea Bogdan | ... | grip |
Daniel Branza | ... | electrician |
Alexandru Bucsan | ... | best boy electrician |
Alexandru Chiriac | ... | grip |
Vlad Cioplea | ... | still photographer |
Daniel Cosor | ... | electrician |
Vlad Cosor | ... | electrician |
Butnariu Daniel | ... | first assistant camera: "b" unit |
Liviu Darescu | ... | electrician |
Marian Darie | ... | techno crane grip |
Adrian Dobre | ... | electrician |
Andrei Draghici | ... | grip |
Daniel Dumitru | ... | grip |
Cosmin Fericeanu | ... | steadicam operator |
Alexandru Frangulea | ... | second assistant camera: "b" unit (as Alex Frangulea_) / second assistant camera: B camera |
Daniel Gheorghe | ... | grip |
Mihai Granaru | ... | electrician |
Cristian Grosu | ... | camera loader |
Sebastian Imbrea | ... | electrician |
Adrian Ivan | ... | second assistant camera: "b" unit |
Andrei Karastanef | ... | second assistant camera (as Andrei Carastanef) |
Lorand Marton | ... | camera loader: test |
Liviu Oborogeanu | ... | electrician |
Razvan Paslaru | ... | key grip |
Victor Petre | ... | first assistant camera |
Liviu Pojoni Jr. | ... | director of photography: "b" camera (as Liviu Pojoni) |
Marius Predescu | ... | grip |
Andrei Radu | ... | video assistant trainee |
Aurelian Radu | ... | grip |
Dragos Cristian Radu | ... | first assistant camera: "b" unit (as Radu Dragos Cristian) |
Matei Reu | ... | video assistant |
Antonio Salabaseev | ... | still photographer |
Gabriel Sora | ... | gaffer |
Constantin Stan | ... | second assistant camera |
Bogdan Talpeanu | ... | still photographer |
Catalin Tudor | ... | video assistant |
Vasile Dodu | ... | best boy electrician (uncredited) |
Casting Department
Liliana Toma | ... | extras casting |
Dann Fink | ... | adr voice casting (uncredited) |
Bruce Winant | ... | adr voice casting (uncredited) |
Costume and Wardrobe Department
Laurentiu Alexe | ... | key costumer |
Erika Benedek | ... | ageing |
Carmen Cristea | ... | key costumer |
Zlotea Florenta | ... | key costumer |
Lavinia Geambasu | ... | costume supervisor |
Adriana Marincea | ... | key costumer |
Diana Sav | ... | key costumer |
Csongor Ujfalvi | ... | ageing |
Anca Visan | ... | buyer |
Location Management
Bogdan Sulica | ... | location manager |
Music Department
Daniel Blumberg | ... | musician: clarinet / score producer |
Peter Brötzmann | ... | musician: bass clarinet |
Josephine Foster | ... | musician: voice |
Ute Kanngeisser | ... | musician: cello |
Tracy McKnight | ... | music supervisor |
Steve Noble | ... | musician: cowbells |
Yoni Silver | ... | musician: bass clarinet |
Billy Steiger | ... | musician: violin |
Peter Walsh | ... | score producer / score recorded and mixed by |
Alex Ward | ... | musician: clarinet |
Tom Wheatley | ... | additional arrangement by / musician: double bass |
Jahn Sood | ... | music editor (uncredited) |
Script and Continuity Department
Andra Barbuica | ... | script supervisor |
Monica Tatu | ... | script supervisor |
Mihnea Vonica | ... | script supervisor trainee |
Transportation Department
Marius Alexiu | ... | driver |
George Barbu | ... | driver |
Marian Burcin | ... | driver |
Catalin Ciobanu | ... | driver |
Alexandru Dinca | ... | driver |
Vasile Enache | ... | driver |
Sorin Enculescu | ... | driver |
Gheorghe Ene | ... | driver |
Stefan Eusebiu | ... | driver (as Eusebiu) |
Vali Georgescu | ... | transportation coordinator (as Valentin Georgescu) |
Bogdan Ioanita | ... | driver |
Cristian Istrate | ... | driver |
Ion Mandru | ... | driver |
Marian Maracine | ... | driver |
Vali Matac | ... | driver |
Stefan Oana | ... | driver |
Valentin Orcea | ... | driver |
Nelu Pacaleanu | ... | driver |
Catalin Pascanu | ... | driver |
Ilie Petrica | ... | driver |
Costel Pletoianu | ... | driver |
Ionel Popa | ... | transportation captain |
Laurentiu Stancu | ... | driver (as Laurentiu) |
Adrian Stefanidis | ... | driver |
Ionut Vasile Tanase | ... | driver (as Ionut Tanase) |
Silviu Teleaga | ... | driver |
Cristina Toma | ... | driver |
Marius Toma | ... | driver |
Marian Turtoi | ... | driver |
Popa Valentin | ... | driver |
Additional Crew
Tony Andrei | ... | medic on set |
Ana-Maria Baciu | ... | legal services: Simion & Baciu |
Florica Badea | ... | cleaning |
Sebastian Bostanica | ... | additional production assistant |
Elizaveta Chalenko | ... | development executive: Hype Film |
Vicki Cherkas | ... | finance and production legal counsel |
Marilena Cristache | ... | horse wrangler |
Alina Dinu | ... | audit services: CSR Expertise |
Dalila Dulgheriu | ... | epk |
Marian Dumitrache | ... | additional production assistant |
Elena Dumitrescu | ... | assistant production coordinator |
Ana Dunitriu | ... | production assistant |
Gabe Elder | ... | epk |
Sydney Foos | ... | development executive: Killer Films |
Lucy Foweraker | ... | insurance: Tysers |
Maria Garbovanu | ... | extras coordinator |
Matiana Gheorghisor | ... | assistant accountant |
Paul Hillier | ... | insurance: Tysers |
Filimon Iordache | ... | horse wrangler |
Andreea Ivan | ... | stand-in |
Jared Jones | ... | coordinator: Killer Films |
Anne Lise | ... | craft service |
Paraschiv Ionut Marian | ... | set production assistant |
Ionut Marin | ... | key set production assistant |
Theresa L. Marsh | ... | production accountant: USA |
Dan Mirea | ... | additional production assistant |
Clint D. Mock | ... | production incentive consultant |
Ali Moshref | ... | production executive: Film Finances |
Valentin Nanciu | ... | medic on set |
Rica Valentin Olteanu | ... | set production assistant |
Indries Oni | ... | set production assistant |
Marina Opera | ... | audit services: CSR Expertise |
Liviu Opran | ... | medic on set |
Traian Pantazi | ... | medic on set |
Ciprian Petre | ... | additional production assistant |
Dorina Popa | ... | assistant accountant |
Iulian Prodan | ... | additional production assistant |
Helen Sam | ... | vice president post production: Film Finances |
Jorge L. Sanchez | ... | finance and production legal counsel (as Jorge Sanchez) |
Mihaela Servan | ... | work security |
Chandra C. Silver | ... | director of production: Film FInances |
Marian Simion | ... | stand-in |
Codrut Slatculescu | ... | production coordinator |
Katrina Stagner | ... | joint managing director: UK, Film Finances |
Cosmin Stere | ... | set production assistant |
Marian Stoian | ... | additional production assistant |
Stefan Tolea | ... | medic on set |
Cristi Vasile | ... | set production assistant |
Radu Voicu | ... | set production assistant |
Aaron Weiss | ... | finance and production legal counsel |
Péter Závorszky | ... | end titles created by (as Peter Zavorsky) |
Jonas Benhaiem | ... | acquisitions manager: Charades (uncredited) |
Pauline Boucheny Pinon | ... | business affairs: Charades (uncredited) |
Jean-Félix Dealberto | ... | sales agent: Charades (uncredited) |
Agar Forjan | ... | for Golden Arrow Entertainment (uncredited) |
Nadine Luque | ... | for Golden Arrow Entertainment (uncredited) |
Mathilde Martin | ... | marketing manager: Charades (uncredited) |
Rea Nolan | ... | dialect coach: Vanessa Kirby (uncredited) |
Nicolas Rebeschini | ... | festivals manager: Charades (uncredited) |
Thanks
Elizabeth Baxa | ... | special thanks |
Houston Costa | ... | special thanks |
Jenny Lam | ... | special thanks |
Floriana Lima | ... | special thanks |
Jesse Plemons | ... | the director would like to thank |
Nick Shumaker | ... | very special thanks |
Nicola Walter | ... | special thanks |
Brian Young | ... | the director would like to thank |
Production Companies
- Arsia Production (Production Services)
- Charades
- Hype Film
- Ingenious Media
- Killer Films
- M.Y.R.A. Entertainment
- Panasper Films
- Sailor Bear
- Sea Change Media
- Sony Pictures Worldwide Acquisitions (SPWA)
- Yellow Bear Films
Distributors
- Feelgood Entertainment (2021) (Greece) (theatrical)
- Sony Pictures Releasing (2021) (Netherlands) (theatrical) (through Universal Pictures International)
- Universal Pictures International (UPI) (2021) (Netherlands) (theatrical) (through)
- Bleecker Street Media (2020) (United States)
- Sony Pictures Worldwide Acquisitions (SPWA) (2019) (United States)
- Stage 6 Films (2020) (Non-US)
- levelFILM (2021) (Canada) (video) (Digital and VOD)
Special Effects
- Technicolor Postworks New York (digital services by)
Other Companies
- Albatraders (catering)
- Alchemy Post Sound (foley services provided by)
- Cinelabs Romania (front lab)
- Cinelabs Romania (post-production)
- Economy Sound and Digital (post sound package provided by)
- Endeavor Content (distribution advisory services)
- Extreme Reach (payroll services provided by)
- Film Finances (completion guarantee provided by)
- Freeway CAM B.V. (collection account management)
- GSR Expertise (audit services provided by)
- Golden Arrow Entertainment (production monitoring)
- ICM Partners (distribution advisory services)
- RP Studios (wig: Vanessa Kirby)
- Simion & Baciu (legal services provided by)
- The Mill (color provided by)
- Tysers (insurance provided by)
- United Talent Agency (UTA) (distribution advisory services)
- Wise Music Group (music sales)
Storyline
Plot Summary |
In upstate New York in the 1850s, Abigail begins a new year on the rural farm where she lives with her husband Dyer. As Abigail considers the year to come through her journal entries, we experience the marked contrast between her deliberate, stoic manner and her unraveling complex emotions. Spring arrives and Abigail meets Tallie, an emotionally frank and arrestingly beautiful newcomer renting a neighboring farm with her husband, Finney. The two strike up a tentative relationship, filling a void in their lives which neither knew existed. Written by La Biennale |
Plot Keywords | |
Genres | |
Parents Guide | View content advisory » |
Certification |
|
Additional Details
Also Known As |
|
Runtime |
|
Official Sites | |
Country | |
Language | |
Color | |
Aspect Ratio |
|
Filming Locations |
Did You Know?
Trivia | The film was shot in a national park in Romania, and every set was designed by renowned production designer Jean-Vincent Puzos, and built from scratch. See more » |
Goofs | When Dyer meets Tallie for the first time he greets her by saying "hello". But hello did not become a greeting like that until the late 19th century when Alexander Graham Bell popularized it as a telephone greeting. In the mid 19th century, "hello" was mainly used as an exclamation or to draw attention to something. The proper greeting in the 1850s would have been "good day". See more » |
Movie Connections | Referenced in Casey Affleck/Anthony Atamanuik (2021). See more » |
Soundtracks | The World to Come See more » |
Quotes |
Abigail:
Meeting you has made my day Tallie: Oh, how pleasant and uncommon it is to make someone's day See more » |